" I thought this succeeded for the same basic reason that Barry's previous novel, "Jennifer Government," failed: In "Government," he was so busy sketching a macro-world with broad strokes that he didn't have any creative energy left over for the actual characters, and so nearly all of them came off as wooden and unidimensional (none more so than the five stock villains with the same last name, as part of the book's central conceit). With "Company," by sticking closer to what he knows (he worked at HP for several years before turning to fiction) and focusing his energies on a micro-world, I thought he was able to give both the world and the people within it the attention and detail they deserved. Also, placing his micro-world more firmly in the nether area between fantasy and reality, rather than making it a full-on fictional dystopia, gave his frequent dips into Palahniuk-style "this is how the world works" rhetoric more weight. That sort of thing always walks a thin line between lofty wisdom and bombastic pedantry. "
— Evan, 2/6/2014