From the Hugo Award nominee S.B. Divya, Zero Dark Thirty meets The Social Network in this science fiction thriller about artificial intelligence, sentience, and labor rights in a near future dominated by the gig economy.
Welga Ramirez, executive bodyguard and ex-special forces, is about to retire early when her client is killed in front of her. It’s 2095 and people don’t usually die from violence. Humanity is entirely dependent on pills that not only help them stay alive, but allow them to compete with artificial intelligence in an increasingly competitive gig economy. Daily doses protect against designer diseases, flow enhances focus, zips and buffs enhance physical strength and speed, and juvers speed the healing process.
All that changes when Welga’s client is killed by The Machinehood, a new and mysterious terrorist group that has simultaneously attacked several major pill funders. The Machinehood operatives seem to be part human, part machine, something the world has never seen. They issue an ultimatum: stop all pill production in one week.
Global panic ensues as pill production slows and many become ill. Thousands destroy their bots in fear of a strong AI takeover. But the US government believes the Machinehood is a cover for an old enemy. One that Welga is uniquely qualified to fight.
Welga, determined to take down the Machinehood, is pulled back into intelligence work by the government that betrayed her. But who are the Machinehood and what do they really want?
A thrilling and thought-provoking novel that asks: if we won’t see machines as human, will we instead see humans as machines?
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“The thematic inquiries into human and AI labor rights offer plenty to chew on for fans of big idea sci-fi. Readers will be blown away.”
— Publishers Weekly (starred review)
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Deepti Gupta, fluent in Hindi, Urdu, and English, has an international career spread across India, Singapore, Pakistan, and the United States. As a narrator she brings an open and curious perspective to the author’s work. As an actress she has earned praise from the New York Times for her performance in the feature film Walkaway and also stars in Record/Play (a sci-fi love story) which was an official selection at Sundance 2013.