" I loved that this book was the intersection of King's two series, the Kate Martinelli books and the Mary Russell books. I loved that it was the story of what else happened during Holmes' and Russell's stay in San Francisco (Locked Doors), and I loved that it continued the Holmes-as-a-living-person conceit. And I love that King loves Holmes so much that she had to incorporate him into her other series (actually, this is not the first time that Holmes has made an appearance in this series. In fact, every one of King's books that I've read so far has had at least one reference to Sherlock. I love it.) However, I'm starting to feel a little bit preached at. I have no problem with Kate's orientation or her relationship. What I do have a problem with is that it's become an Issue, with a capital I, in this series. In the Russell books, I found King to be a very subtle, nuanced writer. Here, however, I feel like I've been beaten over the head. Also--there was one other thing that bothered me; for the most part, it seems like these books are very well written and well edited; however in this book there was a big inconsistency. In Night Work, Mina is described as Maj's adopted daughter, the biological daughter of Maj's sister, I believe. However, in The Art of Detection, it states that Maj is Mina's biological mother. I know that was a little detail, but it irritated me. And I still miss Russell and Holmes. "
— Kiersten, 2/16/2014