Church on the Couch: Does the Church Need Therapy? Audiobook, by Elaine Martens Hamilton Play Audiobook Sample

Church on the Couch: Does the Church Need Therapy? Audiobook

Church on the Couch: Does the Church Need Therapy? Audiobook, by Elaine Martens Hamilton Play Audiobook Sample
FlexPass™ Price: $16.95
$9.95 for new members!
(Includes UNLIMITED podcast listening)
  • Love your audiobook or we'll exchange it
  • No credits to manage, just big savings
  • Unlimited podcast listening
Add to Cart
$9.95/m - cancel anytime - 
learn more
OR
Regular Price: $21.99 Add to Cart
Read By: Sarah Rutan Publisher: Zondervan Listen Time: at 1.0x Speed 3.67 hours at 1.5x Speed 2.75 hours at 2.0x Speed Release Date: January 2010 Format: Unabridged Audiobook ISBN: 9780310869429

Quick Stats About this Audiobook

Total Audiobook Chapters:

12

Longest Chapter Length:

38:55 minutes

Shortest Chapter Length:

13:18 minutes

Average Chapter Length:

27:03 minutes

Audiobooks by this Author:

1

Publisher Description

Though most church leaders crave authenticity in their congregations, most also know it is an elusive goal. People by nature are self-protective. And although the gospel message that we are all sinners saved by grace ought to make people more real, the truth is many of our churches are plagued by fakeness. This inauthenticity hinders spiritual and emotional health and maturity. So what’s a church leader to do?The key, says Elaine Hamilton, is to go beyond talking about doing things differently. We have to act and live differently. It begins with leaders; the people will follow. We need to tell the truth about who we really are, and then provide forums for others to do the same. Church on the Couch helps you take practical steps toward changing the culture of your church. As the masks come off, the healing and growth will begin.

Download and start listening now!

Church on the Couch Listener Reviews

Be the first to write a review about this audiobook!

About Sarah Rutan

Christine Williams is a singer and actor based in Ashland, Oregon. Her performance credits include productions at regional theaters and on concert stages across the country and around the world, from the Oregon Shakespeare Festival and the Barbican Centre in London to the Aspen Music Festival and the Grotowski Institute in Poland.