" An interesting journey through the record industry's arrogant missteps as they tried to both maintain the status quo, milk the fat profits of the CD-ROM revolution, and get completely blindsided by peer-to-peer file sharing. The book itself is well-researched but lacks an overall cohesiveness, tending to bounce among topics e.g music genres, studios and their respective executives, payola, recording artists (a lot on 'Boy Bands') and so on while still attempting to follow a general time line. To the author's credit, a lot of the material was gleaned through sources other than direct interviews. Not many were willing to grant interviews. And those that did grant interviews tended to recall events in that indulged their egos... "
— Andy, 11/25/2013