AN INSTANT NATIONAL BESTSELLER!
A NEW YORK TIMES NOTABLE BOOK OF THE YEAR
“A folk horror story with a deceptively light and knowing tone … elegant and genuinely unsettling.” –The New York Times Book Review
The Nobel Prize winner’s latest masterwork, set in a sanitarium on the eve of World War I, probes the horrors that lie beneath our most hallowed ideas
September 1913. A young Pole suffering from tuberculosis arrives at Wilhelm Opitz’s Guesthouse for Gentlemen in the village of Görbersdorf, a health resort in the Silesian mountains. Every evening the residents gather to imbibe the hallucinogenic local liqueur and debate the great issues of the day: Monarchy or democracy? Do devils exist? Are women born inferior? War or peace? Meanwhile, disturbing things are happening in the guesthouse and the surrounding hills. Someone—or something—seems to be watching, attempting to infiltrate this cloistered world. Little does the newcomer realize, as he tries to unravel both the truths within himself and the mystery of the sinister forces beyond, that they have already chosen their next target.
A century after the publication of The Magic Mountain, Olga Tokarczuk revisits Thomas Mann territory and lays claim to it, with signature boldness, inventiveness, humor, and bravura.
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"“A mischievous fairy tale about transformation, emotion and ambiguity…Tokarczuk keeps the suspense at a low boil throughout, balancing moments of terror and revulsion... Until the horror and the beauty can no longer be contained, that is, and erupt into the novel’s utterly sublime conclusion. As ever, Tokarczuk’s prose — and Antonia Lloyd-Jones’ glorious translation … — will knock the wind out of you.… The Empusium asks: If bigotry and violence make up the bedrock of our cultural traditions, can we still teach ourselves new ways of seeing and thinking? If we squint hard enough, can we find the women and other unpersons hidden in the past — and the present?"
— San Francisco Chronicle
Sophisticated and ribald and briming with folk wit. . . . The comedy in this novel blends, as it does in life, with genuine tragedy.
— Dwight Garner, The New York TimesA brlliant literary murder mystery.
— Chicago TribuneJust as awe-inspiring as the Nobel judges claimed.
— The Washington Post“Tokarczuk masterfully maps out a new kind of horror story, one that weaves together elements of folklore and feminist allegory.
— Harper’s BazaarA winding, imaginative, genre-defying story. Part murder mystery, part fairy tale. . . a thrilling philosophical examination of the ways in which some living creatures are privileged above others.
— TimeA revelation. . . In this risky, restlessly mercurial book, Tokarczuk has found a way of turning. . . philosophy into writing that doesn't just take flight but soars.
— NPR's Fresh AirSophisticated and ribald and briming with folk wit. . . . The comedy in this novel blends, as it does in life, with genuine tragedy.
— Dwight Garner, The New York Times“Tokarczuk concocts a potent blend of horror tropes and literary references (Franz Kafka, Thomas Mann) as she realizes the potential of her tale’s uncommon setting—a community set apart by the omnipresence of sickness and death, where the rules of civilized propriety give way to more fantastic possibilities. Readers will find much to savor.
— Publishers Weekly“Reckons with some of the major intellectual questions of the 20th century while simultaneously spinning a mysterious—and spooky—web of intrigue and suspense. A crucial addition to Tokarczuk’s oeuvre.
— Kirkus, STARRED review“Tokarczuk concocts a potent blend of horror tropes and literary references (Franz Kafka, Thomas Mann) as she realizes the potential of her tale’s uncommon setting—a community set apart by the omnipresence of sickness and death, where the rules of civilized propriety give way to more fantastic possibilities. Readers will find much to savor.
— Publishers WeeklySophisticated and ribald and briming with folk wit. . . . The comedy in this novel blends, as it does in life, with genuine tragedy.
— Dwight Garner, The New York Times“This rich gothic novel set in 1913 is certainly haunted, but also rife with social commentary on gender dysphoria, inequality, and prejudice. Readers will come for the eerie atmosphere but stay for the searing critique of society's tendency to discard its most vulnerable if it means maintaining a semblance of safety.
— Booklist“The gothic elements keep the blood stirring.
— Library Journal “Reckons with some of the major intellectual questions of the 20th century while simultaneously spinning a mysterious—and spooky—web of intrigue and suspense. A crucial addition to Tokarczuk’s oeuvre.“The Polish Nobel winner ladles up a deliciously creepy revenge tale in this satirical spin on Thomas Mann’s 100-year-old masterpiece The Magic Mountain.
— The Guardian “Olga Tokarczuk’s deft, dark satirical wit is on full display in The Empusium, which challenges the rigid patriarchal world of pre-WWI Europe with horror and humor.“Tokarczuk concocts a potent blend of horror tropes and literary references (Franz Kafka, Thomas Mann) as she realizes the potential of her tale’s uncommon setting—a community set apart by the omnipresence of sickness and death, where the rules of civilized propriety give way to more fantastic possibilities. Readers will find much to savor.
— Publishers Weekly“Historical fiction threaded through with a playful kind of literary horror, The Empusium . . . is in part a wry response to Thomas Mann’s classic The Magic Mountain, blending high philosophy with dark comedy, strange folklore, and hallucinogenic liquors.
— Goodreads, “Most Anticipated Boos of the Fall"An odd, fascinating book—a blackly serious joke—from an author of great daring and intelligence…. What stands out most is the philosophical conflict it stages between rationality and folk belief. This is the thread that runs through all of Ms. Tokarczuk’s wildly various books.
— Wall Street JournalThis rich gothic novel set in 1913 is certainly haunted, but also rife with social commentary on gender dysphoria, inequality, and prejudice. Readers will come for the eerie atmosphere but stay for the searing critique of society's tendency to discard its most vulnerable if it means maintaining a semblance of safety.
— Booklist“Deft and disturbing. . . In Antonia Lloyd-Jones’s crisp translation, Tokarczuk tells a folk horror story with a deceptively light and knowing tone. . . elegant and genuinely unsettling.
— Hari Kunzru, The New York Times Book ReviewIn Tokarczuk’s hands, the staid genre of the bildungsroman erupts with sinister possibility…. A grand fantasy of revenge …taut, febrile.
— Washington PostA novel that in Tokarczuk’s dexterous hands transcends its own limits, further cementing the Nobel laureate as one of the most original storytellers of our age. Equipped with only our measly five senses, it leaves us questioning — just like her characters — what might be hiding in plain sight.
— Financial TimesA magnificently haunting portrayal of health, death, and all that comes in between, The Empusium is one of Tokarczuk’s best works to date.
— Chicago Review of BooksAn odd, fascinating book—a blackly serious joke—from an author of great daring and intelligence…. What stands out most is the philosophical conflict it stages between rationality and folk belief. This is the thread that runs through all of Ms. Tokarczuk’s wildly various books.
— Wall Street Journal“Deft and disturbing. . . In Antonia Lloyd-Jones’s crisp translation, Tokarczuk tells a folk horror story with a deceptively light and knowing tone. . . elegant and genuinely unsettling.
— Hari Kunzru, The New York Times Book Review“Pulling from folktales, mythology, art, and literature, Tokarczuk’s novel spins a story that feels eerily familiar and yet totally new… Just when you think you have this novel in your sight, it shimmers into something else entirely.“A marvelous reframing of The Magic Mountain … [that] can be enjoyed — and may even be more enjoyable — on its own merits … Lloyd-Jones’s uniformly excellent translation of The Empusium is a much breezier read.
— Boston Globe“A mischievous fairy tale about transformation, emotion and ambiguity…Tokarczuk keeps the suspense at a low boil throughout, balancing moments of terror and revulsion... Until the horror and the beauty can no longer be contained, that is, and erupt into the novel’s utterly sublime conclusion. As ever, Tokarczuk’s prose — and Antonia Lloyd-Jones’ glorious translation … — will knock the wind out of you.… The Empusium asks: If bigotry and violence make up the bedrock of our cultural traditions, can we still teach ourselves new ways of seeing and thinking? If we squint hard enough, can we find the women and other unpersons hidden in the past — and the present?
— San Francisco Chronicle“Fiercely feminist … Tokarczuk’s erudite, subversive, and delightfully zany novel challenges us … to look hard at what’s being said and done around us, especially things we might prefer not to have to witness.
— Book ForumBe the first to write a review about this audiobook!
Olga Tokarczuk, one of Poland’s most celebrated and beloved authors, has won the Nobel Prize in Literature and the International Booker Prize, among many other honors. She is the author of a dozen works of fiction, two collections of essays, and a children’s book; her work has been translated into fifty languages.
Natasha Soudek was raised in the South, speaks native German, lived in Berlin and Vienna, and finally settled in the Lower East Side of New York City. After honing her stage presence by studying acting and playing hundreds of live music shows (singing and playing bass), she moved to LA to record with Channel/DreamWorks and act on TV. Her voice is as distinct and memorable as the range of characters she’s played on-screen.