I’m Just Dead, I’m Not Gone chronicles Jim Dickinson’s extraordinary life in the Memphis music scene of the fifties and sixties and how he went on to play with and produce a rich array of artists, including Aretha Franklin, the Rolling Stones, Ry Cooder, Duane Allman, Arlo Guthrie, and Albert King.
With verve and wit, Dickinson (1941-2009) describes how his trip to Blind Lemon’s grave on the Texas flatlands as a college student and how that encounter inspired his return to Memphis. Back home, he looked up Gus Cannon and Furry Lewis, began staging plays, cofounded what would become the annual Memphis Blues Festival, and started recording. The blues, Elvis, and early rock ‘n’ roll compelled Dickinson to reject racial barriers and spurred his contributions to the Memphis music and experimental art scene. He explains how the family yardman, WDIA, Dewey Philips, Furry Lewis, Will Shade, and Howlin’ Wolf shaped him and recounts how he went on to learn his craft at Sun, Ardent, American, Muscle Shoals, and Criteria studios from master producers Sam Phillips, John Fry, Chips Moman, and Jerry Wexler.
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"A world-class storyteller . . . a mix of homespun philosophy, hipster poetry, ribald anecdotes, and humanizing reminiscences about pretty much everyone who was anyone in Southern musical circles."
— Kirkus
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Jim Dickinson (1941-2009) worked with the Rolling Stones, Bob Dylan, Johnny Cash, Alex Chilton, the Replacements, and T-Model Ford. His sons, Luther and Cody, are the founding members of the North Mississippi All Stars.
Sean Runnette, an Earphones Award–winning narrator, has also directed and produced more than two hundred audiobooks, including several Audie Award winners. He is a member of the American Repertory Theater company and has toured the United States and internationally with ART and Mabou Mines. His television and film appearances include Two If by Sea, Cop Land, Sex and the City, Law & Order, the award-winning film Easter, and numerous commercials.