Charles Arrowby, leading light of England's theatrical set, retires from glittering London to an isolated home by the sea. He plans to write a memoir about his great love affair with Clement Makin, his mentor, both professionally and personally, and amuse himself with Lizzie, an actress he has strung along for many years. None of his plans work out, and his memoir evolves into a riveting chronicle of the strange events and unexpected visitors-some real, some spectral-that disrupt his world and shake his oversized ego to its very core.
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"Profound and delicious for many reasons . . . A multilayered working out of her feelings about the intensity of romantic experience . . . [It] also happens to be intelligently and sympathetically concerned with four of my favorite things: swimming, eating, drinking and talking. . . . It is an ideal beach book—especially if you enjoy the cooler and pebblier and spookier northern sort of beach."
— Dwight Garner, The New York Times
Winner of the Booker Prize
Profound and delicious for many reasons . . . a multilayered working out of her feelings about the intensity of romantic experience. . . [it] also happens to be intelligently and sympathetically concerned with four of my favorite things: swimming, eating, drinking and talking . . . it is an ideal beach book—especially if you enjoy the cooler and pebblier and spookier northern sort of beach.
— Dwight Garner, The New York TimesA joy to read: a rollicking story that seems endlessly to be building towards some awful, hilarious, frightening conclusion.
— Harper’s BazaarSublime [and] profound . . . She takes great care to imbue the house, the sea, the surroundings—everything—with depth and significance . . . exhilarating.
— Sam Jordison, The Guardian, "Booker club"This comedy is lit with the aplomb of true comedy’s calm understanding of moral obliquity . . . There is the genuine weight of obsession in Arrowby’s narrative, but also the mere weight of iteration and ingenuity.
— Martin Greenberg, The New York Times Book ReviewMurdoch's subtly, blackly humorous digs at human vanity and self-delusion periodically build into waves of hilarity, and Arrowby is a brilliant creation: a deeply textured, intriguing yet unreliable narrator, and one of the finest character studies of the 20th century.
— Sophia Martelli, The GuardianThe author renders her immorality play with painstaking attention to atmosphere: the changing hues of the waves, the slippery amber rocks, the strangely damp house are all made palpable. The old scandals are shrewdly reexamined, and Murdoch's style is as saline as the sea below.
— TimeOne of the best and most influential writers of the 20th century . . . She connected goodness, against the temper of the times, not with the quest for an authentic identity so much as with the happiness that can come about when that quest can be relaxed.
— Peter Conradi, The GuardianWinner of the Booker Prize
A powerful novel about the dismantling of ego, the truth of love—I’m in awe of Murdoch’s genius.
— Kate Christensen, The New York Times Book ReviewA joy to read: a rollicking story that seems endlessly to be building towards some awful, hilarious, frightening conclusion.
— Harper’s BazaarSublime [and] profound . . . She takes great care to imbue the house, the sea, the surroundings—everything—with depth and significance. . . . Exhilarating.
— Sam Jordison, The GuardianThis comedy is lit with the aplomb of true comedy’s calm understanding of moral obliquity. . . . There is the genuine weight of obsession in Arrowby’s narrative, but also the mere weight of iteration and ingenuity.
— Martin Greenberg, The New York Times Book ReviewMurdoch's subtly, blackly humorous digs at human vanity and self-delusion periodically build into waves of hilarity, and Arrowby is a brilliant creation: a deeply textured, intriguing yet unreliable narrator, and one of the finest character studies of the 20th century.
— Sophia Martelli, The GuardianThe author renders her immorality play with painstaking attention to atmosphere: the changing hues of the waves, the slippery amber rocks, the strangely damp house are all made palpable. The old scandals are shrewdly reexamined, and Murdoch's style is as saline as the sea below.
— TimeOne of the best and most influential writers of the 20th century . . . She connected goodness, against the temper of the times, not with the quest for an authentic identity so much as with the happiness that can come about when that quest can be relaxed.
— Peter Conradi, The GuardianBe the first to write a review about this audiobook!
Kimberly Farr is an actress and winner of numerous AudioFile Earphones Awards for narration. She has appeared on Broadway and at the New York Shakespeare Festival, the Roundabout Theatre, Playwright’s Horizons, and the American Place. She created the role of “Eve” in Arthur Miller’s first and only musical, Up from Paradise, which was directed by the author. She appeared with Vanessa Redgrave in the Broadway production of The Lady from the Sea and has acted in regional theaters across the country, including a performance in the original production of The 1940’s Radio Hour at Washington, DC’s Arena Stage.
Kimberly Farr is an actress and winner of numerous AudioFile Earphones Awards for narration. She has appeared on Broadway and at the New York Shakespeare Festival, the Roundabout Theatre, Playwright’s Horizons, and the American Place. She created the role of “Eve” in Arthur Miller’s first and only musical, Up from Paradise, which was directed by the author. She appeared with Vanessa Redgrave in the Broadway production of The Lady from the Sea and has acted in regional theaters across the country, including a performance in the original production of The 1940’s Radio Hour at Washington, DC’s Arena Stage.
Simon Vance (a.k.a. Robert Whitfield) is an award-winning actor and narrator. He has earned more than fifty Earphones Awards and won the prestigious Audie Award for best narration thirteen times. He was named Booklist’s very first Voice of Choice in 2008 and has been named an AudioFile Golden Voice as well as an AudioFile Best Voice of 2009. He has narrated more than eight hundred audiobooks over almost thirty years, beginning when he was a radio newsreader for the BBC in London. He is also an actor who has appeared on both stage and television.