All Our Yesterdays: A Novel of Lady Macbeth Audiobook, by Joel H. Morris Play Audiobook Sample

All Our Yesterdays: A Novel of Lady Macbeth Audiobook

All Our Yesterdays: A Novel of Lady Macbeth Audiobook, by Joel H. Morris Play Audiobook Sample
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Read By: Angus King, Ell Potter, Duncan Pow Publisher: Penguin Audio Listen Time: at 1.0x Speed 7.33 hours at 1.5x Speed 5.50 hours at 2.0x Speed Release Date: March 2024 Format: Unabridged Audiobook ISBN: 9780593826577

Quick Stats About this Audiobook

Total Audiobook Chapters:

32

Longest Chapter Length:

57:18 minutes

Shortest Chapter Length:

15 seconds

Average Chapter Length:

20:30 minutes

Audiobooks by this Author:

1

Publisher Description

A propulsive and piercing debut, set ten years before the events of Shakespeare’s historic play, about the ambition, power, and fate that define one of literature’s most notorious figures: Lady Macbeth.

Scotland, the 11th Century. Born in a noble household and granddaughter of a forgotten Scottish king, a young girl carries the guilt of her mother’s death and the weight of an unknowable prophecy. When she is married, at fifteen, to the Mormaer of Moray, she experiences firsthand the violence of a sadistic husband and a kingdom constantly at war. To survive with her young son in a superstitious realm, she must rely on her own cunning and wit, especially when her husband’s downfall inadvertently sets them free.

Suspicious of the dark devices that may have led to his father’s death, her son watches as his mother falls in love with the enigmatic thane Macbeth. Now a woman of stature, Lady Macbeth confronts a world of masculine power and secures the protection of her family. But the coronation of King Duncan and the political maneuvering of her cousin Macduff set her on a tragic course, one where her own success might mean embracing the very curse that haunts her and risking the child she loves.

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As sharp and cutting as an obsidian dagger, Joel H. Morris’s All Our Yesterdays dives deep into Lady Macbeth’s backstory, replacing desire with fear, calculation with grief, and loss, not ambition, as the spark that ignites her bloody journey. You’ll never read Shakespeare’s play the same way again.

— Liz Michalski, author of Darling Girl  

Quotes

  • Hail, Macbeth! A stunning meditation on the auspiciousness of silence, and intergenerational anguish. The evolution of Shakespeare’s Medea is a marvel to behold by Morris’s pen. I could not put this book down.

    — Isa Arsén, author of Shoot the Moon
  • A gorgeous evocation of a mother and son in a prison of their own too-powerful story, All Our Yesterdays is a triumph of both research and imagination, a heartbreaking and revelatory read.

    — Jennifer Croft, author of The Extinction of Irena Rey
  • Lady Macbeth is surely one of our most instantly recognizable characters, a shorthand now for heartless and overweening ambition. In All Our Yesterdays, Morris has given her the deep, nuanced, and complicated backstory she deserves. With witches! Thoroughly engrossing, highly recommended.

    — Karen Joy Fowler, author of Booth and We Are All Completely Beside Ourselves
  • Richly atmospheric, All Our Yesterdays takes the familiar material as a departure point and gives fresh voice to a woman maligned by history, tracing a mother’s unlikely rise to power and infusing it with political intrigue, dark magic, and the searing heartache of parenthood.

    — Olga Grushin, author of The Charmed Wife and Forty Rooms
  • [A] beautiful interpretation, which is so rich in its descriptions and well-crafted characters. . . A most enjoyable setup for the Scottish play.

    — Kirkus Reviews (starred)
  • Hail, Macbeth! A stunning meditation on the auspiciousness of silence, and intergenerational anguish. The evolution of Shakespeare’s Medea is a marvel to behold by Morris’s pen. I could not put this book down.

    — Isa Arsén, author of Shoot the Moon
  • “Intriguing. . . Crisp, no-nonsense prose conveys the narrative’s gathering darkness [and] Morris intelligently explores the era’s gender dynamics. . . [An] entertaining prequel to Shakespeare’s complex and haunting tragedy.

    — Publishers Weekly
  • A CrimeReads Most Anticipated Book of 2024

  • Thoughtful, eerie, and full of medieval magic, Morris’ take on the much-maligned lady will perhaps have you rooting for her and her partner, or at least, feeling some sympathy for her quest of vengeance.

    — CrimeReads
  • All characters are drawn with inventiveness and depth. . . Entirely illuminating. . . [A] beautifully realized tale of a daughter, mother, and wife ultimately at the mercy of Fate’s unknowable interventions.

    — Booklist
  • [A] wonderfully atmospheric novel. Morris drops the reader into a fully realized 11th-century world with all the sights and sounds. Carefully chosen words and small details shape this fearful and foreboding world. . . [A] rich study of one of the most vilified literary characters.

    — Historical Novels Review
  • Richly atmospheric, All Our Yesterdays takes the familiar material as a departure point and gives fresh voice to a woman maligned by history, tracing a mother’s unlikely rise to power and infusing it with political intrigue, dark magic, and the searing heartache of parenthood.

    — Olga Grushin, author of The Charmed Wife and Forty Rooms
  • A CrimeReads Most Anticipated BookA Paste.com Most Anticipated Historical Fiction Pick

  • "All Our Yesterdays is already drawing comparisons to Maggie O’Farrell’s Hamnet should have literature nerds frothing at the bit.

    — Paste

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About the Narrators

Angus King is a Scottish voice actor with roles in a number of television commercials, corporate videos, and video games. His extensive audiobook narration credits include Last Days of Christmas by Christopher Brookmyre, The Incident by Kenneth MacLeod, and Gallowglass by Gordon Ferris, among many others.

Ell Potter is a voice talent and audiobook narrator who has won an AudioFile Earphones Award and was a finalist for the prestigious Audie Award for best mystery thriller narration.