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American Revolutions: A Continental History, 1750-1804 Audiobook, by Alan Taylor Play Audiobook Sample

American Revolutions: A Continental History, 1750-1804 Audiobook

American Revolutions: A Continental History, 1750-1804 Audiobook, by Alan Taylor Play Audiobook Sample
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Read By: Mark Bramhall Publisher: Random House Audio Listen Time: at 1.0x Speed 12.67 hours at 1.5x Speed 9.50 hours at 2.0x Speed Release Date: September 2016 Format: Unabridged Audiobook ISBN: 9781524709693

Quick Stats About this Audiobook

Total Audiobook Chapters:

147

Longest Chapter Length:

09:12 minutes

Shortest Chapter Length:

17 seconds

Average Chapter Length:

07:42 minutes

Audiobooks by this Author:

7

Other Audiobooks Written by Alan Taylor: > View All...

Publisher Description

From the two-time Pulitzer Prize winner, a fresh, authoritative history that recasts our thinking about America’s founding period.

The American Revolution is often portrayed as a high-minded, orderly event whose capstone, the Constitution, provided the ideal framework for a democratic, prosperous nation. Alan Taylor, two-time winner of the Pulitzer Prize, gives us a different creation story in this magisterial history of the nation’s founding.

Rising out of the continental rivalries of European empires and their native allies, Taylor’s Revolution builds like a ground fire overspreading Britain’s mainland colonies, fueled by local conditions, destructive, hard to quell. Conflict ignited on the frontier, where settlers clamored to push west into Indian lands against British restrictions, and in the seaboard cities, where commercial elites mobilized riots and boycotts to resist British tax policies. When war erupted, Patriot crowds harassed Loyalists and nonpartisans into compliance with their cause. Brutal guerrilla violence flared all along the frontier from New York to the Carolinas, fed by internal divisions as well as the clash with Britain. Taylor skillfully draws France, Spain, and native powers into a comprehensive narrative of the war that delivers the major battles, generals, and common soldiers with insight and power.

With discord smoldering in the fragile new nation through the 1780s, nationalist leaders such as James Madison and Alexander Hamilton sought to restrain unruly state democracies and consolidate power in a Federal Constitution. Assuming the mantle of “We the People,” the advocates of national power ratified the new frame of government. But their opponents prevailed in the presidency of Thomas Jefferson, whose vision of a western “empire of liberty” aligned with the long-standing, expansive ambitions of frontier settlers. White settlement and black slavery spread west, setting the stage for a civil war that nearly destroyed the union created by the founders.

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Taylor really wants to show that the Revolution was anything but the “good, orderly, restrained and successful” event usually depicted “in popular history books and films.” By broadening the context, he aims to desacralize the Revolution, to explode popular myths about it and to rip aside the mantle of nobility, dignity and heroism that he believes has too long covered up its sordid and bloody reality.

— New York Times

Awards

  • A Kirkus Reviews Pick for Best History Books of 2016

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About Alan Taylor

Alan Taylor has won the Pulitzer and Bancroft prizes for his histories of early America. He has twice won the Pulitzer Prize in history, most recently for The Internal Enemy, which was also a finalist for the National Book Award. He is the Thomas Jefferson Professor of History at the University of Virginia.

About Mark Bramhall

Arthur Morey has won three AudioFile Magazine “Best Of” Awards, and his work has garnered numerous AudioFile Earphones Awards and placed him as a finalist for two Audie Awards. He has acted in a number of productions, both off Broadway in New York and off Loop in Chicago. He graduated from Harvard and did graduate work at the University of Chicago. He has won awards for his fiction and drama, worked as an editor with several book publishers, and taught literature and writing at Northwestern University. His plays and songs have been produced in New York, Chicago, and Milan, where he has also performed.