Prolific, award-winning author Stephen Graham Jones deftly blends fiction and reality in this captivating novel about small-town paranoia and coming home. Twenty-five years ago in Greenwood, Texas, a violent fire erupted in the tiny cotton-growing community. No one ever took responsibility and no one was ever caught. Instead, the town moved forward as if nothing happened. Today, the embers still smolder, but a reckoning may soon be on the horizon.
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"I loved this, though I think Stephen Graham Jones has even more in him and hasn't quite hit his full stride. Still, I'll be reading all of his books, only a couple I haven't gotten to yet. By the end of this I was saturated with memories of small town Texas and cotton and families that run everything in a way that permeates every aspect of the story without being told really. It's like those memories are mine. Course Arizona and Texas aren't so different in some ways, and we're almost of an age the author and I. I don't know when I've read a book where the landscapes and music and memories and the catching of hornytoads made me feel so at home. I caught myself thinking that when he wrote he wanted to be the guy from Rosanne Cash's 'Seven Year Ache' I wondered if he didn't mean her dark-haired boy who played the Tennesse Flat Top Box. I knew the Tiffany song the girls were singing cause I sang it too, and the way the wind smelled maybe and the feeling of space and the road and the masculinity and the way people feel about land. So now I feel like I know about the farming and the joy of large machinery (I knew a little about that already) and god I want to hear rattlesnakes rattling from inside giant bales of cotton! This is all about families and power and land and a whole lot of hurt but you settle into that layer by layer and then you think about it a long time. Meanwhile, you can see the men in their dust and sweat and thinning hair under their hats and wore out jeans... yep. I loved this book. What gave me some small troubles was the structure and the back and forth between past and present didn't always work entirely I thought, I'm not sure who would tell a story quite like that. I did love the form of memoir though, and perhaps reading it while sitting with my mom in hospital made it harder to follow. Still, a hell of a book."
— Andrea (4 out of 5 stars)
“The book is an ambitious hybrid of fact and myth, past and present, that calls into question the nature of truth itself…the novel is unified by Jones's rhythmic prose and his evident compassion for his former neighbors' tragedies—both personal and pastoral.”
— Publishers Weekly“What a wonderful book. Has all the flavor of memoir and all the miracle of fiction. I loved this book.”
— Joe Lansdale, author of All the Earth, Thrown to the Sky" A.D.D. in print. "
— John, 2/12/2014" I heard something in passing about this book and ordered it thinking it a memoir. It's actually fiction, but it's written as if it's a memoir. The most interesting thing about it is the way the narrator plays with the form and discusses truth in memoir throughout the story. Discussing the fallibility of memory has become a common device in actual memoir, and writing about it in fiction is a creative step that results in a book that is as much about form and the act of writing as it is about the story, which is okay with me. "
— Becky, 2/11/2014" So good that I had to re-read many portions of this book. The prose messes with me, and I dig that. "
— Krisilou, 1/19/2014" This is an excellent read. good characters and plot with a good ending. Highly recommended. "
— Ian, 1/13/2014" I don't know what to say about this book. Maybe it's not as bad as a 1 star, but about halfway through I realized I didn't care about any of the characters, I was confused about the plot, and I didn't care what happened. "
— Angela, 1/13/2014" WTH? I read the whole book and still can't tell you what happened. "
— Lori, 12/31/2013" I really wanted to like this book, but Jones' style left me wanting out! It was beautiful, but after a hundred pages I was over it. The story was lost while Jones dropped gems like "let's leave these characters here for a time" that said, the story was wonderful and the characters were real. "
— Nora, 12/20/2013" Loved it, a little scattered, glad I listened to it on audio, seemed easier to follow in that format. Great West Texas novel/"memoir" "
— Shannon, 8/31/2013" The daily events that weave together to make the stories and tragedies of our lives are crafted by a gifted storyteller in this book. Loved it. "
— Kwai, 8/6/2013" Real review forthcoming...probably. In the mean time: holy s$*t, this book. "
— Adam, 5/14/2013" Stephen Graham Jones. Thank you. That was really great. "
— Derek, 10/9/2012" interesting. disjointed. confusing. a unique style. "
— Linda, 8/2/2012Stephen Graham Jones is the bestselling author of The Only Good Indians and My Heart Is a Chainsaw, among others. He has been an NEA fellowship recipient and been recipient of several awards including the Ray Bradbury Award from the Los Angeles Times, the Bram Stoker Award, the Shirley Jackson Award, the Jesse Jones Award for Best Work of Fiction from the Texas Institute of Letters, the Independent Publishers Award for Multicultural Fiction, and the Alex Award from American Library Association. He is the Ivena Baldwin Professor of English at the University of Colorado, Boulder.
Joey Collins is a film and television actor who is known for his roles in All My Children, Kidnapped, and Law & Order. He is an accomplished audiobook narrator who has lent his voice to numerous titles, including Dead Lawyers Tell No Tales, East of Denver, and A Thousand Tomorrows.