With unparalleled high-tension suspense and the latest in forensic technology, Patricia Cornwell once again proves her exceptional ability to surprise—and to thrill—in this electrifying Kay Scarpetta novel.
A body, oddly draped in an unusual cloth, has just been discovered inside the sheltered gates of MIT, and it’s suspected the identity is that of missing computer engineering grad student Gail Shipton, last seen the night before at a trendy Cambridge bar. It appears she’s been murdered, mere weeks before the trial in her $100 million lawsuit against her former financial manager, and Massachusetts Chief Medical Examiner Kay Scarpetta doubts it’s a coincidence. She also fears the case may have a connection with her computer genius niece, Lucy.
In Dust, Scarpetta and her colleagues are up against a force far more sinister than a sexual predator who fits the criminal classification of a “spectacle killer.” The murder of Gail Shipton soon leads deep into the dark world of designer drugs, drone technology, organized crime, and shocking corruption at the highest levels.
Download and start listening now!
Be the first to write a review about this audiobook!
Patricia Cornwell is recognized as one of the world’s top bestselling crime authors with many New York Times bestselling novels. She wrote her debut, Postmortem, while working at the Office of the Chief Medical Examiner in Richmond, Virginia, and it went on to win the Edgar, Creasey, Anthony, and Macavity awards, as well as the French Prix du Roman d’Aventures—the first book ever to claim all these distinctions in a single year. Beyond the Kay Scarpetta series, she has written a definitive book about Jack the Ripper, a biography, and three more fiction series, among others.
Michael Kramer is an AudioFile Earphones Award winner, a finalist for the prestigious Audie Award for Best Narration, and recipient of a Publishers Weekly Listen-Up Award. He is also an actor and director in the Washington, DC, area, where he is active in the area’s theater scene and has appeared in productions at the Shakespeare Theatre, the Kennedy Center, and Theater J.