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“Taken together, the book’s eight compulsively readable chapters, each focused on a different Iranian, paint a harrowing portrait of the city today…Readers are granted a panoramic view of Tehrani society: from the faux-Greek mansions that house the nouveau riche in the city’s north, to a midtown bustling with students, merchants, and young women with ‘enough make-up to make a drag queen recoil,’ to the shacks and poverty of south Tehran.”
— Wall Street Journal
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City of Lies is an extraordinary insight into a country barely known-and often feared-by the West.
— Vogue
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“City of Lies is an extraordinary insight into a country barely known—and often feared—by the West.”
— Vogue
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“It is here, amid the tire shops and garages, the ‘decaying houses shedding brick and dust into gaping holes and alleys that spread out like rivulets, some barely wider than two shoulders, where dirt-encrusted children with matted hair played in the streets next to smacked-out prostitutes slumped on the cracked asphalt’ that Navai finds her best effects.”
— Guardian (London)
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“[Navai’s] beautifully written book captures the pace, pulse, and passions
of day-to-day existence.”
— Minneapolis Star-Tribune
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“An intriguing book based on
the premise that, to survive in a repressive regime where the government
believes it has the right to interfere in even your most intimate matters, you
have to lie…Navai has a reporter’s eye for the telling detail…This is a
timely and beautifully written insight into the lives of Tehranis—‘masters at
manipulating the truth,’ Navai says—just as their country seems to be opening
up.”
— Sunday Times (London)
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“[Navai’s] stories are almost unbelievable. They reveal a Tehran so riddled
with social, political, sexual, and religious contradictions that it’s
difficult to imagine how someone could navigate the fraught maze of daily life.
Navai stunned this reader with her attention to detail.”
— Sunday Telegraph (London)
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“[A] collection of beautifully written profiles.”
— Publishers Weekly
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“Navai, a British-Iranian journalist, takes readers on a journey of personal stories plucked from up and down the boulevard, from the grandeur of the northern points, with ornate houses from French colonial times and high-end shopping districts, to the crowded, working-class and poorer areas in the south…Navai writes with punch, providing an immediacy that makes for compulsive page-turning.”
— Booklist
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“The stories are real. But they are
written in a lively style that reads like a novel. Navai is impressive as a
reporter, finding these characters and convincing them to share their stories.
She also is an eloquent writer who uses her subjects to tell the larger tale of
the degradation of the Iranian culture.”
— BookPage