“Banks has skillfully used his repertoire of contemporary techniques to write a novel that is classically American—a dark, but sometimes funny, romance with echoes of Poe and Melville.” — Washington Post
""A marvelously written little book, fascinatingly intricate, yet deceptively simple. Well worth reading more than once."" — New York Times Book Review
From acclaimed author Russell Banks comes a work of fiction utilizing a form invented in the seventeenth century by imprisoned Puritan divines
Designed to be exemplary, works of this type were aimed at brethren outside the prison walls and functioned primarily as figurative dramatizations of the tests of faith all true believers must endure. These “relations,” framed by scripture and by a sermon explicating the text, were usually read aloud in weekly or monthly installments during religious services. Utterly sincere and detailed recountings of suffering, they were nonetheless highly artificial. To use the form self-consciously, as Banks has done, is not to parody it so much as to argue good-humoredly with the mind it embodies, to explore and, if possible, to map the limits of that mind, the more intelligently to love it.
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“This is a marvelously written little book, fascinatingly intricate, yet deceptively simple. Well worth reading more than once.”
— New York Times Book Review
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Russell Banks (1940-2023), twice a finalist for the Pulitzer Prize, was one of America’s most prestigious fiction writers. Two of his novels, The Sweet Hereafter and Affliction, have been made into award-winning films. He was a member of the International Parliament of Writers and former New York State Author and was elected a fellow of the American Academy of Arts and Sciences in 1996. He was a past president of the International Parliament of Writers. His work has been translated into twenty languages and has received numerous prizes and awards, including the Common Wealth Award for Literature.
John Pruden is an Earphones Award–winning audiobook narrator. His exposure to many people, places, and experiences throughout his life provides a deep creative well from which he draws his narrative and vocal characterizations. His narration of The Killing of Crazy Horse by Thomas Powers was chosen by the Washington Post as a Best Audiobook of 2010.