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In Part 4, the family’s turmoil reaches its climax as Dmitri stands trial for his father’s murder. Ivan’s mental collapse and Alyosha’s unwavering compassion highlight the novel’s exploration of guilt, faith, and redemption. Through impassioned courtroom drama and philosophical reflection, Dostoevsky examines the nature of justice, morality, and human frailty. As secrets unravel and truths emerge, each character confronts their choices and beliefs. The story concludes with a profound meditation on love, forgiveness, and the possibility of spiritual renewal, cementing the novel’s status as a timeless exploration of the human soul.
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Fyodor Mikhailovich Dostoevsky (1821–1881) was a Russian novelist, journalist, and short-story writer whose psychological penetration into the darkest recesses of the human heart had a profound and universal influence on the twentieth-century novel. He was born in Moscow, the son of a surgeon. Leaving the study of engineering for literature, he published Poor Folk in 1846. As a member of revolutionary circles in St. Petersburg, he was condemned to death in 1849. A last-minute reprieve sent him to Siberia for hard labor. Returning to St. Petersburg in 1859, he worked as a journalist and completed his masterpiece, Crime and Punishment, as well as other works, including The Idiot and The Brothers Karamazov.