THE HEARTBREAKING STORY OF A YOUNG CATHOLIC GIRL TRANSPORTED TO AUSCHWITZ BECOMES A RASHOMON-LIKE RONDO BY ONE OF OUR GREATEST NOVELISTS.
First glimpsed riding on the back of a boy’s motorcycle, fourteen-year-old Czesława comes to life in this mesmerizing novel by Lily Tuck, who imagines her upbringing in a small Polish village before her world imploded in late 1942. Stripped of her modest belongings, shorn, and tattooed number 26947 on arriving at Auschwitz, Czesława is then photographed. Three months later, she is dead.
How did this happen to an ordinary Polish citizen? This is the question that Tuck grapples with in this haunting novel, which frames Czesława’s story within the epic tragedy of six million Poles who perished during the German occupation. A decade prior to writing The Rest Is Memory, Tuck read an obituary of the photographer Wilhelm Brasse, who took more than 40,000 pictures of the Auschwitz prisoners. Included were three of Czesława Kwoka, a Catholic girl from rural southeastern Poland. Tuck cut out the photos and kept them, determined to learn more about Czesława, but she was only able to glean the barest facts: the village she came from, the transport she was on, that she was accompanied by her mother and her neighbors, her tattoo number, and the date of her death. From this scant evidence, Tuck’s novel becomes a remarkable kaleidoscopic feat of imagination, something only our greatest novelists can do.
“Beautifully written, all the while instilling a sense of horror” (Susanna Moore), Tuck’s language swirls about, yet not a word is out of place. The subtly rotating images tumble out at us, accelerating as we learn about Czesława’s tragic stay in Auschwitz, the lives of real people such as the barbaric Commandant Rudolf Höss; his unconscionable wife, Hedwig; the psychiatrist and child rescuer Janusz Korczak; and the mordant Polish short story writer Tadeusz Borowski.
Although we are certain of Czesława’s fate, we have no choice but to keep turning the pages, thoroughly mesmerized by Tuck’s near otherworldly prose.
In Lily Tuck’s hands, The Rest Is Memory becomes an unforgettable work of historical reclamation that rescues an innocent life, one previously only recalled by a stark triptych of photographs.
“The Rest Is Memory is a literary resurrection, as shattering as it is astonishing. Lily Tuck has done the impossible; from darkness and hideous cruelty, she has woven an unforgettable paean to hope, to life, to justice.”—Junot Diaz
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Lily Tuck is the author of several novels, including Interviewing Matisse or the Woman Who Died Standing Up, The Woman Who Walked on Water, Siam, or the Woman Who Shot a Man, which was nominated for the 2000 PEN/Faulkner Award for Fiction, and The News From Paraguay, winner of the National Book Award. She is also the author of the biography Woman of Rome, A Life of Elsa Morante. Her short stories have appeared in the New Yorker and in several collections.
Elisabeth Rodgers is an actress and AudioFile Earphones Award–winning narrator. After graduating from Princeton University, she completed a two-year program at William Esper Studio, where she studied with Maggie Flanigan. Her audiobook narration training came from Robin Miles, who has also directed her in several productions. She has recorded dozens of books for a multitude of publishers.