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The Empusium: A Health Resort Horror Story Audiobook
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Publisher Description
The Nobelist’s latest masterwork, set in a sanitarium on the eve of World War I, probes the horrors that lie beneath our most hallowed ideas
September 1913. A young Pole suffering from tuberculosis arrives at Wilhelm Opitz’s Guesthouse for Gentlemen in the village of Görbersdorf, a health resort in the Silesian mountains. Every evening the residents gather to imbibe the hallucinogenic local liqueur and debate the great issues of the day: Monarchy or democracy? Do devils exist? Are women born inferior? War or peace? Meanwhile, disturbing things are happening in the guesthouse and the surrounding hills. Someone—or something—seems to be watching, attempting to infiltrate this cloistered world. Little does the newcomer realize, as he tries to unravel both the truths within himself and the mystery of the sinister forces beyond, that they have already chosen their next target.
A century after the publication of The Magic Mountain, Olga Tokarczuk revisits Thomas Mann territory and lays claim to it, with signature boldness, inventiveness, humor, and bravura.
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"“Tokarczuk concocts a potent blend of horror tropes and literary references (Franz Kafka, Thomas Mann) as she realizes the potential of her tale’s uncommon setting—a community set apart by the omnipresence of sickness and death, where the rules of civilized propriety give way to more fantastic possibilities. Readers will find much to savor."
— Publishers Weekly
Quotes
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A revelation. . . In this risky, restlessly mercurial book, Tokarczuk has found a way of turning. . . philosophy into writing that doesn't just take flight but soars.
— NPR's Fresh Air -
Sophisticated and ribald and briming with folk wit. . . . The comedy in this novel blends, as it does in life, with genuine tragedy.
— Dwight Garner, The New York Times -
“Tokarczuk concocts a potent blend of horror tropes and literary references (Franz Kafka, Thomas Mann) as she realizes the potential of her tale’s uncommon setting—a community set apart by the omnipresence of sickness and death, where the rules of civilized propriety give way to more fantastic possibilities. Readers will find much to savor.
— Publishers Weekly -
“Reckons with some of the major intellectual questions of the 20th century while simultaneously spinning a mysterious—and spooky—web of intrigue and suspense. A crucial addition to Tokarczuk’s oeuvre.
— Kirkus, STARRED review -
Sophisticated and ribald and briming with folk wit. . . . The comedy in this novel blends, as it does in life, with genuine tragedy.
— Dwight Garner, The New York Times -
“This rich gothic novel set in 1913 is certainly haunted, but also rife with social commentary on gender dysphoria, inequality, and prejudice. Readers will come for the eerie atmosphere but stay for the searing critique of society's tendency to discard its most vulnerable if it means maintaining a semblance of safety.
— Booklist -
“The gothic elements keep the blood stirring.
— Library Journal “Reckons with some of the major intellectual questions of the 20th century while simultaneously spinning a mysterious—and spooky—web of intrigue and suspense. A crucial addition to Tokarczuk’s oeuvre. -
A brlliant literary murder mystery.
— Chicago Tribune -
A winding, imaginative, genre-defying story. Part murder mystery, part fairy tale. . . a thrilling philosophical examination of the ways in which some living creatures are privileged above others.
— Time -
Just as awe-inspiring as the Nobel judges claimed.
— The Washington Post -
Sophisticated and ribald and briming with folk wit. . . . The comedy in this novel blends, as it does in life, with genuine tragedy.
— Dwight Garner, The New York Times
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About Olga Tokarczuk
Olga Tokarczuk, one of Poland’s most celebrated and beloved authors, has won the Nobel Prize in Literature and the International Booker Prize, among many other honors. She is the author of a dozen works of fiction, two collections of essays, and a children’s book; her work has been translated into fifty languages.
About Natasha Soudek
Natasha Soudek was raised in the South, speaks native German, lived in Berlin and Vienna, and finally settled in the Lower East Side of New York City. After honing her stage presence by studying acting and playing hundreds of live music shows (singing and playing bass), she moved to LA to record with Channel/DreamWorks and act on TV. Her voice is as distinct and memorable as the range of characters she’s played on-screen.