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The Twelve Tribes of Hattie (Oprahs Book Club 2.0): Oprahs Book Club 2.0 Audiobook, by Ayana Mathis Play Audiobook Sample

The Twelve Tribes of Hattie (Oprah's Book Club 2.0): Oprah's Book Club 2.0 Audiobook

The Twelve Tribes of Hattie (Oprahs Book Club 2.0): Oprahs Book Club 2.0 Audiobook, by Ayana Mathis Play Audiobook Sample
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Read By: Adam Lazarre-White, Adenrele Ojo, Bahni Turpin Publisher: Random House Audio Listen Time: at 1.0x Speed 6.83 hours at 1.5x Speed 5.13 hours at 2.0x Speed Release Date: December 2012 Format: Unabridged Audiobook ISBN: 9780804127264

Quick Stats About this Audiobook

Total Audiobook Chapters:

130

Longest Chapter Length:

05:46 minutes

Shortest Chapter Length:

15 seconds

Average Chapter Length:

04:44 minutes

Audiobooks by this Author:

2

Other Audiobooks Written by Ayana Mathis: > View All...

Plot Summary

Hattie Shepherd is no ordinary girl. At fifteen, she flees Georgia and settles in Philadelphia, hopeful that she'll be able to make a better life for herself. This is 1923, though, and racism and sexism abound in Southern US. Instead of a better life, she finds a good-for-nothing husband and a bleak future.

Before long, she starts to suffer all the more, as she realizes her new husband can do nothing to save her. Hattie can do nothing but watch as her two youngest children succumb to an illness she could have easily prevented. She raises her remaining children with hard love, certain they are to face the same hardships she will...but what of her own future? Packed in the pages of this novel lays hope in desperation and the tale of a woman who just wouldn't quit.

The Twelve Tribes of Hattie is a riveting collection of tales sure to please just about any reader.

Ayana Mathis is a newcomer to the American author scene. Born in Philadelphia, Pennsylvania, she comes from a long line of strong, independent women. Before writing books, she found work as a waitress, a researcher, and for a short time as a freelance writer. In 2011, she earned her MFA in writing from the Iowa Writer's Workshop. She has been given several literary honors, including a membership to Oprah's book club. Her books mainly concern Southern American life, and draw heavily from her background. She started writing at the age of eight.

"Rich characters...rich writing....I liked that each character had his or her own section-- at first I thought that Ayana Mathis wasn't weaving the family together...and that this might appear as a disconnect, because it sort of felt that way...But, in thinking about it further...it was the perfect way to reveal Hattie's children. I just finished the book..I need time to really sit and feel it thoroughly..I love this book..I want more...this is what I know for sure...smile...(a little Oprah pun)."

— Carrie (4 out of 5 stars)

Publisher Summary

The newest Oprah’s Book Club 2.0 selection.

 

The arrival of a major new voice in contemporary fiction. 

 

A debut of extraordinary distinction: Ayana Mathis tells the story of the children of the Great Migration through the trials of one unforgettable family.

In 1923, fifteen-year-old Hattie Shepherd flees Georgia and settles in Philadelphia, hoping for a chance at a better life. Instead, she marries a man who will bring her nothing but disappointment and watches helplessly as her firstborn twins succumb to an illness a few pennies could have prevented.  Hattie gives birth to nine more children whom she raises with grit and mettle and not an ounce of the tenderness they crave.  She vows to prepare them for the calamitous difficulty they are sure to face in their later lives, to meet a world that will not love them, a world that will not be kind. Captured here in twelve luminous narrative threads, their lives tell the story of a mother’s monumental courage and the journey of a nation. 

Beautiful and devastating, Ayana Mathis’s The Twelve Tribes of Hattie is wondrous from first to last—glorious, harrowing, unexpectedly uplifting, and blazing with life. An emotionally transfixing novel, a searing portrait of striving in the face of insurmountable adversity, an indelible encounter with the resilience of the human spirit and the driving force of the American dream.

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Quotes

  • “The opening pages of Ayana’s debut took my breath away. I can’t remember when I read anything that moved me in quite this way, besides the work of Toni Morrison.”

    — Oprah Winfrey
  • “Pulses with life and emotion…Thrilling.”

    — Parade
  • “A poetic novel…that focuses less on American progress than on the small but powerful moments that are strung together, like beads on a necklace, to make one long strand of a family’s history…Like Toni Morrison, the author has a gift for showing just how heavily history weighs on families, as a learned sense of hope or despair gets passed down from parents to children and dreams die little by little, generation after generation. But if the endless heartbreaks sound melodramatic, Mathis earns your sympathy by making the rare moments of happiness feel simple and true.”

    — Entertainment Weekly
  • “An exploration of race, gander, and struggle…Mathis writes with power and insight. Though less lyrical, she is a more accessible writer than Toni Morrison.”

    — USA Today
  • “An intimate, often lyrical daisy-chain of stories capturing the telling moments in the lives of people who have been harshly and irrevocably marked by the circumstances of their birth…Through them, we understand the way in which dreams and despair are passed between generations. We feel the exhilaration of starting over, the basic human need to belong, and the inexorable pull back to a place that, for better or worse, you call home.”

    — Vogue
  • “Mathis writes with uncommon narrative authority in The Twelve Tribes of Hattie, conjuring the lives of the Shepherd family with extraordinary psychological precision…[She] has a gift for imbuing her characters’ stories with an epic dimension that recalls Toni Morrison’s writing, and her sense of time and place and family will remind some of Louise Erdrich, but her elastic voice is thoroughly her own—both lyrical and unsparing, meditative and visceral, and capable of giving the reader nearly complete access to her characters’ minds and hearts…Astonishingly powerful.”

    — New York Times
  • “One of the finest-drawn portraits of a family…These are tales steeped in race, a mother’s scarred heart, and a world where illness, both mental and physical, keeps threatening to steal souls away. The stories are emotional, sharp, poignant, and beautiful, made so by Mathis’ compassionate and layered storytelling and truthful prose, which ultimately seals each member to their family fold…characters who courageously forge forward in their quest for identity, love, and the American dream.”

    — Dallas Morning News
  • “Mathis never loses touch with the geography and the changing national culture through which her characters move. The Twelve Tribes of Hattie is infused with African Americans’ conflicted attitudes about the North and the South during the Great Migration…In the long family arc that Mathis describes, the painful life of one remarkably resilient woman is placed against the hopes and struggles of millions of African Americans who held this nation to its promise.”

    — Washington Post
  • “This brutal, illuminating version of the twentieth century African-American experience belongs alongside those of Toni Morrison, Alice Walker, and Zora Neale Hurston.”

    — Newsday
  • “Lush yet deliberate…Elegant and sure…A complex and deeply humane story of a mother’s ferocious love and failures at loving…In the vivid specificity of Mathis’s tale, she is telling a universal story, and it is profoundly consoling.”

    — Boston Globe
  • “A triumph…A stone-cold stunner of a novel…Magnificently structured, and a sentence-by-sentence treasure—lyric, direct, and true.”

    — Salon
  • “The influence of Toni Morrison will be evident in this remarkable page-turner of a novel that spans decades and covers dreams lost, found, and denied.”

    — Chicago Tribune
  • “Visceral, heart-wrenching…Mathis brings considerable empathic gifts to the detailed realistic snapshots in Hattie’s family album, and to the sense of displacement that has contributed to generations of troubles and travails.”

    — San Francisco Chronicle
  • “Brilliant…Mathis’ first novel is an unvarnished look at the complexities of race, poverty, family, and motherhood that calls to mind the great works of authors like Toni Morrison and Alice Walker.”

    — Baltimore Times
  • “Hypnotic…evocative, ambitious…encompassing Dickinson, Morrison, and the poetry of Rita Dove…Mathis understands both heritage and craft.”

    — Cleveland Plain Dealer
  • “A stirring, soulful novel that spans 60 years and is told in many rich and varied voices. It’s the story of one formidable woman, and of her children—the ‘tribes’—at different stages of their sprawling lives. It’s the story of the Great Migration, and of its ripping, aching effects across the 20th century…The Twelve Tribes of Hattie wallops you from the first chapter, but the book’s emotional power grows with the story as the decades pass and the scope of this family’s life is revealed.”

    — Shelf Awareness
  • “Writing with stunning authority, clarity, and courage, debut novelist Mathis pivots forward in time, spotlighting intensely dramatic episodes in the lives of Hattie’s nine subsequent children (and one grandchild to make the ‘twelve tribes’), galvanizing crises that expose the crushed dreams and anguished legacy of the Great Migration…Mathis writes with blazing insight into the complexities of sexuality, marriage, family relationships, backbone, fraudulence, and racism in a molten novel of lives racked with suffering yet suffused with beauty.”

    — Booklist (starred review)
  • “Remarkable…Mathis weaves this story with confidence, proving herself a gifted and powerful writer.”

    — Publishers Weekly (starred review)
  • “Cutting, emotional…Pure heartbreak…Though Mathis has inherited some of Toni Morrison’s poetic intonation, her own prose is appealingly earthbound and plainspoken, and the book’s structure is ingenious…An excellent debut.”

    — Kirkus Reviews (starred review)
  • “Adenrele Ojo, Bahni Turpin, and Adam Lazarre-White infuse every ounce of life possible into the enormous cast of characters. Their voices shimmer with rage, sizzle with sex, and darken with despair as almost every possible misfortune unfolds to Hattie and her nine children. An Oprah’s Book Club pick, the novel captures the endless travails and tragedies Hattie experiences, but much more than the story of one woman’s family, it is an engrossing, heartbreaking, clear-eyed exploration of the hardships faced by the Southern African-Americans who went North at the beginning of the twentieth century, hoping for a better life. Winner of AudioFile Earphones Award.

    — AudioFile
  • Piercing…Ms. Mathis writes with uncommon narrative authority in The Twelve Tribes of Hattie, conjuring the lives of the Shepherd family with extraordinary psychological precision…Ms. Mathis has a gift for imbuing her characters’ stories with an epic dimension that recalls Toni Morrison’s writing, and her sense of time and place and family will remind some of Louise Erdrich, but her elastic voice is thoroughly her own – both lyrical and unsparing, meditative and visceral, and capable of giving the reader nearly complete access to her characters’ minds and hearts…Astonishingly powerful.

    — Michiko Kakutani, The New York Times, “10 Favorite Books of 2012”
  • The opening pages of Ayana’s debut took my breath away. I can’t remember when I read anything that moved me in quite this way, besides the work of Toni Morrison.

    — Oprah Winfrey
  • Lush yet deliberate…elegant and sure…a complex and deeply humane story of a mother’s ferocious love and failures at loving…In the vivid specificity of Mathis’s tale, she is telling a universal story, and it is profoundly consoling.

    — Laura Collins-Hughes, The Boston Globe 
  • Mathis never loses touch with the geography and the changing national culture through which her characters move. The Twelve Tribes of Hattie is infused with African Americans’ conflicted attitudes about the North and the South during the Great Migration…In the long family arc that Mathis describes, the painful life of one remarkably resilient woman is placed against the hopes and struggles of millions of African Americans who held this nation to its promise…One of the best [novels] of 2012.

    — Ron Charles, The Washington Post 
  • Raw and intimate…a brutal and poetic allegory of a family beset by tribulations…Mathis tempers the more operatic elements with tenderness and knowing glimpses into the human heart struggling to love…deeply felt.

    — Isabel Wilkerson, The New York Times Book Review 
  • Mathis renders her characters with vivid strokes, and, like her heroine, she is both compassionate and unsentimental about hardscrabble lives.

    — The New Yorker
  • A triumph…a stone-cold stunner of a novel…magnificently structured, and a sentence-by-sentence treasure – lyric, direct, and true.

    — David Daley, Salon
  • The influence of Toni Morrison will be evident in this remarkable page-turner of a novel that spans decades and covers dreams lost, found, and denied.

    — Elizabeth Taylor, Chicago Tribune, “Editor’s Choice
  • This brutal, illuminating version of the twentieth century African-American experience belongs alongside those of Toni Morrison, Alice Walker, and Zora Neale Hurston.

    — Marion Winik, Newsday
  • A poetic novel…that focuses less on American progress than on the small but powerful moments that are strung together, like beads on a necklace, to make one long strand of a family’s history…Like Toni Morrison, the author has a gift for showing just how heavily history weighs on families, as a learned sense of hope or despair gets passed down from parents to children and dreams die little by little, generation after generation. But if the endless heartbreaks sound melodramatic, Mathis earns your sympathy by making the rare moments of happiness feel simple and true.

    — Entertainment Weekly, Grade: A-
  • Visceral, heart-wrenching…Mathis brings considerable empathic gifts to the detailed realistic snapshots in Hattie’s family album, and to the sense of displacement that has contributed to generations of troubles and travails.

    — Jane Ciabattari, San Francisco Chronicle 
  • Full of conflict and emotion…all of the chapters have moments of grace, despair, and hope and different characters will likely resonate with different readers. The range of emotion and experience demonstrates how a family can stretch out in every direction and then be pulled up by the taut cords of love, responsibility, hatred, hope, and support.

    — Sessily Watt, Bookslut
  • An intimate, often lyrical daisy-chain of stories capturing the telling moments in the lives of people who have been harshly and irrevocably marked by the circumstances of their birth…Through them, we understand the way in which dreams and despair are passed between generations. We feel the exhilaration of starting over, the basic human need to belong, and the inexorable pull back to a place that, for better or worse, you call home.

    — Megan O’Grady, Vogue
  • Brilliant…Mathis’ first novel is an unvarnished look at the complexities of race, poverty, family, and motherhood that calls to mind the great works of authors like Toni Morrison and Alice Walker.

    — Baltimore Times
  • Pulses with life and emotion…thrilling.

    — Parade  
  • From the first sentence on, Mathis writes vividly and sensitively of one family’s journey and struggles over a lifetime, creating a stirring portrait of family, loss, and endurance in the twentieth century…a beautiful tapestry.

    — Courtney Allison, Everyday eBook
  • A stirring, soulful novel that spans 60 years and is told in many rich and varied voices. It’s the story of one formidable woman, and of her children—the ‘tribes

    — at different stages of their sprawling lives. It’s the story of the Great Migration, and of its ripping, aching effects across the 20th century…The Twelve Tribes of Hattie wallops you from the first chapter, but the book’s emotional power grows with the story as the decades pass and the scope of this family’s life is revealed.
  • One of the finest-drawn portraits of a family…These are tales steeped in race, a mother’s scarred heart, and a world where illness, both mental and physical, keeps threatening to steal souls away. The stories are emotional, sharp, poignant, and beautiful, made so by Mathis’ compassionate and layered storytelling and truthful prose, which ultimately seals each member to their family fold…characters who courageously forge forward in their quest for identity, love, and the American dream.

    — The Dallas Morning News  
  • Masterfully written. Capturing a range of settings and time periods, from a Southern jazz club in the 1940s to a beach in Vietnam in the 1960s, each member of the family is rendered with subtlety and honesty…always authentic and alive.

    — Lambda Literary
  • Loneliness and hard-won grace pervade Ayana Mathis’ virtuoso debut novel…As her characters suffer and stray, she walks the fine line of treating them with compassion but never sentimentality…Mathis’ novel is about human experiences that we all share, about love and loss, and about the tremendous distances and inextricable bonds that form our families.

    — Tampa Bay Times 
  • Hypnotic…evocative, ambitious…encompassing Dickinson, Morrison, and the poetry of Rita Dove…Mathis understands both heritage and craft.

    — The Cleveland Plain Dealer
  • Mathis’ writing is beautiful and confident; she moves from one voice and scene to the next with ease and creates rich characters and vivid settings. She gets to the heart of these people, gets their voices just right and gives each one a unique perspective and personality…Literary readers will enjoy the craftsmanship and emotional reach, and it’s a natural choice for book clubs with lots to talk about…It’s a beautiful work with more than a dash of heartbreak and hope.

    — Boston Bibliophile
  • An exploration of race, gander, and struggle…Mathis writes with power and insight. Though less lyrical, she is a more accessible writer than Toni Morrison.

    — USA Today
  • Beautiful…The Twelve Tribes of Hattie will break your heart, but give you hope—and illuminate the harsh realities of poverty, racism, and unmet expectations. It’s not an easy read, but it’s worth it.

    — Examiner.com
  • The Twelve Tribes of Hattie is a vibrant and compassionate portrait of a family hardened and scattered by circumstance and yet deeply a family. Its language is elegant in its purity and rigor. The characters are full of life, mingled thing that it is, and dignified by the writer’s judicious tenderness towards them. This first novel is a work of rare maturity.

    — Marilynne Robinson
  • The Twelve Tribes of Hattie is beautiful and necessary from the very first sentence. The human lives it renders are on every page lowdown and glorious, fallen and redeemed, and all at the same time. They would be too heartbreaking to follow, in fact, were they not observed in such a generous and artful spirit of hope, in a spirit of mercy, in the spirit of love. Ayana Mathis has written a treasure of a novel.

    — Paul Harding
  • Writing with stunning authority, clarity, and courage, debut novelist Mathis pivots forward in time, spotlighting intensely dramatic episodes in the lives of Hattie's nine subsequent children (and one grandchild to make the ‘twelve tribes’), galvanizing crises that expose the crushed dreams and anguished legacy of the Great Migration….Mathis writes with blazing insight into the complexities of sexuality, marriage, family relationships, backbone, fraudulence, and racism in a molten novel of lives racked with suffering yet suffused with beauty.

    — Donna Seaman, Booklist (starred)
  • Remarkable…Mathis weaves this story with confidence, proving herself a gifted and powerful writer.

    — Publishers Weekly (starred)
  • Cutting, emotional…pure heartbreak…though Mathis has inherited some of Toni Morrison’s poetic intonation, her own prose is appealingly earthbound and plainspoken, and the book’s structure is ingenious…an excellent debut.

    — Kirkus Reviews (starred)

Awards

  • An Oprah’s Book Club Selection in 2012
  • Selected for the January 2013 Indie Next List
  • A New York Times bestseller
  • A Kirkus Reviews “New and Notable Title” in January 2013
  • Winner of an AudioFile Earphones Award
  • Nominated for the Barnes & Noble Discover Award
  • One of the New York Times Book Review 100 Notable Books of 2013
  • An NPR Best Book of the Year
  • A Chicago Tribune Editor’s Choice

The Twelve Tribes of Hattie (Oprah's Book Club 2.0) Listener Reviews

Overall Performance: 3.0833333333333335 out of 53.0833333333333335 out of 53.0833333333333335 out of 53.0833333333333335 out of 53.0833333333333335 out of 5 (3.08)
5 Stars: 1
4 Stars: 8
3 Stars: 9
2 Stars: 4
1 Stars: 2
Narration: 5 out of 55 out of 55 out of 55 out of 55 out of 5 (5.00)
5 Stars: 1
4 Stars: 0
3 Stars: 0
2 Stars: 0
1 Stars: 0
Story: 5 out of 55 out of 55 out of 55 out of 55 out of 5 (5.00)
5 Stars: 1
4 Stars: 0
3 Stars: 0
2 Stars: 0
1 Stars: 0
Write a Review
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5 Narration Rating: 5 out of 55 out of 55 out of 55 out of 55 out of 5 Story Rating: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    — Thiago Russo, 8/23/2020
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Luminous prose. Compelling characters. I loved the story of Floyd and the other children that are Hattie's tribe. Memorable images that make you realize how hard life was for those who took on the Great Migration. "

    — Lyn, 2/8/2014
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " I enjoyed this beautifully written book, although it's more of a rich character study with Hattie as its common thread than traditional novel. While the story is ultimately about Hattie, her struggle, her pain, her determination, I found myself wanting more resolution from the children's stories. "

    — Brent, 2/4/2014
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " I thought this was well-written, but I'm not sure what the point was. Very realistic characters, but they all end up miserable - all 12 of her children. What is the point? Ugh. "

    — Kari, 1/22/2014
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " I had mixed feelings while reading this book. It is really 12 short stories with a bit of overlap between the characters. It was well written and compelling at times, but I didn't have the opportunity to really get to know any of the characters or get very invested in their stories. "

    — Krista, 1/21/2014
  • Overall Performance: 1 out of 51 out of 51 out of 51 out of 51 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Feh. It's without a doubt beautifully written in true Iowa writer workshop style but the plot is thin and the characters tiresome after a while. "

    — Martha, 1/14/2014
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Great book, great writing and storytelling, but the end was a bit anti-climactic "

    — Massumeh, 1/13/2014
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " A very interesting way of writing about the life of a family. Mothers can definitely relate. "

    — Tina, 12/16/2013
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Like most Oprah picks, this book was heartbreaking. A good read but it left me sad. "

    — Lisa, 12/12/2013
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " some strong writing but I wanted more. each chapter was its own story. not very cohesive. "

    — Melissa, 12/10/2013
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " I made myself finish this book. It was ok but too disconnected the way it was written. Once I read the questions at the end, I understood the story better but was a shame I couldn't figure out on my own the relationship of Hattie's "tribe" . "

    — Wanda, 11/25/2013
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Excellent but too sad! "

    — Grace, 11/23/2013
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Interesting story of an everyday mom. Struggles she faced and stories of how her children turned out, somewhat fragmented. "

    — Lovestheride, 11/16/2013
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " This book is beautifully written, but incredibly tragic. It is so desolate that I stopped reading it. "

    — Karol, 9/14/2013
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Should've been "the twelve miserable lives of miserable Hattie". This was a pretty good book but it doesn't let up on these unfortunate lives. Hattie is a cold miserable woman. There is no joy, no hope, no comic relief. "

    — David, 5/1/2013
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " This is very much a book of short stories linked by Hattie, whose character evolves during snapshots of each of her children over a span of many years. It was very effective but I felt somewhat unsatisfied, wanting to know more about the rest of the story for these children. "

    — Suzanne, 4/24/2013
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Well written slice of life, but I was left thinking...."is that all?" "

    — Suzanne, 2/25/2013
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Mostly well-written but depressing to have so many flawed characters. I did love Hattie most of the time. I like the final chapter the best. "

    — Linda, 2/2/2013
  • Overall Performance: 1 out of 51 out of 51 out of 51 out of 51 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " I should have read the reviews before attempting to read this book. Finally quit when I got about 3/4's of the way through. Too depressing and no end in sight. "

    — Jill, 1/19/2013
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Great book. Sometimes I hate when each chapter is written by, or about, a different character, but this book flowed and tied everything in really well. "

    — Tanya, 1/15/2013
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " Had trouble getting into this because I couldn't identify too much with the characters. "

    — Marsha, 1/14/2013
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " I liked some of it but overall it read like a writing exercise....not a book. "

    — Jessica, 12/25/2012
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " I thought the book contained interesting portrayals of a variety of characters, mostly children of the main character, however, i didn't think it really hung together as an interesting story or novel overall. "

    — Suzanne, 12/19/2012
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5 Narration Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5 Story Rating: 0 out of 50 out of 50 out of 50 out of 50 out of 5

    " This was ok nothing extraordinary "

    — Dani, 12/18/2012

About Ayana Mathis

Ayana Mathis is a graduate of the Iowa Writers’ Workshop and is a recipient of the Michener-Copernicus Fellowship.

About the Narrators

Adam Lazarre-White, best known for starring as Nathan Hastings on The Young & The Restless, also gained notoriety on Living Single, Girlfriends, Will & Grace, The Parkers, and in the Emmy Award–winning miniseries The Temptations. His other television and film credits include Heroes, Grey’s Anatomy, Private Practice, Deliver Us from Eva, Ocean’s 13, All about You, and Forgiveness. Lazarre-White has many credits as a voice artist on commercial radio, television, and film. He graduated from Harvard and then returned home to New York to train at Terry Schreiber Studios and continue his work on LA stages, notably in Romeo & Juliet, The Trojan Women, and Neil Labute’s This Is How It Goes.

Adenrele Ojo is an actress, dancer, and audiobook narrator, winner of over a dozen Earphones Awards and the prestigious Audie Award for best narration in 2018. She made her on-screen debut in My Little Girl, starring Jennifer Lopez, and has since starred in several other films. She has also performed extensively with the Philadelphia Dance Company. As the daughter of John E. Allen, Jr., founder and artistic director of Freedom Theatre, the oldest African American theater in Pennsylvania, is no stranger to the stage. In 2010 she performed in the Fountain Theatre’s production of The Ballad of Emmett Till, which won the 2010 LA Stage Alliance Ovation Award and the Los Angeles Drama Critics Award for Best Ensemble. Other plays include August Wilson’s Jitney and Freedom Theatre’s own Black Nativity, where she played Mary.

Bahni Turpin, winner of numerous AudioFile Earphones Awards and several prestigious Audie Awards for her narrations, was named a “Golden Voice” by AudioFile magazine in 2019. Publishers Weekly magazine named her Narrator of the Year for 2016. She is an ensemble member of the Cornerstone Theater Company in Los Angeles. She has guest starred in many television series, including NYPD Blue, Law & Order, Six Feet Under, Cold Case, What about Brian, and The Comeback. Film credits include Brokedown Palace, Crossroads, and Daughters of the Dust. She is also a member of the recording cast of The Help, which won numerous awards.