An award-winning and canonical history of radical feminism, whose activist heat and intellectual audacity powered second-wave feminism—thirtieth anniversary edition
A fascinating chronicle of radical feminism’s rise and fall from the mid-60s to the mid-70s, Daring to Be Bad is a must-listen for both students of gender history and activists of intersectionality. This thirtieth anniversary edition reveals how current debates about race, transgender rights, queer theory, and sexuality echo issues that galvanized and divided feminists fifty years ago.
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“Thirty years after its publication, Daring to Be Bad feels more essential than ever. Alice Echols captures the heady vision of radical feminism and documents the wrenching challenges the movement confronted, not least within its own ranks. Both rigorous and generous, Daring to Be Bad offers vital lessons to students of the revolutionary past and to aspirants for a feminist future.”
— Jane Kamensky, Pforzheimer Foundation Director of the Schlesinger Library on the History of Women in America
“To learn more about the rise and fall of radical feminism, I highly recommend Alice Echols’s Daring to Be Bad, a detailed and vivid account of the movement’s history.”
— New Yorker“Many younger feminists have a fairly negative stereotype of radical feminism: that it was an exclusively white and middle-class movement that promoted gender essentialism, ‘woman’s energy,’ separatism transphobia, and banning pornography … No book shattered that stereotype for me more than Daring to Be Bad.”
— Bitch MediaBe the first to write a review about this audiobook!
Alice Echols is professor of history and the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California. She has written four books about the long Sixties, including Scars of Sweet Paradise: The Life and Times of Janis Joplin and Hot Stuff: Disco and the Remaking of American Culture.
Bernadette Dunne is the winner of numerous AudioFile Earphones Awards and has twice been nominated for the prestigious Audie Award. She studied at the Royal National Theatre in London and the Studio Theater in Washington, DC, and has appeared at the Kennedy Center and off Broadway.