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Thrust: A Novel Audiobook
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INSTANT NATIONAL BESTSELLER
THRUST IS:
“Epic.” –The New York Times
“A triumph.” —Elle
“Stunningly beautiful.” —The Daily Beast
“Both of the moment and utterly timeless.” —Chicago Review of Books
“A book to take in wide-eyed.” —Rebecca Makkai
NAMED A BEST BOOK OF THE YEAR BY THE WASHINGTON POST
As rising waters—and an encroaching police state—endanger her life and family, a girl with the gifts of a "carrier" travels through water and time to rescue vulnerable figures from the margins of history
Lidia Yuknavitch has an unmatched gift for capturing stories of people on the margins—vulnerable humans leading lives of challenge and transcendence. Now, Yuknavitch offers an imaginative masterpiece: the story of Laisvė, a motherless girl from the late 21st century who is learning her power as a carrier, a person who can harness the power of meaningful objects to carry her through time. Sifting through the detritus of a fallen city known as the Brook, she discovers a talisman that will mysteriously connect her with a series of characters from the past two centuries: a French sculptor; a woman of the American underworld; a dictator's daughter; an accused murderer; and a squad of laborers at work on a national monument. Through intricately braided storylines, Laisvė must dodge enforcement raids and find her way to the present day, and then, finally, to the early days of her imperfect country, to forge a connection that might save their lives—and their shared dream of freedom.
A dazzling novel of body, spirit, and survival, Thrust will leave no reader unchanged.
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"Yuknavitch is interested in the way the bodies of immigrants, refugees, and marginalized people have been the fodder used to keep the American project going—and her humane love for those same bodies shines. . . . Complex, ambitious, and unafraid to earnestly love—and critique—America and its most dearly held principles."
— Kirkus Reviews
Quotes
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[The] most mind-blowing book about America I’ve ever inhaled. . . . I read Thrust in a state of flustered fascination and finished longing to dream it again.
— Ron Charles, Washington Post -
There’s so much that feels deeply present about Yuknavitch’s latest novel: the ever-expanding police state, lower Manhattan under water, and a woman on a mission to rescue other vulnerable women. Yuknavitch’s words are incantations, and Thrust is a triumph.
— Elle -
An indignant and impressive novel.
— Alexandra Jacobs, The New York Times -
Yuknavitch breaks down barriers of time and space, of history and language, in a visceral critique of America’s founding ideals and its present failures.
— The New Yorker -
Thrust is the culmination of everything she has been writing toward, a blistering excoriation of power structures that also honors the resilience of those who fight back. . . . It’s a book that uses history and America as a jumping-off point to dissolve borders and boundaries.
— Michele Filgate, Los Angeles Times -
Moving and incisive.
— Time -
A fascinating, unsettling ride.
— The Guardian -
[This] powerful, braided fable unites workers of the world across time and space and class to start conceiving of a better world. . . . Yuknavitch is firmly in control.
— Los Angeles Times -
The utterly gripping story of a drowned world . . . I read with wonder, sometimes also with tears, and always with hope for our own hurting world. I feel fierce admiration for what Yuknavitch has achieved in this amazing book.
— Barbara J. King, author of How Animals Grieve -
Complex, enthralling . . . page-turning . . An epic story of dystopia and hope, and ultimately about the power of storytelling.
— Sarah Neilson, Shondaland -
An epic fable [that] operates more like a poem.
— Kate Dwyer, The New York Times -
Cinematic and inviting . . . it could be the best thing you read this year.
— Philadelphia Inquirer -
A dizzily interlacing view of American history.
— New York -
”[A] forceful, fluid, erotic new novel.
— Boston Globe -
A dazzling new novel that marks another imaginative feat in a career with no shortage of them. A lyrical and dexterous critique of a future America ravaged by climate change and surveillance, Thrust is both of the moment and utterly timeless.
— Chicago Review of Books -
Prescient, elegiac, and epic. . . . This book is a mighty lament for what we are losing; it’s also a proposition about what we might become, how we might learn to listen differently, and how water rearranges things, including history.
— The Irish Times -
This weirdly wonderful [novel] on the surveillance state, climate change, and what it means to have agency as a woman in the world will throw your mind for a loop in the best way.
— Good Housekeeping -
A stunningly beautiful novel about the power of storytelling to make sense of the world we are living in and the one we might just be barreling toward.
— The Daily Beast -
An intelligently affecting story that successfully walks the fine line between topical issues, history and science fiction.
— Buzz -
A book that explores the big, serious issues of exploitation, climate change, and freedom through a rich web of kink, humor, and nature. There’s so much going on in this novel, and it all comes together in such magnificent, incredible ways.
— BookRiot -
Chronicles violences big and small that have shaped the course of humanity [and] offers hope in the idea that stories, ever-changing, have the power to carry Laisvė—and others—somewhere new.
— Electric Literature -
[Yuknavitch]’s world-building powers are in full force.
— LitHub -
A complex novel of great imagination. . . profound, thought-provoking, and deeply beautiful.
— Shelf Awareness -
Blistering and visionary . . . This is the author’s best yet.
— Publishers Weekly (starred review) -
Thrust is kinky, queer, and razor sharp . . . a stunning novel about the future we might be able to create if we listen to voices we’ve previously ignored . . . and about being willing to start again.
— Booklist (starred review) -
Thrust is alarmingly trenchant—and a hell of a wild ride. Daring, dazzling, and earth-splitting, this is a book to take in wide-eyed.
— Rebecca Makkai, author of The Great Believers
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About Lidia Yuknavitch
Lidia Yuknavitch is the author of the debut novel Dora: A Headcase, and the memoir The Chronology of Water, as well as three books of short fiction and a critical book on war and narrative, Allegories of Violence. Her writing has appeared in many publications including Ms., The Iowa Review, The Sun, and in numerous anthologies. She writes, teaches, and lives in Portland, Oregon with the filmmaker Andy Mingo and their son Miles.
About the Narrators
Cassandra Campbell has won multiple Audie Awards, Earphones Awards, and the prestigious Odyssey Award for narration. She was been named a “Best Voice” by AudioFile magazine and in 2018 was inducted in Audible’s inaugural Narrator Hall of Fame.
Ryan Vincent Anderson is a voice talent and Earphones Award–winning audiobook narrator.
Kathleen Gati is an award-winning actress who has starred in a number of Hungarian television series and films.
Robbie Daymond is an actor, voice talent, and four-time winner of the AudioFile Earphones Award. He graduated from the University of Nevada, Las Vegas, with a master’s degree in acting and works primarily in theater but has made several forays into television, video games, and film.
Ron Butler is a Los Angeles–based actor, Earphones Award–winning audiobook narrator, and voice artist with over a hundred film and television credits. Most kids will recognize him from the three seasons he spent on Nickelodeon’s True Jackson, VP. He works regularly as a commercial and animation voice-over artist and has voiced a wide variety of audiobooks. He is a member of the Atlantic Theater Company and an Independent Filmmaker Project Award winner for his work in the HBO film Everyday People.
Graham Halstead, an Earphones Award and Audie Award–winning narrator, is a professionally trained actor and voice artist. As an actor, he has worked internationally in Edinburgh and London, as well as at the Kennedy Center in Washington, DC. His youthful, easy-flowing voice can be heard on television and radio voicing spots for Airborne and Allegra.
Natasha Soudek was raised in the South, speaks native German, lived in Berlin and Vienna, and finally settled in the Lower East Side of New York City. After honing her stage presence by studying acting and playing hundreds of live music shows (singing and playing bass), she moved to LA to record with Channel/DreamWorks and act on TV. Her voice is as distinct and memorable as the range of characters she’s played on-screen.
Darrell Dennis is a native Canadian comedian, actor, screenwriter and radio personality from the Secwepemc Nation in the interior of British Columbia. In addition to acting and comedy, Darrell is a writer whose works have been published by Playwrights Canada Press and Douglas & McIntyre Publishing. His short stories have been published in periodicals across Canada and the U.S. His first play, Trickster of Third Avenue East, was produced by Native Earth Performing Arts, which twice named Darrell their “Writer-in- Residence.” His semi-autobiographical one-man play, Tales of an Urban Indian, in which he explored themes of growing up as an indigenous First Nations Native American, was nominated for two Dora Awards and has been produced for multiple tours across Canada and the United States
Shaun Taylor-Corbett is an actor, singer, and writer. A graduate of the University of Delaware, he has television and Broadway credits, including the role of Sonny on Broadway in In the Heights. He also has off-Broadway credits including In the Heights and Altar Boyz.
Kyla Garcia is an AudioFile Earphones Award–winning narrator. Born and raised in Hoboken, New Jersey, she discovered acting at the age of eight when she played Lady Macbeth in a children’s adaptation of Shakespeare’s tragedy. She made her off-Broadway debut at fifteen when she played Dorothy in Oz: A Twisted Musical. Eleven years after she discovered her passion for acting, she would go on to play Lady Macbeth once again in London at the Globe Theatre, where she studied Shakespeare during her third year at Mason Gross School of the Arts. She received her BFA in acting from Rutgers University.