From a New York Times-bestselling historian comes the story of how the alphabet ordered our world.
A Place for Everything is the first-ever history of alphabetization, from the Library of Alexandria to Wikipedia. The story of alphabetical order has been shaped by some of history's most compelling characters, such as industrious and enthusiastic early adopter Samuel Pepys and dedicated alphabet champion Denis Diderot. But though even George Washington was a proponent, many others stuck to older forms of classification -- Yale listed its students by their family's social status until 1886. And yet, while the order of the alphabet now rules -- libraries, phone books, reference books, even the order of entry for the teams at the Olympic Games -- it has remained curiously invisible.
With abundant inquisitiveness and wry humor, historian Judith Flanders traces the triumph of alphabetical order and offers a compendium of Western knowledge, from A to Z.
A Times (UK) Best Book of 2020
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"Fascinating... A Place for Everything rewards us with a fresh take on our quest to stockpile knowledge. It feels particularly relevant now that search engines are rendering old ways of organizing information obsolete...That we have acquired so much knowledge is astounding; that we have devised ways to find what we need to know quickly is what merits this original and impressive book."
— New York Times
“This is an utterly charming book, packed with engrossing details.”
— The Times (London)“Offers something like a general history of the various ways humans have sorted and filed the world around them."
— The Spectator (London)“A fresh take on our quest to stockpile knowledge. It feels particularly relevant now that search engines are rendering old ways of organizing information obsolete…That we have acquired so much knowledge is astounding; that we have devised ways to find what we need to know quickly is what merits this original and impressive book."
— New York TimesFascinating . . . truly revelatory
— Wall Street JournalOne of the many fascinations of Judith Flanders's book is that it reveals what a weird, unlikely creation the alphabet is...an intriguing history not just of alphabetical order but of the human need for both pattern and intellectual efficiency.
— GuardianA charming repository of idiosyncrasy, a love letter to literacy that rightly delights in alphabetisation's exceptions as much as its rules.
— Financial TimesThis is an utterly charming book, packed with engrossing details.
— The Times (UK)For readers who love language or armchair historians interested in the evolution of linguistics, this is catnip. For the mildly curious, it's accessible, narratively adventurous, and surprisingly insightful about how the alphabet marks us all in some way...A rich cultural and linguistic history.
— KirkusA Place for Everything presents itself as a history of alphabetical order, but in fact it is much more than that. Rather, as the title suggests, it offers something like a general history of the various ways humans have sorted and filed the world around them.
— The SpectatorA library and academic essential rather than a catchpenny popular read (that, by the way, is a compliment).
— The Times of LondonQuirky and compelling... [Flanders] is a meticulous historian with a taste for the offbeat; the story of alphabetical order suits her well.
— Dan Jones, Sunday Times (UK)Surprising and copiously researched.
— Times Literary SupplementFlanders is one of our outstanding popular historians.... [A Place for Everything] is an exemplar of the form on which it focuses.
— The CriticJudith Flanders has a knack for making odd subjects accessible.
— iFlanders is especially good in discussing when and why alphabetical order was not used, or was resisted, even after it was available....The prose is engaging [and] the examples are to the point[.]” —Jack Lynch, Dictionaries: Journal of the Dictionary Society of North America
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Judith Flanders is the international bestselling author of The Invention of Murder and one of the foremost social historians of the Victorian era. She is a contributor to the London publications Daily Telegraph, Guardian, Spectator, and the Times Literary Supplement. Before turning her hand to writing, she worked as an editor for various publishing houses, including the publications department of the National Portrait Gallery, London.