A Shout in the Ruins Audiobook

Quotes

• “Spiced with Flannery O’Connor–esque flavor, this rich brew of a novel evokes the checkered history of antebellum Virginia via run-down plantations and twilight marshes.”

  — O, The Oprah Magazine

• "A Shout in the Ruins, as its title suggests, lays bare the tremendous suffering on which our country was founded and demands its acknowledgment. But Powers also offers love and grace in these pages, and a prayer for redemption.”

  — New York Times

• “A searing look at the ravages of war and how violence can shape a nation in ways that may never be fully recoverable…a novel that powerfully explores how slavery has infected this country and how history is never really confined to the past.”

  — NPR

• “With a complex structure reminiscent of Faulkner, Powers adroitly weaves his narrative threads together with subtle connections that reinforce his themes of longing for coherence and the continuing effect of the past on the present. An impressive novel.”

  — Kirkus Reviews (starred review)

• “Powers has given himself great freedom to explore and meditate on a wide swath of American history…A Shout in the Ruins is suitably unvarnished but not without moments of beauty or deep emotion…[and] brushes aside myth and romanticism for a clear-eyed look at American heritage.”

  — Shelf Awareness

• “A masterly meditation on our unbreakable connection to a world predicated on cyclical violence.”

  — Library Journal

• “Beautifully formed sentences express unsettling truths about humanity, yet tendrils of hope emerge, showing how love and kindness can take root in seemingly barren earth.”

  — Booklist

• “An elegiac tale of corruption and pain in the American South…Explores the memories and tragedies that can be passed down the family tree…A fine, relevant novel.”

  — BookPage

• “A harrowing and lyrical epic in miniature, Powers has written a novel excavated from another time but which speaks profoundly to this one.”

  — Elliot Ackerman, author of Dark at the Crossing

• The Yellow Birds might just be the first American literary masterpiece produced by the Iraq war.

  — Los Angeles Times

• An elegiac, sober, and haunting coming-of-age war story.

  — TIME

• The first great Iraq War novel.

  — Darren Reidy, Rolling Stone

• A Shout in the Ruins is confirmation, if it were needed, that Kevin Powers is a writer of rare talent.

  — Financial Times

• Much as in The March E.L. Doctorow's epic civil war novel, Mr. Powers gives a strong sense of a vast body of humanity caught up in a tumult that still reverberates today... Above all this troubling, stirring book is informed by Mr. Powers's deep understanding of war's complexities, and of how people are broken and shaped by it.

  — The Economist

• Powers brings to Virginia battle scenes the same searing immediacy he brought to his stories of carnage in The Yellow Birds.

  — Ron Charles, Washington Post

• With a complex structure reminiscent of Faulkner, Powers adroitly weaves his narrative threads together with subtle connections that reinforce his themes of longing for coherence and the continuing effect of the past on the present. An impressive novel of slavery, destruction, and the arduous difficulties of love.

  — Kirkus, Starred Review

• Some passages in Powers' second novel, following his awarding-winning The Yellow Birds (2012), unfold with a fable's tragic inevitability, while specificity of setting and character, both strikingly described and original, will brand them into the reader's consciousness . . . Beautifully formed sentences express unsettling truths about humanity, yet tendrils of hope emerge, showing how love and kindness can take root in seemingly barren earth.

  — Booklist

• A masterly meditation on our unbreakable connection to a world predicated on cyclical violence.

  — Library Journal

• With a complex structure reminiscent of Faulkner, Powers adroitly weaves his narrative threads together with subtle connections that reinforce his themes of longing for coherence and the continuing effect of the past on the present. An impressive novel of slavery, destruction, and the arduous difficulties of love.

  — Kirkus, starred review

• Guided by a homing instinct for human truths, A Shout in the Ruins is a daring voyage into and out of the darkest era in American history

  — Observer

• Suitably unvarnished, but not without moments of beauty or deep emotion. A Shout in the Ruins brushes aside myth and romanticism for a clear-eyed look at American heritage.

  — Shelf Awareness

• A masterpiece. Powers has written a novel that includes all the ferocity, complexity, and racial violence of the American South, from its fall to its eventual rebirth.

  — Philipp Meyer

• Kevin Powers has seamlessly woven nineteenth and twentieth century lives to create a novel that resonates out of the past to address the most timely issues of America in our own century. The same striking language and contemplation of war and its aftermath that made The Yellow Birds such a lauded debut is on full display in A Shout in the Ruins. What an impressive novel.

  — Ron Rash

• A harrowing and lyrical epic in miniature, Powers has written a novel excavated from another time, but which speaks profoundly to this one.

  — Elliot Ackerman, author of Dark at the Crossing

• A remarkable first novel...The Yellow Birds is brilliantly observed and deeply affecting: at once a freshly imagined bildungsroman about a soldier's coming of age, a harrowing story about the friendship of two young men trying to stay alive on the battlefield in Iraq, and a philosophical parable about the loss of innocence and the uses of memory...Extraordinary.

  — Michiko Kakutani, New York Times

• A first novel as compact and powerful as a footlocker full of ammo....Kevin Powers has something to say, something deeply moving about the frailty of man and the brutality of war, and we should all lean closer and listen.

  — Benjamin Percy, New York Times Book Review

• An exquisite excavation of the war's moral and psychological wreckage. Powers evokes the peculiar smell and feel of the war better than any journalist.

  — The New Yorker

• Darkly beautiful....How to tell a true war story if you're more a poet than a novelist? Tell it as a poet would. Tell it as Kevin Powers does.

  — Alan Cheuse, NPR's All Things Considered

• A novel of grit, grace, and blood by an Iraq war veteran....Kevin Powers moves gracefully between spare, factual description of the soldiers' work to simple, hard-won reflections on the meaning of war.

  — Ron Charles, Washington Post

• An unusually spare and lyrical war story....The characters are sketched with as much heart as economy...Like the Iraq heat, which 'had the surprising effect of reducing one to tears in an instant,' The Yellow Birds skulks along, detached and undemanding, until all of a sudden you turn a page and find yourself weeping.

  — GQ