Amina Cain's unique wandering sensibility, her attention to the small and the surprising, finds a profound new expression in her first nonfiction book, a sustained meditation on writers and their work. Driven by primary questions of authenticity and freedom in the shadow of ecological and social collapse, Cain moves associatively through a personal canon of authors—including Marguerite Duras, Elena Ferrante, Renee Gladman, and Virginia Woolf—and topics as timely and various as female friendships, zazen meditation, neighborhood coyotes, landscape painting, book titles, and the politics of excess. A Horse at Night: On Writing is an intimate reckoning with the contemporary moment, and a quietly brilliant contribution to the lineage of Woolf's A Room of One's Own or Gass's On Being Blue, books that are virtuosic arguments for—and beautiful demonstrations of—the essential unity of writing and life.
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Amina Cain is the author of two collections of short fiction, Creature and I Go to Some Hollow. Her essays and short stories have appeared in n+1, the Paris Review Daily, BOMB, Full Stop, Vice, the Believer Logger, and elsewhere. She lives in Los Angeles and is a contributing editor at BOMB.
Ann Marie Gideon, an Earphones Award-winning narrator, is a professional actress based in Atlanta. She received a BFA in theater performance from the University of Memphis and trained at the Accademia dell’Arte in Arezzo, Italy. Throughout her college career, she gained professional experience by performing at Playhouse on the Square. Soon after, she toured across the country with the National Players and then landed in Atlanta, Georgia, with Georgia Shakespeare. She is now expanding her career into voice-over work, film, and television.