Washington Black: A novel Audiobook

Quotes

• “A lush, exhilarating travelogue reminiscent of Jules Verne.”

  — New Yorker

• “Black’s presence in these pages is fierce and unsettling. His urge to live all he can is matched by his eloquence.”

  — New York Times Book Review

• “Terrifically exciting.”

  — Washington Post

• “It was Dion Graham’s performance that really elevated this to a new echelon and earned it this win. In Part One, during which Wash is a young boy, Graham brings a vulnerability that in turns feels fragile, naïve, and brave. He matures Wash’s voice as the years proceed, but fascinatingly his grown voice—the one that he uses to look back and reflect from his present—contains shades of accents from everywhere Wash has traveled…as well as all the sorrow, regret, fearlessness, and determination he carried with him for the journey.”

  — Audible.com

• “Narrator Dion Graham wrings every heartfelt emotion from the story. Edugyan’s work embodies the fear and brutality of 1800s slavery, using beautifully turned phrases and clear-eyed observations—which Graham takes to another level—to give voice to the horror and high adventure of Washington Black’s life…Graham lets the characters mature in his delivery as Washington travels from the steamy sugar cane fields of Barbados to the arctic plains of Canada. Listeners will be rooting for this most unlikely of heroes. Winner of the AudioFile Earphones Award.”

  — AudioFile

• “As harrowing a portrayal of slavery as Colson Whitehead’s The Underground Railroad, but also a globe-trotting, page-turning adventure story. A historical epic with much to say about the present-day world.”

  — Guardian (London)

• Perfectly executed . . . Soaring . . . More than a tale of human bondage, it’s also an enthralling meditation on the weight of freedom, wrapped in a rousing adventure story stretching to the ends of the earth.

  — Renée Graham, The Boston Globe  “Terrifically exciting . . . An engrossing hybrid of 19th-century adventure and contemporary subtlety, a rip-roaring tale of peril imbued with our most persistent strife . . . Discover what the rest of the world already knows: Edugyan is a magical writer.

• Riveting . . . [A] towering achievement . . . Edugyan is one of our sharpest and deepest writers of historical fiction.

  — David Canfield, Entertainment Weekly

• A lush, exhilarating travelogue reminiscent of Jules Verne . . . Edugyan, like her hero, can paint an indelible scene.

  — Laura Miller, The New Yorker

• Gripping . . . Astonishing . . . Washington Black’s presence in these pages is fierce and unsettling. His urge to live all he can is matched by his eloquence.

  — Colm Toibin, The New York Times Book Review 

• “A wonder of an adventure story, powered by the helium of fantasy, but also by the tender sensibility of its aspiring young hero, Wash Black . . . Much of the pleasure of reading Washington Black derives from Edugyan’s ingenious storytelling gifts, but her novel is more than just a buoyant bauble . . . Washington Black is an unconventional and often touching novel about the search for transcendence above categories.

  — Maureen Corrigan, NPR/Fresh Air

• As harrowing a portrayal of slavery as Colson Whitehead’s The Underground Railroad, but also a globe-trotting, page-turning adventure story. A historical epic with much to say about the present-day world.

  — Justine Jordan, The Guardian

• “Extraordinary . . . Edugyan is a marvelous writer.

  — Michael Upchurch, Seattle Times

• “Profoundly humane.

  — Johanna Thomas-Corr, The Times (UK)

• “A daring work of empathy and imagination, featuring a Barbados slave boy in the 1830s who flees barbaric cruelty in a hot-air balloon and embarks on a life of adventure that is wondrous, melancholy, and strange.

  — The New York Times Book Review (Editors’ Choice)

• An astounding novel . . . It is impossible for the reader not to hang on to Wash’s every word.

  — Holly Silva, St. Louis Post-Dispatch

• A sparkling subversion of a high-stakes Victorian yarn, full of truths and startling marvels . . . Wash is a singular, dazzling narrator.

  — Anita Felicelli, San Francisco Chronicle

• “Masterful . . . Wondrous . . . Gripping . . . Edugyan’s depiction of this dark period is vivid and captivating. [She] is too subtle a novelist to belabour her story’s contemporary relevance, but, like the moral stain of human bondage, it is palpable all the same. At a time when blackness still invites unwarranted violence, young Wash’s hard lessons resonate.

  — The Economist

• Washington Black is a rare creation. It is a work of unmistakable literary sensibility, written in prose that is fresh and beautiful, yet it retains a storyteller’s skill to shock and surprise.

  — Amanda Craig, Daily Telegraph

• Exquisite.

  — Boris Kachka, New York magazine

• “A full-pelt adventure story featuring hot-air balloon crashes, blizzards in the Arctic, scientific discovery, knife fights in dark alleys, bounty hunters, and forbidden romance, it has the seemingly old-fashioned qualities of being gripping and plot-driven, as well as a novel of ideas . . . Surprisingly uplifting.

  — Francesca Angelini, The Times (London)

• Magnificent . . . By placing a black slave at the heart and centre of this epic romp, by making Wash the explorer of lands, science and art, Edugyan reclaims long-lost terrain in this ambitious, headspinning work.

  — Nilanjana Roy, Financial Times

• A gripping historical narrative exploring both the bounds of slavery and what it means to be truly free.

  — Vanity Fair

• Edugyan’s genius here is that she’s found an urgent, fresh way of writing the antebellum novel . . . A romping yarn, beautifully and evocatively written, the narrative spinning along at a glorious pace.

  — Lucy Scholes, The National 

• Thrilling . . . Washington Black is a gripping tale, made vivid by Esi Edugyan’s gifts for language and character, and by the strength of her story . . . The reader feels honoured to have kept Wash company on his journeying: and moved to see him embark upon his true beginning.

  — Erica Wagner, The New Statesman

• “Terrific . . . A multi-faceted tale that travels across geography and history. In its rich details and finely tuned ear for language, the book creates a virtual world . . . Edugyan is a virtuosic writer . . . She satisfies the ultimate demand we make of novels: an intriguing examination of unanswerable, but essential, questions.

  — Martha Anne Toll, The Millions

• “Captivating . . . Edugyan’s fiction always stays strong, beautiful and beguiling.

  — Arifa Akbar, The Observer (UK)

• Washington Black is nothing short of a masterpiece. Esi Edugyan has a rare talent for turning over little known stones of history and giving her reader a new lens on the world, a new way of understanding subject matter we arrogantly think we know everything about. This book is an epic adventure and a heartfelt tale about love and morality and their many contradictions. I loved it.

  — Attica Locke, author of Bluebird, Bluebird“In her elegant, nuanced writing style, Edugyan unfolds Wash’s experiences as he realizes his freedom.

• “An absorbing, lyrically arresting investigation of freedom in its many forms . . . [that] becomes an exuberant paean to the transformative powers of storytelling.

  — Claire Allfree, Metro (UK)“At the core of this novel, with its searing, supple prose and superb characters, is a visceral depiction of the abomination of slavery. Yet, as importantly, it explores an unlikely friendship, the limits to understanding another’s suffering, the violence lurking in humans, and the glories of adventure in a world full of wonders.

• “A vibrant, poignant tale of a man’s search for selfhood in a world where some see him as less than whole . . . Remarkable.

  — Library Journal (starred)

• Wonderful . . . Eloquent . . . Brilliant . . . Wash and Titch are so alive as to be unforgettable . . . This important novel from the author of the superb Half-Blood Blues belongs in every library.

  — Booklist (starred)

• Edugyan’s magnificent third novel again demonstrates her range and gifts . . . Framing the story with rich evocations of the era’s science and the world it studies, Edugyan mines the tensions between individual goodwill and systemic oppression, belonging and exclusion, wonder and terror, and human and natural order . . . Crafted in supple, nuanced prose, Edugyan’s novel is both searing and beautiful.

  — Publishers Weekly (starred, boxed)

• “High adventure fraught with cliffhanger twists marks this runaway-slave narrative, which leaps, sails, and soars from Caribbean cane fields to the fringes of the frozen Arctic and across a whole ocean . . . One of the most unconventional escapes from slavery ever chronicled . . . Edugyan displays as much ingenuity and resourcefulness as her main characters in spinning this yarn, and the reader’s expectations are upended almost as often as her hero’s. A thoughtful, boldly imagined ripsnorter that broadens inventive possibilities for the antebellum novel.

  — Kirkus Reviews (starred)

• A thrilling page-turner . . . also a lyrical contemplation of captivity and freedom, and the scars that stay with us for life.

  — Marsha Lederman, Globe & Mail

• A powerful story about slavery . . . The first section of the book, set on the plantation, is a scintillating tour de force . . . A novel worthy of its subject.

  — Kathy O’Shaughnessy, Literary Review

• “Irresistible . . . Tightly paced . . . A gripping adventure and an atmospheric portrayal of 1830s society.

  — Daily Express  “A cinematic epic of slavery and freedom, it’s also a tale of high adventure and scientific endeavor . . . Both engaging and deeply affecting.

• Extraordinary . . . A richly entertaining read.

  — Nick Rennison, BBC History Magazine

• Excellent . . . Devastating . . . Unforgettable . . . In a story that is escapist, as well as poignant and political, Edugyan enjoys taking her readers where they are least expecting to go . . . Like the best historical fiction, it shines a light on the present as well as the past.

  — Joanne Hayden, Irish Independent