Crooked Seeds: A Novel Audiobook

Quotes

• This is an extraordinary novel. It is shattering, almost unbearable, yet—so good, so clear—it is unputdownable.

  — Roddy Doyle, Booker Prize-winning author of Paddy Clarke Ha Ha Ha

• This is an extraordinary novel. It is shattering, almost unbearable, yet—so good, so clear—it is unputdownable.

  — Roddy Doyle, Booker Prize–winning author of Paddy Clarke Ha Ha Ha

• Deidre’s the kind of character who gets under your skin: furious, flawed and utterly unique. Jennings writes about broken people with unflinching honesty and deep compassion. A quietly devastating novel.

  — Jan Carson, author of The Raptures

• Deidre’s the kind of character who gets under your skin: furious, flawed and utterly unique. Jennings writes about broken people with unflinching honesty and deep compassion. This is a quietly devastating novel.

  — Jan Carson, author of The Raptures

• Karen Jennings is a modern master of the castaway novel. Her characters are often exiled from the world—physically or psychologically, sometimes both. Crooked Seed’s Deidre and Trudy are unforgettable characters living on the margins of life. Together they make this an unsparing, yet profoundly beautiful novel.

  — Chigozie Obioma, author of The Fishermen and An Orchestra of Minorities

• Deidre’s the kind of character who gets under your skin: furious, flawed, and utterly unique. Jennings writes about broken people with unflinching honesty and deep compassion. This is a quietly devastating novel.

  — Jan Carson, author of The Raptures

• Bleak and provocative . . . leaves readers with much to ponder about South Africa’s painful history . . . There are no easy answers in Jennings’s knotty narrative.

  — Publishers Weekly

• The past comes back to haunt a woman whose life is deteriorating in this powerful new novel from Booker Prize–longlisted author [Karen] Jennings. . . . With evocative prose and an apocalyptic setting, Jennings brings these complicated women to life while the world around them slowly crumbles. Readers will be captivated by this compelling novel about the corrosive power of family secrets.

  — Booklist

• [An] outstandingly good novel . . . Reminiscent of other South African writers: Gordimer, Galgut, Coetzee . . . [Jennings] has many qualities of her own, not least a very dark humour that surfaces with perfect timing . . . This is not a ‘feel good’ book, but it did make me feel good—feel joy, in fact, at its precise pursuit of its vision, at its grownup complexity and at the way Deidre is such a perfectly realised fictional creation.

  — The Observer UK

• [An] outstandingly good novel . . . Reminiscent of other South African writers: Gordimer, Galgut, Coetzee . . . [Jennings] has many qualities of her own, not least a very dark humour that surfaces with perfect timing. . . . This is not a ‘feel good’ book, but it did make me feel good—feel joy, in fact, at its precise pursuit of its vision, at its grown-up complexity and at the way Deidre is such a perfectly realised fictional creation.

  — The Observer (UK)

• Jennings has summoned a rotting wraith of South Africa’s discarded apartheid culture . . . This is a novel that dares to push us beyond disgust, beyond pity, to a point where we’re forced to touch the swollen tumor of another person’s deepest humiliation. The real artistry of Crooked Seeds lies in Jennings’s ability to make this story feel so propulsive. In a sense, Jennings has created a South African version of Sam Shepard’s Buried Child. Could any person’s suffering expiate the sins of South Africa? These are questions this urgent novel forces upon us. Crooked Seeds leaves us reeling.

  — The Washington Post

• Karen Jennings’ Crooked Seeds has a moral and psychological precision that sharpens its examination of apartheid’s legacy, and effects a bleak study, unsparing but compassionate, of a character broken by trauma.

  — The Sydney Morning Herald

• Karen Jennings's Crooked Seeds has a moral and psychological precision that sharpens its examination of apartheid’s legacy, and effects a bleak study, unsparing but compassionate, of a character broken by trauma.

  — The Sydney Morning Herald