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Download Broadcast Hysteria: Orson Welles' War of the World and the Art of Fake News Audiobook

Extended Audio Sample Broadcast Hysteria: Orson Welles War of the World and the Art of Fake News, by A. Brad Schwartz Click for printable size audiobook cover
0 out of 50 out of 50 out of 50 out of 50 out of 5 0.00 (0 ratings) (rate this audio book) Author: A. Brad Schwartz Narrator: Sean Runnette Publisher: Highbridge Audio Format: Unabridged Audiobook Delivery: Instant Download Audio Length: Release Date:
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An examination of the history behind the infamous radio play that aired in 1938. As an announcer read terrifying bulletins describing an invasion from outer space, listeners ran to alert neighbors and fled their homes in panic. But the broadcast was not b Download and start listening now!


Quotes & Awards

  • “Offers up many fresh details and, along the way, shows the many ways in which the whole [War of the Worlds] episode reverberates in our own time.”

    Wall Street Journal

  • “Deftly places Welles’ caper in the perspective of the time, when a real world war was looming, and the new medium of radio was enjoying a fleeting ‘Golden Age’ as it simultaneously was experimenting with other dubious forms of journalism.”

    Christian Science Monitor

  • “An impeccable account of the most famous radio show in history, a fascinating biography of Orson Welles, and a vital lesson about the responsibility of the media.”

    Publishers Weekly (starred review)

  • “Groundbreaking…Fascinating as an analysis of both pop-culture and the media.”

    Booklist (starred review)

  • “Though Schwartz’s detailed account of Orson Welles’ famous ‘War of the Worlds’ radio broadcast in June 1938 can stand on its own, Sean Runnette’s narration enhances the experience and helps listeners feel the full impact of the work. In a deep but gentle voice, he deftly moves through each chapter, choosing the right emphasis, speed, and tone for each moment. Even when rereading passages from the radio script, Runnette captures the right tone and energy from the original production. Schwartz provides a unique take on the event by pulling together different elements such as the history of radio news broadcasting, Orson Welles’ background, and the cultural context of the 1930s.”


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