NEW YORK TIMES BESTSELLER “Bittersweet, sexy, morally fraught.” –The New York Times Book Review "Fantastic… a book that feels alive on the page." –The Washington Post From the New York-Times bestselling author of The Vanishing Half, the beloved novel about young love and a big secret in a small community. Set within a contemporary black community in Southern California, Brit Bennett's mesmerizing first novel is an emotionally perceptive story about community, love, and ambition. It begins with a secret. "All good secrets have a taste before you tell them, and if we'd taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season." It is the last season of high school life for Nadia Turner, a rebellious, grief-stricken, seventeen-year-old beauty. Mourning her own mother's recent suicide, she takes up with the local pastor's son. Luke Sheppard is twenty-one, a former football star whose injury has reduced him to waiting tables at a diner. They are young; it's not serious. But the pregnancy that results from this teen romance—and the subsequent cover-up—will have an impact that goes far beyond their youth. As Nadia hides her secret from everyone, including Aubrey, her God-fearing best friend, the years move quickly. Soon, Nadia, Luke, and Aubrey are full-fledged adults and still living in debt to the choices they made that one seaside summer, caught in a love triangle they must carefully maneuver, and dogged by the constant, nagging question: What if they had chosen differently? The possibilities of the road not taken are a relentless haunt. In entrancing, lyrical prose, The Mothers asks whether a "what if" can be more powerful than an experience itself. If, as time passes, we must always live in servitude to the decisions of our younger selves, to the communities that have parented us, and to the decisions we make that shape our lives forever.
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“Bennett’s absorbing debut novel, set in Southern California’s black community, gets a sensitive narration by Adenrele Ojo…Ojo’s voice is smooth as honey and prickly as thistles when portraying the gossipy mothers…Winner of the AudioFile Earphones Award.”
— AudioFile
“[Bennett’s] storytelling does what all truly good fiction does: it draws you in and, on a universal level, connects with you and makes you think.”
— USA Today“America needs more books like The Mothers, which quietly, but critically, deepens our appreciation of the black experience.”
— O, The Oprah Magazine"Bennett’s hypnotic writing hooks you from the very beginning and never lets you go in this spinetingling study of destiny.”
— Essence“A resoundingly magnetic and essential read.”
— Amazon.com“Gracefully, Bennett explores beauty, gossip, friendship, and secrecy.”
— Huffington Post“[A] powerful coming-of-age story…The mistakes made at seventeen will reverberate into the years that follow…[A] stunning tale.”
— BookPageBe the first to write a review about this audiobook!
Brit Bennett was born and raised in Southern California and graduated from Stanford University. She later earned her MFA in fiction at the University of Michigan, where she won a Hopwood Award in Graduate Short Fiction as well as the 2014 Hurston/Wright Award for College Writers. Her work is featured in the New Yorker, the New York Times Magazine, the Paris Review, and Jezebel.
Adenrele Ojo is an actress, dancer, and audiobook narrator, winner of over a dozen Earphones Awards and the prestigious Audie Award for best narration in 2018. She made her on-screen debut in My Little Girl, starring Jennifer Lopez, and has since starred in several other films. She has also performed extensively with the Philadelphia Dance Company. As the daughter of John E. Allen, Jr., founder and artistic director of Freedom Theatre, the oldest African American theater in Pennsylvania, is no stranger to the stage. In 2010 she performed in the Fountain Theatre’s production of The Ballad of Emmett Till, which won the 2010 LA Stage Alliance Ovation Award and the Los Angeles Drama Critics Award for Best Ensemble. Other plays include August Wilson’s Jitney and Freedom Theatre’s own Black Nativity, where she played Mary.