The Mohawk phrase for depression can be roughly translated as ""a mind spread out on the ground."" In this urgent and visceral work, Alicia Elliott explores how apt a description that is for the ongoing effects of the personal, intergenerational, and colonial traumas she and so many Native people have experienced. Elliott's deeply personal writing details a life spent between Indigenous and white communities—a divide reflected in her own family—and engages with such wide-ranging topics as race, parenthood, love, art, mental illness, poverty, sexual assault, gentrification, and representation. Throughout, she makes thrilling connections, both large and small, between the past and present, the personal and political. A national bestseller in Canada, this updated and expanded American edition helps us better understand legacy, oppression, and racism throughout North America and offers us a profound new way to decolonize our minds.
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ALICIA ELLIOTT is a Tuscarora writer from Six Nations of the Grand River living in Brantford, Ontario, with her husband and child. Her writing has been published by The Malahat Review, The Butter, Room, Grain, The New Quarterly, CBC, The Globe and Mail, Vice, Maclean's, Today's Parent and Reader's Digest, among others. She's currently Creative Nonfiction Editor at The Fiddlehead, Associate Nonfiction Editor at Little Fiction | Big Truths, and a consulting editor with The New Quarterly. Her essay, "A Mind Spread Out on the Ground" won Gold at the National Magazine Awards in 2017, and another of her essays, "On Seeing and Being Seen: Writing With Empathy" was nominated for a National Magazine Award in 2018. She was the 2017-2018 Geoffrey and Margaret Andrew Fellow at UBC, and was chosen by Tanya Talaga to receive the RBC Taylor Emerging Writer Prize in 2018. Her short story "Unearth" has been selected by Roxane Gay to appear in Best American Short Stories 2018. Alicia is also presently working on a manuscript of short fiction.
Kyla Garcia is an AudioFile Earphones Award–winning narrator. Born and raised in Hoboken, New Jersey, she discovered acting at the age of eight when she played Lady Macbeth in a children’s adaptation of Shakespeare’s tragedy. She made her off-Broadway debut at fifteen when she played Dorothy in Oz: A Twisted Musical. Eleven years after she discovered her passion for acting, she would go on to play Lady Macbeth once again in London at the Globe Theatre, where she studied Shakespeare during her third year at Mason Gross School of the Arts. She received her BFA in acting from Rutgers University.