New York Times Bestseller
“A genuinely moving story about race and class, parenting and marriage. . . Chabon is inarguably one of the greatest prose stylists of all time."" — Benjamin Percy, Esquire
New York Times bestselling, Pulitzer Prize-winning novelist Michael Chabon has transported readers to wonderful places: to New York City during the Golden Age of comic books (The Amazing Adventures of Kavalier & Clay); to an imaginary Jewish homeland in Sitka, Alaska (The Yiddish Policemen’s Union); to discover The Mysteries of Pittsburgh. Now he takes us to Telegraph Avenue in a big-hearted and exhilarating novel that explores the profoundly intertwined lives of two Oakland, California families, one black and one white. In Telegraph Avenue, Chabon lovingly creates a world grounded in pop culture—Kung Fu, ’70s Blaxploitation films, vinyl LPs, jazz and soul music—and delivers a bravura epic of friendship, race, and secret histories.
As the summer of 2004 draws to a close, Archy Stallings and Nat Jaffe are still hanging in there—longtime friends, bandmates, and co-regents of Brokeland Records, a kingdom of used vinyl located in the borderlands of Berkeley and Oakland. Their wives, Gwen Shanks and Aviva Roth-Jaffe, are the Berkeley Birth Partners, a pair of semi-legendary midwives who have welcomed more than a thousand newly minted citizens into the dented utopia at whose heart—half tavern, half temple—stands Brokeland.
When ex–NFL quarterback Gibson Goode, the fifth-richest black man in America, announces plans to build his latest Dogpile megastore on a nearby stretch of Telegraph Avenue, Nat and Archy fear it means certain doom for their vulnerable little enterprise. Meanwhile, Aviva and Gwen also find themselves caught up in a battle for their professional existence, one that tests the limits of their friendship. Adding another layer of complications to the couples' already tangled lives is the surprise appearance of Titus Joyner, the teenage son Archy has never acknowledged and the love of fifteen-year-old Julius Jaffe's life.
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"Archie Stallings and Nat Jaffe own a used record store on Telegraph Ave. in Oakland, near the border with Berkeley. It is a marginal neighborhood with vacant stores and small ventures like Brokeland Used Records. There business is threatened by a proposed mega vinyl record store owned by a former resident and NFL star that wants to have an impact on his old community. That proves to be a real challenge for Brokeland records and provide some hilarious encounters with the Dog Pile record company owner Gibson Goode. The two partners' wives, Gwen and Aviva Roth-Jaffe, are the Berkeley Birth Partners that are very busy and well established in the area. The ensuing story has three main threads, the record store, the midwives and Archies long forgotten 14 year old son that has appears in the neighborhood after his grandma dies and forms a gay relationship with Julius, Aviva and Nat's gay son. I found this to be a very densely written, but delightful book that was like a far out jazz vinyl disk from the 70's. Archie learned how to be a dad in the end and he also learned how to forgive his dad for not being there for him. There is lots of comedy and heavier moments. The book really evoked the borderland area of Oakland and the cultural blending of the black community and the Berkeley inhabitants."
— Carol (4 out of 5 stars)
“Chabon has made a career of routing big, ambitious projects through popular genres, with superlative results…The scale of Telegraph Avenue is no less ambitious…Much of the wit…inheres in Chabon’s astonishing prose. I don’t just mean the showy bits…I mean the offhand brilliance that happens everywhere.”
— New York Times Book Review (cover review)“Telegraph Avenue is so exuberant, it’s as if Michael Chabon has pulled joy from the air and squeezed it into the shape of words…His sentences spring, bounce, set off sparklers, even when dwelling in mundane details…Fantastic.”
— Los Angeles Times Book Review“An amazingly rich, emotionally detailed story…[Chabon’s] people become so real to us, their problems so palpably netted in the author’s buoyant, expressionistic prose, that the novel gradually becomes a genuinely immersive experience—something increasingly rare in our ADD age.”
— New York Times“An exhilarating, bighearted novel.”
— O, The Oprah Magazine“Astounding…Steamrolls the barrier that has kept the Great American Novel at odds with the country it’s supposed to reflect…[A] huge-hearted, funny, improbably hip book.”
— Boston Globe“Fresh, unpretentious, delectably written…For all his explorations into the contentious dynamics of family, race, and community, Mr. Chabon’s first desire is simply to enchant with words. Eight novels in, he still uses language like someone amazed by a newly discovered superpower.”
— Wall Street Journal“Witty and compassionate and full of more linguistic derring-do than any other writer in American could carry off.”
— Washington Post“A genuinely moving story about race and class, parenting and marriage…Chabon is inarguably one of the greatest prose stylists of all time, powering out sentences that are the equivalent of executing a triple back flip on a bucking bull while juggling chain saws and making love to three women.”
— Esquire“Chabon’s hugely likable characters all face crises of existential magnitude, rendered in an Electra Glide flow of Zen sentences and zinging metaphors that make us wish the needle would never arrive at the final groove.”
— Elle“A beautiful, prismatic maximalism of description and tone, a sly meditation on appropriation as the real engine of integration, and an excellent rationale for twelve-page sentences.”
— GQ“A magnificently crafted, exuberantly alive, emotionally lustrous, and socially intricate saga…Bubbling with lovingly curated knowledge about everything from jazz to pregnancy…Chabon’s rhapsodically detailed, buoyantly plotted, warmly intimate cross-cultural tale of metamorphoses is electric with suspense, humor, and bebop dialogue…An embracing, radiant masterpiece.”
— Booklist (starred review)“‘Virtuosity’ is the word most commonly associated with Chabon, and if Telegraph Avenue, the latest from the Pulitzer Prize–winning author of The Yiddish Policeman’s Union, is at first glance less conceptual than its predecessors, the sentences are no less remarkable.”
— Publishers Weekly“If any novelist can pack the entire American zeitgeist into 500 pages, it’s Chabon…Ambitious, densely written, sometimes very funny, and fabulously over the top, here’s a rare book that really could be the great American novel.”
— Library Journal (starred review)“An end-of-an era epic…A Joyce-an remix with a hipper rhythm track.”
— Kirkus Reviews (starred review)" This inspired intergenerational panorama is required reading for anyone interested in East Bay culture and history. Chabon's writing is as electrifyingly alive as ever, and his knack for creating fully realized characters is astounding. Using an ailing independent record store as ground zero for a time-spanning story about fathers, sons, and legacy, "Telegraph Avenue" is like a funkier, less somber version of "The Place Beyond the Pines." Like most literary novels, it takes some time to really hit its stride, but once it did I was hooked. Even when the story lags or takes seemingly unnecessary diversions, Chabon's writing is captivating enough to keep the reader engaged. It wraps things up a bit too tidily, but was well worth the journey. "
— Jason, 2/20/2014" Dude can certainly write (and write and write). Too many indulgent scene/head riffs from this more than capable author. Saw a lot that still has me thinking but in the end, I just couldn't finish the sucker bc Chabon was so long-winded. "
— Andy, 2/13/2014" I continue to read Chabon's new books after absolutely loving Kavalier and Clay even though it is impossible to be as good as it. This was really different from K and C and The Yiddish Policemen's Union, other than major characters being Jewish. The story is mainly about two couples- where the husbands are best friends and in business with each other (the record store) and the wives are also good friends and in business together (as midwives). There are also family members as well, one couples' son and his friend whom we figured out pretty easily (and early in the story) has a family connected to the group as well. Also one of the men's estranged father heavily ties into the plot as well. It's hard to keep everyone straight especially listening to the audio-version. The thing I enjoyed the most was hearing about the wives, Aviva and Gwen, and their work. This is the first Chabon book I have read were he has given such a prominent voice to female characters and they were my favorites. The storyline takes a while to build up and doesn't really go anywhere great when everything comes together. Plus I didn't like the way it ended. "
— Leah, 1/31/2014" I forget it takes me FOREVER to get into Chabon's books, but once there, the reading is almost always worthwhile. In this case, it took over 200 pages, and a paragraph that lasted an entire chapter - 12 pages long...but the story lines connect and I feel satisfied I stayed. I enjoy the effort in coloring and bringing to life the neighborhood/city and it's inhabitants of Telegraph Avenue. "
— Nora, 1/29/2014" I've loved Chabon ever since "Kavalier and Clay" and "Telegraph Avenue" is as strong as anything he's done. The character work is awesome and the ending is as satisfying as anyone could ask for. From a pure craft standpoint, nobody does metaphors/similes like Chabon and I will likely never forget some of his for my entire life (like, for example, "smooth as a porn star's testicles."). If Chabon is guilty of any flaws, it's only that he occasionally lapses into a bit of what I'd call over-writing, i.e., attempting to describe a scene or character's feelings in such an intense and memorable way that in the end it comes out as being a bit over the top. Still, I love the guy. He's one of finest talents writing today. "
— Brian, 1/22/2014" wow, completely blew me away - first michael chabon book i read and clearly i've been missing out. the skill of the writing in this book is mindboggling. i listened to it as an audiobook, and my only wish was that i had read the book in a hard copy to look over the written word. i read a great article in the nytimes comparing the writing in telegraph avenue to a current ulysses. missing one star because i'm not sure it was an enjoyable read, as much as it was a literary masterpiece for me. "
— Kali, 1/21/2014" I loved it! Takes a bit of work to get into the rhythm of the writing and sentence structure but worth it - just like listening to jazz. Chabon is a wonderful writer. "
— Iris, 1/18/2014" The only other Chabon book I've read is The Amazing Adventures of Kavalier & Clay, which was awesome. Telegraph Avenue isn't quite that, but it's still good. Great, rich characters (possibly too many of them) and a modern setting at the intersection of a few subcultures make for pretty rich storytelling opportunities, and Chabon does a good job at mining many of them. Though the promise of a "church of vinyl" novel motivated my purchase, I found some of the other storylines, like the midwives, more fleshed out and compelling. At times, Chabon's language is so clever it takes the reader out of the story. That said, it's a satisfying book, at least to this music lover from Detroit. "
— Jonathan, 1/18/2014" It was very different from his other books. I enjoyed it, but I didn't get into it as much as some of his others. "
— Jordan, 1/6/2014" Too many words fighting for my attention. Stopped reading. "
— Cathy, 12/24/2013" Telegraph Avenue contains a cast of well-crafted characters and amazing metaphors, but the plot moved at a snail's pace. "
— Carly, 12/23/2013" Leuk verhaal, maar iets te vol met personages, levensgeschiedenissen en verhaallijnen. Ik vond het een beetje een mix van High Fidelity (Hornby), Bezoek van een Knokploeg (Egan) en Vrijheid (Franzen). "
— Superkermit, 12/6/2013" Wonderful sense of place and time and marvelous description. At times I was able to go with the flow of that, but at other times the spill of words was like an undertow. "
— Carolyn, 10/30/2013" Very well written but sometimes he got a bit too clever and the prose distracted from the story. "
— Christine, 7/18/2013" Loved Cavalier and Klay, managed through the others but had to put this down midway. In the world of twitter self editing becomes more important. Cultural trivia is fun to a point and then it simply becomes a deterrent from the plot. "
— Robin, 7/1/2013" not my favorite of his, but of course pretty damn good anyway... "
— Tap, 6/23/2013" Loved this book. I didn't want it to end. Chabon's books are all so different; I became part of Telegraph Ave. I really enjoyed his characters & their relationships to one another. Parts of the book were very funny and others poetic. He captures the time, place, sights, sounds & taste very well. "
— Teri, 6/22/2013" Like Michael Chabon' books but this not one of them. Could not get into the characters or story line "
— Candi, 5/17/2013" Chabon's superlative use of metaphor makes this s masterpiece of writing and a textbook for writers. For me, the characters take second place to the joy of reading his prose. "
— John, 3/15/2013" Ugh...I just couldn't get into this book...such a GUY novel. Too bad too-I loved Kavalier and Clay, but nothing has been able to follow that one for me. "
— Julie, 3/6/2013" I'd give this a B. Took a while to get into reading Chabon's writing rhythm, but once in, the characters were interesting. The story doesn't wrap everything up, though... "
— Dawn, 2/20/2013" Chabon's magical prose style is on full display in this humorous and heart warming novel. A tour de force from one of the best contemporary fiction writers around. "
— Elaine, 1/27/2013Michael Chabon is the New York Times bestselling author of numerous books, collections of short stories and essays, and a young-adult novel. Titles include Wonder Boys, which was made into a critically acclaimed film; The Amazing Adventures of Kavalier & Clay, which won numerous awards, including the Pulitzer Prize; and The Yiddish Policemen’s Union, among others.
Miriam Margolyes received the BAFTA Best Supporting Actress award in 1993 for The Age of Innocence. She was the voice of Fly the dog in Babe and appeared in Ladies in Lavender with Dames Maggie Smith and Judi Dench. In 2002 she played the role of Professor Sprout in Harry Potter and the Chamber of Secrets.