Orlando: A Biography Audiobook, by Virginia Woolf Play Audiobook Sample

Orlando: A Biography Audiobook

Orlando: A Biography Audiobook, by Virginia Woolf Play Audiobook Sample
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Read By: Gabrielle de Cuir, Stefan Rudnicki Publisher: Blackstone Publishing Listen Time: at 1.0x Speed 6.83 hours at 1.5x Speed 5.13 hours at 2.0x Speed Release Date: January 2024 Format: Unabridged Audiobook ISBN: 9798212547130

Quick Stats About this Audiobook

Total Audiobook Chapters:

13

Longest Chapter Length:

76:59 minutes

Shortest Chapter Length:

13 seconds

Average Chapter Length:

46:51 minutes

Audiobooks by this Author:

35

Other Audiobooks Written by Virginia Woolf: > View All...

Listeners Also Enjoyed:

Publisher Description

“I’m sick to death of this particular self. I want another.”

Virginia Woolf’s Orlando is the extraordinary biography of a young nobleman in the court of Elizabeth I who transforms into a woman and lives for over three centuries. In his youth, Orlando is a passionate lover and poet. He dotes on the Queen, serves King James faithfully, falls deeply in love with a Russian princess, and becomes an ambassador to Constantinople, but at his heart all Orlando ever wants to be is a great writer (and living at the same time as Marlowe, Donne, and Shakespeare, this is no easy thing). But while living in Constantinople, one evening Orlando is transformed into woman, though she retains all her memories and personality; the only thing that changes about Orlando is her body. Now as a woman, she must navigate complex and exclusionary legal systems throughout the ages, her own previous views on gender, society’s expectations of marriage, and her own ambitions as a poet—not to mention having to grapple with a seemingly immortal lifespan.

An unusual and profound examination of gender roles, expression, and identity, Orlando is one of Woolf’s best known and best loved works, and it remains just as relevant and revolutionary today as when it was first published.

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"I have loved "Orlando" from the first time I read it in the 70's and wrote a Jungian interpretation of the book for the scholarly journal, "Modern Fiction Studies." It is Woolf's most lighthearted, fantastical book, a fictional homage to her one-time lover, Vita Sackville-West, a literary history of England, and much, much more. I can't recommend it too highly."

— Clifton (5 out of 5 stars)

Orlando Listener Reviews

Overall Performance: 3.47058823529412 out of 53.47058823529412 out of 53.47058823529412 out of 53.47058823529412 out of 53.47058823529412 out of 5 (3.47)
5 Stars: 9
4 Stars: 9
3 Stars: 8
2 Stars: 5
1 Stars: 3
Narration: 0 out of 50 out of 50 out of 50 out of 50 out of 5 (0.00)
5 Stars: 0
4 Stars: 0
3 Stars: 0
2 Stars: 0
1 Stars: 0
Story: 0 out of 50 out of 50 out of 50 out of 50 out of 5 (0.00)
5 Stars: 0
4 Stars: 0
3 Stars: 0
2 Stars: 0
1 Stars: 0
Write a Review
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " An amusing historical whimsy that looks at gender performativity and the arrogance of writing poetry. A pleasing whistle-stop journey through 400 years of European history. "

    — Mrdavidpeat, 2/15/2014
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " One of her most imaginative, beautiful books, asking questions about gender fluidity before it was a pop culture topic. "

    — Samara, 2/14/2014
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5

    " A weird book... not my favorite, but interesting (to a point). "

    — Carmen, 2/3/2014
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " Virginia Woolf never disappoints, and I loved this novel--it's different from that which she typically writes. "

    — Kathryn, 2/2/2014
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " Had no idea what this book was about, just hooked onto it because I'd never read any books by Virginia Woolf and the description mentioned this book as one of her more "accessible" works. Hmmm.... so it hit me like a brick when all of a sudden the male main character is transformed into a woman. It was a shock, and then I was somewhat disappointed because my beginning effort at getting into the book and becoming attached to Orlando and the wonderful rhythm of the language felt yanked out of my grasp. I had to go read some background on the novel to feel like it was "okay" to keep reading--that Woolf had probably based Orlando on a woman Woolf had a "crush" on, etc. I guess I just didn't have enough connection to Orlando as a main character to suspend my disbelief about his sudden gender-switching. "

    — Judy, 2/1/2014
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " one of vwoolf's most accessible works, i think; not that that's a bad thing. and the [relative] lightness of orlando is refreshing among the clarissa dalloways and the septimuses, the lily briscoes and the rhodas. "

    — Julia, 1/26/2014
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " I don't much care for Virginia Woolf. "

    — Huma, 1/20/2014
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " My favorite Woolf so far. A great read. "

    — Alinder, 1/16/2014
  • Overall Performance: 1 out of 51 out of 51 out of 51 out of 51 out of 5

    " one of those books I don't understand and myself I don't find them genius.. just crazy and without sense. "

    — Gosia, 12/11/2013
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " Beautifully written--categorized as fiction, but an actual biography of her intimate friend, Vita Sackville-West. "

    — Mckenzie, 11/27/2013
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " Magical! Don't read the back of the book before reading this. The movie, with Tilda Swinton, doesn't really do this justice. "

    — Kaya, 11/20/2013
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " Woolf has some really incredible passages in this book. Her comprehension on the fluidity of sex and gender is really amazing, and she even makes fun of herself. Loved it. "

    — Dany, 11/6/2013
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " I came quite late to Virginia Woolf but I've enjoyed everything I've read so far and Orlando was no exception - probably the best yet. A magical, surreal tale quite different from her other books that I've read. "

    — Maggieg, 8/30/2013
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " Getting better :) Her peverse, arrogant depression isn't in this later work. "

    — Janet, 7/10/2013
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5

    " I do believe that one lifetime would have been sufficient! "

    — Micah, 3/18/2013
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5

    " "feminist"/love story version of parody books like crying of lot 49.. "

    — sos0, 10/18/2012
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " Of all Virginia Woolf's writing, I do believe Orlando is my favorite. It's approachable from many viewpoints. This certainly qualifies as Classics and Great Literature, yet it is a really fun read. I consider it a comfort read, and re-read it about every three years. "

    — Stephy, 9/15/2012
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5

    " Did not like this nearly as much as I expected to ... "

    — Steven, 6/28/2012
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " Brilliant and charming, Woolf toys with gender, time, literary conventions, and her reader, all with an expert hand. A fantastic read that I put off for far too long. "

    — Jillian, 1/31/2012
  • Overall Performance: 1 out of 51 out of 51 out of 51 out of 51 out of 5

    " 1 star is too much. This was so awful. "

    — Jesse, 1/31/2012
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " I've read and re-read this book several times. I've taught it. Well -- it's a masterpiece. Of course Virginia Woolf wrote it, so it ought to be a masterpiece. My recommendation: read Middlesex, then read Orlando. You'll be amazed that she penned it in 1928. "

    — Tomi-Ann, 10/28/2011
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " This book inspired me to get a sex change and live forever. "

    — Jordan, 8/20/2011
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " I was the only person in my class who really liked this book when we read it. I remember feeling the transformation in the middle of the story to be almost necessary for the plot. I also think it's something all men should experience, at least for a while! "

    — Alyssa, 5/17/2011
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " Highly enjoyable and thought provoking, even funny. "

    — Brittany, 5/10/2011
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " I don't much care for Virginia Woolf. "

    — Huma, 5/4/2011
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " This book inspired me to get a sex change and live forever. "

    — Jordan, 4/28/2011
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " This book was a lot of work. Woolf pulls out all of the stops on artistic license. If you try to take it literally you will pull what's left of your hair out. Reading it as poetry seems to work better. "

    — Tim, 4/21/2011
  • Overall Performance: 1 out of 51 out of 51 out of 51 out of 51 out of 5

    " I read the first 100 pages, and skimmed the rest. Boring as hell. "

    — Mercedes, 4/13/2011
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " Virginia Woolf never seizes to impress me, in this novel she explores the role of gender in society by writing about Orlando, a man who turns into a woman when he/she turns 30. Woolf achieves to give awareness of female writers and how they are sometimes disregarded in literature. "

    — Camille, 4/12/2011
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " LbW selection, October 2010. Fascinating critique of the biography, her father's area of expertise. "

    — Lily, 4/11/2011
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " Kinda kooky, but the prose is so beautiful. "

    — Julie, 4/11/2011
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " fun, but a little dragged out at the end. glad i read it, though. definitely interesting. "

    — Chelsey, 4/2/2011
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5

    " i gave up and didn't finish liked the first part but then got bogged down I loved it as a play but had a hard time with it as a book some lovely parts but not enough to hold me SORRY "

    — Nancy, 3/27/2011
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " I liked this except for the last 3 pages. "

    — Starfish, 3/22/2011

About Virginia Woolf

Virginia Woolf (1882–1941), one of the major literary figures of the twentieth century, transformed the art of the novel. She was a pioneer in the use of stream of consciousness as a narrative device. The author of numerous novels, collections of letters, journals, and short stories, she was also an admired literary critic and a master of the essay form.

About the Narrators

Gabrielle de Cuir, award-winning narrator, has narrated over three hundred titles and specializes in fantasy, humor, and titles requiring extensive foreign language and accent skills. She was a cowinner of the Audie Award for best narration in 2011 and a three-time finalist for the Audie and has garnered six AudioFile Earphones Awards. Her “velvet touch” as an actor’s director has earned her a special place in the audiobook world as the foremost producer for bestselling authors and celebrities.

Stefan Rudnicki first became involved with audiobooks in 1994. Now a Grammy-winning audiobook producer, he has worked on more than five thousand audiobooks as a narrator, writer, producer, or director. He has narrated more than nine hundred audiobooks. A recipient of multiple AudioFile Earphones Awards, he was presented the coveted Audie Award for solo narration in 2005, 2007, and 2014, and was named one of AudioFile’s Golden Voices in 2012.