As we witness monuments of white Western history fall, many are asking how is Shakespeare still relevant? Professor Farah Karim-Cooper has dedicated her career to the Bard, which is why she wants to take the playwright down from his pedestal to unveil a Shakespeare for the twenty-first century. If we persist in reading Shakespeare as representative of only one group, as the very pinnacle of the white Western canon, then he will truly be in peril. Combining piercing analysis of race, gender and otherness in famous plays from Antony and Cleopatra to The Tempest with a radical reappraisal of Elizabethan London, The Great White Bard asks us neither to idealize nor bury Shakespeare but instead to look him in the eye and reckon with the discomforts of his plays, playhouses and society. In inviting new perspectives and interpretations, we may yet prolong and enrich his extraordinary legacy.
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Adjoa Andoh is an Audie Award and Earphones Award–winning narrator and an actress of British film, television, stage, and radio. In 2022, she was awarded the AudioFile Golden Voice Award. She is known on the UK stage for lead roles at the RSC, the National Theatre, the Royal Court Theatre, and the Almeida Theatre, and she is a familiar face on British television. She made her Hollywood debut starring as Nelson Mandela’s chief of staff, Brenda Mazikubo, alongside Morgan Freeman as Mandela in Clint Eastwood’s Invictus.