When Pulitzer Prize–winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly sixty years, he stumbled through a surprising portal into American history. Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. Though she owned palatial homes in California, New York, and Connecticut, why had she lived for twenty years in a simple hospital room, despite being in excellent health? Why were her valuables being sold off? Was she in control of her fortune, or controlled by those managing her money?
Dedman has collaborated with Huguette Clark’s cousin, Paul Clark Newell, Jr., one of the few relatives to have frequent conversations with her. Dedman and Newell tell a fairy tale in reverse: the bright, talented daughter, born into a family of extreme wealth and privilege, who secrets herself away from the outside world.
Huguette was the daughter of self-made copper industrialist W. A. Clark, nearly as rich as Rockefeller in his day, a controversial senator, railroad builder, and founder of Las Vegas. She grew up in the largest house in New York City, a remarkable dwelling with 121 rooms for a family of four. She owned paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls. But wanting more than treasures, she devoted her wealth to buying gifts for friends and strangers alike, to quietly pursuing her own work as an artist, and to guarding the privacy she valued above all else.
The Clark family story spans nearly all of American history in three generations, from a log cabin in Pennsylvania to mining camps in the Montana gold rush, from backdoor politics in Washington to a distress call from an elegant Fifth Avenue apartment. The same Huguette who was touched by the terror attacks of 9/11 held a ticket nine decades earlier for a first-class stateroom on the second voyage of the Titanic.
Empty Mansions reveals a complex portrait of the mysterious Huguette and her intimate circle. We meet her extravagant father, her publicity-shy mother, her star-crossed sister, her French boyfriend, her nurse who received more than $30 million in gifts, and the relatives fighting to inherit Huguette’s copper fortune. Richly illustrated with more than seventy photographs, Empty Mansions is an enthralling story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms.
The audiobook edition includes bonus audio featuring phone calls between Paul Clark Newell, Jr. and Huguette Clark—believed to be the only known recording of her voice.
Praise for Empty Mansions
“An exhaustively researched, well-written account . . . a blood-boiling expose [that] will make you angry and will make you sad.”—The Seattle Times
“An evocative and rollicking read, part social history, part hothouse mystery, part grand guignol.”—The Daily Beast
“A childlike, self-exiled eccentric, [Huguette Clark] is the sort of of subject susceptible to a biography of broad strokes, which makes Empty Mansions, the first full-length account of her life, impressive for its delicacy and depth.”—Town & Country
“A spellbinding mystery.”—Booklist
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“Empty Mansions is a mesmerizing tale that delivers all the ingredients of a top-notch mystery novel. But there is nothing fictional about this true, fully researched story of a fascinating and reclusive woman from an era of fabulous American wealth. Empty Mansions is a delicious read—once you start it, you will find it hard to put down.”
— Kate Alcott, New York Times bestselling author
“Empty Mansions is a dazzlement and a wonder. Bill Dedman and Paul Newell unravel a great character, Huguette Clark, a shy soul akin to Boo Radley in To Kill a Mockingbird—if Boo’s father had been as rich as Rockefeller. This is an enchanting journey into the mysteries of the mind, a true-to-life exploration of strangeness and delight.”
— Pat Conroy, New York Times bestselling author“Empty Mansions is at once an engrossing portrait of a forgotten American heiress and a fascinating meditation on the crosswinds of extreme wealth. Hugely entertaining and well researched, Empty Mansions is a fabulous read.”
— Amanda Foreman, New York Times bestselling author“In Empty Mansions, a unique American character emerges from the shadows. Through deep research and evocative writing, Bill Dedman and Paul Clark Newell, Jr., have expertly captured the arc of history covered by the remarkable Clark family, while solving a deeply personal mystery of wealth and eccentricity.”
— Jon Meacham, New York Times bestselling author“Who knew? Though virtually unknown today, W. A. Clark was one of the fifty richest Americans ever—copper baron, railroad builder, art collector, US senator, and world-class scoundrel. Yet his daughter and heiress Huguette became a bizarre recluse. Empty Mansions reveals this mysterious family in sumptuous detail.”
— John Berendt, New York Times bestselling author“An amazing story of profligate wealth…an outsized tale of rags-to-riches prosperity.”
— New York Times“A fascinating story.”
— Today“A childlike, self-exiled eccentric, [Huguette Clark] is the sort of subject susceptible to a biography of broad strokes, which makes Empty Mansions, the first full-length account of her life, impressive for its delicacy and depth.”
— Town & Country“An exhaustively researched, well-written account…a blood-boiling exposé [that] will make you angry and will make you sad.”
— Seattle Times“More than a biography, more than a mystery, Empty Mansions is a real-life American Bleak House, an arresting tale about misplaced souls sketched on a canvas that stretches from coast to coast, from riotous mining camps to the gilded dwellings of the very, very rich.”
— John A. Farrell, author of Clarence Darrow: Attorney for the Damned“A fascinating investigation into the haunting true-life tale of reclusive heiress Huguette Clark.”
— PeopleAn amazing story of profligate wealth . . . an outsized tale of rags-to-riches prosperity.
— The New York TimesA fascinating investigation into the haunting true-life tale of reclusive heiress Huguette Clark.
— PeopleAn exhaustively researched, well-written account . . . a blood-boiling expose [that] will make you angry and will make you sad.
— The Seattle TimesAn evocative and rollicking read, part social history, part hothouse mystery, part grand guignol.
— The Daily BeastA childlike, self-exiled eccentric, [Huguette Clark] is the sort of of subject susceptible to a biography of broad strokes, which makes Empty Mansions, the first full-length account of her life, impressive for its delicacy and depth.
— Town & CountryOne of those incredible stories that you didn’t even know existed. It filled a void.
— Jon Stewart, The Daily ShowSo well written . . . such a gripping, gripping story.
— Bill Goldstein, NBC 4 New YorkA compelling account of what happened to the Clark family and its fortune . . . a tremendous feat.
— St. Louis Post-DispatchA fascinating story.
— TodayMeticulous and absorbing.
— Bloomberg BusinessweekBrilliantly researched, tough-minded, and fair . . . a fascinating read.
— Santa Barbara IndependentRiveting . . . deliciously scandalous . . . a thrilling study of the responsibilities and privileges that come with great wealth.
— Publishers Weekly (starred review)A spellbinding mystery.
— BooklistEnlightening.
— Library JournalEmpty Mansions is a dazzlement and a wonder. Bill Dedman and Paul Newell unravel a great character, Huguette Clark, a shy soul akin to Boo Radley in To Kill a Mockingbird—if Boo’s father had been as rich as Rockefeller. This is an enchanting journey into the mysteries of the mind, a true-to-life exploration of strangeness and delight.
— Pat Conroy, author of The Death of Santini: The Story of a Father and His SonEmpty Mansions is at once an engrossing portrait of a forgotten American heiress and a fascinating meditation on the crosswinds of extreme wealth. Hugely entertaining and well researched, Empty Mansions is a fabulous read.
— Amanda Foreman, author of A World on FireIn Empty Mansions, a unique American character emerges from the shadows. Through deep research and evocative writing, Bill Dedman and Paul Clark Newell, Jr., have expertly captured the arc of history covered by the remarkable Clark family, while solving a deeply personal mystery of wealth and eccentricity.
— Jon Meacham, author of Thomas Jefferson: The Art of PowerWho knew? Though virtually unknown today, W. A. Clark was one of the fifty richest Americans ever—copper baron, railroad builder, art collector, U.S. senator, and world-class scoundrel. Yet his daughter and heiress Huguette became a bizarre recluse. Empty Mansions reveals this mysterious family in sumptuous detail.
— John Berendt, author of Midnight in the Garden of Good and EvilEmpty Mansions is a mesmerizing tale that delivers all the ingredients of a top-notch mystery novel. But there is nothing fictional about this true, fully researched story of a fascinating and reclusive woman from an era of fabulous American wealth. Empty Mansions is a delicious read—once you start it, you will find it hard to put down.
— Kate Alcott, bestselling author of The DressmakerMore than a biography, more than a mystery, Empty Mansions is a real-life American Bleak House, an arresting tale about misplaced souls sketched on a canvas that stretches from coast to coast, from riotous mining camps to the gilded dwellings of the very, very rich.
— John A. Farrell, author of Clarence Darrow: Attorney for the DamnedBill Dedman introduced the public to heiress Huguette Clark and her empty mansions through his compelling series of narratives for NBC, which became the most popular feature in the history of the news website, topping 110 million page views. He received the 1989 Pulitzer Prize in investigative reporting while writing for the Atlanta Journal-Constitution. He has also written for the New York Times, the Washington Post, and the Boston Globe.
Kimberly Farr is an actress and winner of numerous AudioFile Earphones Awards for narration. She has appeared on Broadway and at the New York Shakespeare Festival, the Roundabout Theatre, Playwright’s Horizons, and the American Place. She created the role of “Eve” in Arthur Miller’s first and only musical, Up from Paradise, which was directed by the author. She appeared with Vanessa Redgrave in the Broadway production of The Lady from the Sea and has acted in regional theaters across the country, including a performance in the original production of The 1940’s Radio Hour at Washington, DC’s Arena Stage.
Kimberly Farr is an actress and winner of numerous AudioFile Earphones Awards for narration. She has appeared on Broadway and at the New York Shakespeare Festival, the Roundabout Theatre, Playwright’s Horizons, and the American Place. She created the role of “Eve” in Arthur Miller’s first and only musical, Up from Paradise, which was directed by the author. She appeared with Vanessa Redgrave in the Broadway production of The Lady from the Sea and has acted in regional theaters across the country, including a performance in the original production of The 1940’s Radio Hour at Washington, DC’s Arena Stage.