A meia lua whooshed in the air. The strike was evaded and followed with an aú. Two young men were playing capoeira in the middle of the roda. Bimba wanted to play too. Although it is debated when and where capoeira—an art form that blends martial arts, dance, acrobatics, music, and spirituality—originated exactly, one thing is certain: in the early 20th century, Brazil was the only country in the world where capoeira was played, and it was mainly practiced by people of African descent. In 1890, two years after Brazil officially abolished slavery, the game was outlawed. Wealthy, lighter-skinned society feared and looked down on capoeira, seeing it as a game for malandros—what people in power called the poor Black communities they disdained. But in the early 1920s in the city of Salvador, a man called Bimba would advocate for capoeira, and those who practiced it, to be treated with dignity and the respect it deserved. Inspired by pre-Columbian codices, Duncan Tonatiuh tells the story of arguably the greatest capoeirista of all time, who fought to turn a misunderstood, persecuted Afro-Brazilian activity into a celebrated art practiced by millions around the world.
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Duncan Tonatiuh is an award-winning Mexican-American author and illustrator. His books include the Pura Belpre Honor Award winners Dear Primo, Diego Rivera, and Pancho Rabbit and the Sibert Honor Award winners Separate Is Never Equal and Funny Bones. Born in Mexico, he graduated from Parsons School of Design in New York City. He is inspired by Pre-Columbian art, and his aim is to create images and stories that honor the past in a way that is relevant today.
Bronson Pinchot, Audible’s Narrator of the Year for 2010, has won Publishers Weekly Listen-Up Awards, AudioFile Earphones Awards, Audible’s Book of the Year Award, and Audie Awards for several audiobooks, including Matterhorn, Wise Blood, Occupied City, and The Learners. A magna cum laude graduate of Yale, he is an Emmy- and People’s Choice-nominated veteran of movies, television, and Broadway and West End shows. His performance of Malvolio in Twelfth Night was named the highlight of the entire two-year Kennedy Center Shakespeare Festival by the Washington Post. He attended the acting programs at Shakespeare & Company and Circle-in-the-Square, logged in well over 200 episodes of television, starred or costarred in a bouquet of films, plays, musicals, and Shakespeare on Broadway and in London, and developed a passion for Greek revival architecture.