Sing a Black Girls Song: The Unpublished Work of Ntozake Shange Audiobook, by Ntozake Shange Play Audiobook Sample

Sing a Black Girl's Song: The Unpublished Work of Ntozake Shange Audiobook

Sing a Black Girls Song: The Unpublished Work of Ntozake Shange Audiobook, by Ntozake Shange Play Audiobook Sample
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Read By: Imani Perry, Tarana Burke, Ifa Bayeza, D. Woods, Regina Taylor, Okwui Okpokwasili, Alfre Woodard, Lynn Whitfield, Robin Miles, Savannah Shange, various narrators Publisher: Legacy Lit Listen Time: at 1.0x Speed 6.17 hours at 1.5x Speed 4.63 hours at 2.0x Speed Release Date: September 2023 Format: Unabridged Audiobook ISBN: 9781668632277

Quick Stats About this Audiobook

Total Audiobook Chapters:

101

Longest Chapter Length:

62:12 minutes

Shortest Chapter Length:

22 seconds

Average Chapter Length:

05:26 minutes

Audiobooks by this Author:

5

Other Audiobooks Written by Ntozake Shange: > View All...

Publisher Description

The Millions “Most Anticipated” Books of 2023

Never-before-seen unpublished works by award-winning American literary icon Ntozake Shange, featuring essays, plays, and poems from the archives of the seminal Black feminist writer who stands alongside giants like Toni Morrison and Alice Walker, curated by National Book Award winner Imani Perry with a foreword by New York Times bestselling author Tarana Burke.

 

            In the late ’60s, Ntozake Shange was a student at Barnard College discovering her budding talent as a writer, publishing in her school’s literary journal, and finding her unique voice. By the time she left us in 2018,  Shange had scorched blazing trails across countless pages and stages, redefining genre and form as we know them, each verse, dance, and song a love letter to Black women and girls, and the community at large.

            Sing a Black Girl’s Song is a new posthumous collection of Shange’s unpublished poems, essays, and plays from throughout the life of the seminal Black feminist writer. In these pages we meet young Shange, learn the moments that inspired for colored girls who have considered suicide/when the rainbow is enuf…, travel with an eclectic family of musicians, sit on “The Couch” opposite Shange’s therapist, and discover plays written after for colored girls’ international success. Sing a Black Girl’s Song houses, in their original form, the literary rebel’s politically charged verses from the Black Arts Movement era alongside her signature tender rhythm and cadence  that capture the minutia and nuance of Black life. Sing a Black Girl’s Song is the continuation of a literary tradition that has bolstered generations of writers and a long-lasting gift from one of the fiercest and most highly celebrated artists of our time.   

 

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Previously unseen writing from an essential Black author. . . Those acquainted with the author will see familiar themes emerge as she engages with colonialism, code switching, white supremacy, liberation politics, sexism, sexual violence, and collective trauma. She writes of desire and despair and revolution and Black joy using language and imagery that she was taught to hide from white people. . . Shange speaks candidly of her struggles with mental health and her years in psychoanalysis, and she insists that therapy made her a better writer. . . The literary value of these works extends far beyond the insight they offer into Shange’s life and artistic career.

— Kirkus (Starred Review) 

Quotes

  • “Raw, illuminating and revelatory, Ntozake’s Shange’s bold and lyrical writing gave urgent voice to a new generation of young Black writers like myself who were emboldened by the honesty and beauty of her poetry, plays, and prose to tell our own stories.”

    — Lynn Nottage, Pulitzer Prize winning playwright
  • Raw, illuminating and revelatory, Ntozake’s Shange’s bold and lyrical writing gave urgent voice to a new generation of young Black writers like myself who were emboldened by the honesty and beauty of her poetry, plays, and prose to tell our own stories.

    — Lynn Nottage, Pulitzer Prize winning playwright
  • With Sing A Black Girl’s Song, Imani Perry offers intimacy with Ntozake Shange as a peerless, prolific writer in process. Here is a brilliant multi-genre gathering from Shange’s archive that maps her political and creative maturation on her quest for self-actualization as a Black woman in America participating in transnational Black liberation movements. Brimming with lyrical incandescence, sensuality and self-regard, Shange urges us to “keep an eye” on ourselves, documenting not only what is happening to us, but within us and through us individually and collectively.

    — Erika Dickerson-Despenza, playwright and Inaugural Resident of the Ntozake Shange Social Justice Playwriting Residency

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About Ntozake Shange

Ntozake Shange, fearless in her quest to affirm the realities of women of color, demonstrates that her name reflects her approach to both her art and her life. In the Zulu language of Xhosa, ntozake means “she who comes with her own things,” and shange means “she who walks like a lion.” She has written numerous novels, works of poetry, essays and screenplays, a plethora of critically acclaimed plays, as well as children’s books. She is the recipient of the 2016 Langston Hughes Medal.

About the Narrators

Imani Perry is the author of several books, including South to America, winner of the National Book Award for Nonfiction and a New York Times bestseller. She is the Hughes-Rogers Professor of African American studies at Princeton University.

Robin Miles, named a Golden Voice by AudioFile magazine, has twice won the prestigious Audie Award for Best Narration, an Audie Award for directing, and many Earphones Awards. Her film and television acting credits include The Last Days of Disco, Primary Colors, Law & Order: Criminal Intent, Law & Order, New York Undercover, National Geographic’s Tales from the Wild, All My Children, and One Life to Live. She regularly gives seminars to members of SAG and AFTRA actors’ unions, and in 2005 she started Narration Arts Workshop in New York City, offering audiobook recording classes and coaching. She holds a BA degree in theater studies from Yale University, an MFA in acting from the Yale School of Drama, and a certificate from the British American Drama Academy in England.

Charlayne Woodard is a film, stage, and television actress, as well as a playwright. She is best known for her recurring roles as Janice on The Fresh Prince of Bel Air, Vonda on Roseanne, and Sister Peg on Law & Order: Special Victims Unit. She was one of the original cast members in the Tony Award–winning Broadway musical Ain’t Misbehavin’, and in 2009, starred in a one-person performance called The Night Watcher at Primary Stages in New York City. 

Robin Miles, named a Golden Voice by AudioFile magazine, has twice won the prestigious Audie Award for Best Narration, an Audie Award for directing, and many Earphones Awards. Her film and television acting credits include The Last Days of Disco, Primary Colors, Law & Order: Criminal Intent, Law & Order, New York Undercover, National Geographic’s Tales from the Wild, All My Children, and One Life to Live. She regularly gives seminars to members of SAG and AFTRA actors’ unions, and in 2005 she started Narration Arts Workshop in New York City, offering audiobook recording classes and coaching. She holds a BA degree in theater studies from Yale University, an MFA in acting from the Yale School of Drama, and a certificate from the British American Drama Academy in England.

James Langton, an Earphones Award–winning narrator, trained as an actor at the Royal Scottish Academy of Music and Drama and later as a musician at the Guildhall School in London. He has worked in radio, film, and television, also appearing in theater in England and on Broadway. He is also a professional musician who led the internationally renowned Pasadena Roof Orchestra from 1996 to 2002.