“A wild, rollicking ride into the heart of horse country—these essays get at what it means to love horses, in all that love's complexity.” —Anton DiSclafani, author of The Yonahlossee Riding Camp for Girls
A compelling and provocative essay collection that smashes stereotypes and redefines the meaning of the term “horse girl,” broadening it for women of all cultural backgrounds.
As a child, horses consumed Halimah Marcus’ imagination. When she wasn’t around horses she was pretending to be one, cantering on two legs, hands poised to hold invisible reins. To her classmates, girls like Halimah were known as “horse girls,” weird and overzealous, absent from the social worlds of their peers.
Decades later, when memes about “horse girl energy,” began appearing across social media—Halimah reluctantly recognized herself. The jokes imagine girls as blinkered as carriage ponies, oblivious to the mockery behind their backs. The stereotypical horse girl is also white, thin, rich, and straight, a daughter of privilege. Yet so many riders don’t fit this narrow, damaging ideal, and relate to horses in profound ways that include ambivalence and regret, as well as unbridled passion and devotion.
Featuring some of the most striking voices in contemporary literature—including Carmen Maria Machado, Pulitzer-prize winner Jane Smiley, T Kira Madden, Maggie Shipstead, and Courtney Maum—Horse Girls reframes the iconic bond between girls and horses with the complexity and nuance it deserves. And it showcases powerful emerging voices like Braudie Blais-Billie, on the connection between her Seminole and Quebecois heritage; Sarah Enelow-Snyder, on growing up as a Black barrel racer in central Texas; and Nur Nasreen Ibrahim, on the colonialist influence on horse culture in Pakistan.
By turns thought-provoking and personal, Horse Girls reclaims its titular stereotype to ask bold questions about autonomy and desire, privilege and ambition, identity and freedom, and the competing forces of domestication and wildness.
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“Eminently thoughtful and fascinatingly intimate, this goes a long way toward shattering a stereotype.”
— Publishers Weekly (starred review)
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Amanda Dolan is a professional actor in the MFA program at Brown University. Her credits include Richard III, Macbeth, Falsettos, The Rocky Horror Show, Hair, and The Who’s Tommy.
Eileen Stevens is a voice-over actress whose voice can be heard on cartoons, promos, programs for English-language learners, and audiobooks. An Earphones Award–winning narrator, she is also an audiobook director and producer.
Piper Goodeve began narrating in 2011 and has since given voice to over a hundred titles. As a stage actress, Piper has appeared off Broadway as well as at theaters across the country, such as the McCarter, the Weston Playhouse, and Syracuse Stage. Happily splitting her time between Brooklyn and Vermont, Piper holds a BA from New York University and received her MFA in acting from Brown University/Trinity Rep.
Roxana Ortega is a narrator, actress, and comedian based in Los Angeles. She studied at the American Conservatory Theatre in San Francisco and first began performing in the Bay Area. She has appeared in supporting roles in numerous films, including Evan Almighty and Miss Congeniality 2. Her television credits include Samantha Who, The Shield, Jimmy Kimmel Live!, Crossing Jordan, and Journeyman.
Samantha Quan is a graduate of the Graduate Acting Program at New York University. She has performed on stage in New York and regionally, including at the Ensemble Studio Theater and the Globe Theaters. Samantha presently resides in Los Angeles, where she works in film and television.
Imani Parks is a voice talent and Earphones Award–winning narrator.
Almarie Guerra is an actor known for her work on Sorry You’re Sad, Dude Bro Party Massacre III, and Night of the Living Deb. She is part of an LA/NY based improv group, the Story Pirates.