The Second Coming: A novel Audiobook

Quotes

• A portrait of a daughter in crisis and a father in need of redemption, Garth Risk Hallberg’s The Second Coming is a powerful statement about the clarifying sense of purpose to be found in parental love, and how we demand more of ourselves for the sake of our children. Hallberg’s Ethan is a fascinating study in whether a certain kind of arrested American male, consumed early on by purposelessness and addiction, can in fact have a second act, even if his first is still, somehow, belatedly, being written, and not entirely by him.

  — Matthew Thomas, author of We Are Not Ourselves

• Garth Risk Hallberg’s The Second Coming is a sprawling, aching, ultimately hopeful account of a father’s love for a daughter and a daughter’s defiance of that love when all too often it manifests as dysfunction. Hallberg deals with the dilemma of parental inheritance with a light touch, and the grace that finally descends on the Aspern clan is not only transformative but triumphant.

  — Joshua Ferris, author of Then We Came to the End

• Garth Risk Hallberg’s great gift is his ability to translate epic themes into intensely intimate, cumulatively powerful novels. Full of tension and emotion and populated by vivid characters and ideas, The Second Coming builds word by word to capture the intricacies of life while revealing its own breathtaking scope. This is a world you can fully enter and explore—one that resembles our own while expanding our understanding of who we are.

  — Christina Baker Kline, author of #1 New York Times best seller Orphan Train

• Reading Garth Risk Hallberg is a constant delightful surprise—you never know what’s coming next: a gorgeous turn of phrase, a perfect pop culture reference, a brilliant new observation, a jaw-dropping plot twist. And all of these gifts are on full display in The Second Coming, a story about a father bound up by his mistakes, a daughter bound up in her silence, and a family in need of saving. It’s a beautiful and daring novel, as inventive as it is breathtaking.

  — Nathan Hill, author of Wellness

• At its core, this is a tale of the love that makes a family and how it does so.

  — Booklist (starred review)

• A gritty epic about a teen girl in trouble and her estranged father looking for a second chance.

  — Chris Vognar, Boston Globe

• Dazzling . . . Heartfelt . . . The dance of life and death between these two characters, father and child, is the heart and soul of this book, a complex, moving, insanely passionate, frightening, and weirdly hopeful story of ‘I can’t quit you’ . . . Hallberg is a smart and talented writer who likes to take risks.

  — Helen Schulman, Air Mail

• Hallberg’s novel takes its place in a lineage [with] Don DeLillo’s 1997 epic Underworld and Jonathan Franzen’s densely woven family dramas. As with his debut, City on Fire, Hallberg fills his book not only with cultural ephemera and diverse secondary characters but with a medley of formal conceits . . . A bravura climactic section, which unites the different story threads, is structured like a mix tape . . . It’s a big, attractively baroque construction.

  — Sam Sacks, Wall Street Journal

• The author’s spot-on wit remains playfully evident . . . Can there be, for a novelist this exuberantly inventive, a sweet spot between the oblique, inferential Field Guide and the gigantic particle accelerator that was City on Fire? . . . Hallberg may be the writer who produces a truly encompassing book of fiction set in the time of 9/11 or COVID, neither of which has yet been written . . . He is sufficiently supplied with talent to make the attempt.

  — Thomas Mallon, The New Yorker

• Hallberg writes from a place of keen emotional perception.

  — Juliette Jeffers, Interview Magazine

• A gritty epic about a teen girl in trouble and her estranged father looking for a second chance.

  — Boston Globe

• Hallberg’s novel takes its place in a lineage [with] Don DeLillo’s 1997 epic Underworld and Jonathan Franzen’s densely woven family dramas . . . It’s a big, attractively baroque construction.

  — Wall Street Journal

• Exuberantly inventive . . . The author’s spot-on wit remains playfully evident.

  — Thomas Mallon, The New Yorker

• Hallberg writes from a place of keen emotional perception.

  — Interview Magazine

• Exuberantly inventive . . . The author’s spot-on wit remains playfully evident.

  — Thomas Mallon, The New Yorker“Hallberg’s great theme is the tension between how we see ourselves and how others see us—and how this dynamic is compounded by the workings of family . . . Genuinely moving . . . His linguistic virtuosity has been widely admired. Evidence of this abounds in The Second Coming . . . This is richly pictorial writing that lends itself to novelistic world-building . . . The novel offer[s] a rich engagement with a wide range of literature and pop culture . . . Hallberg’s writing has an infinite quality.

• Hallberg’s a born wordsmith, his sentences limning his characters’ vulnerabilities, with visuals that tick a reader’s pulse.

  — Hamilton Cain, Minneapolis Star Tribune 

• The tale of two vivid, damaged characters . . . Full of brilliant writing . . . It races down avenues of sparkling prose . . . [There are] flashes of Hallberg’s virtuoso sensibility on display throughout. He treats us to one absolute cracker of an observation after another.

  — Irish Times

• Tremendous storytelling.

  — i news (Best New Books, July)

• A bravura performance.

  — Mail on Sunday (Ireland)

• Hallberg’s novel takes its place in a lineage [with] Don DeLillo’s 1997 epic Underworld and Jonathan Franzen’s densely woven family dramas . . . It’s a big, attractively baroque construction.

  — Wall Street Journal“The tale of two vivid, damaged characters . . . Full of brilliant writing . . . It races down avenues of sparkling prose . . . He treats us to one absolute cracker of an observation after another.

• Reading Garth Risk Hallberg is a constant delightful surprise—you never know what’s coming next: a gorgeous turn of phrase, a perfect pop culture reference, a brilliant new observation, a jaw-dropping plot twist. And all of these gifts are on full display in The Second Coming, a story about a father bound up by his mistakes, a daughter bound up in her silence, and a family in need of saving. It’s a beautiful and daring novel, as inventive as it is breathtaking.

  — Nathan Hill, author of Wellness

• Hallberg’s a born wordsmith, his sentences limning his characters’ vulnerabilities, with visuals that tick a reader’s pulse.

  — Minneapolis Star Tribune

• Genuinely moving . . . Hallberg’s writing has an infinite quality . . . This is richly pictorial writing that lends itself to novelistic world-building.

  — Literary Review

• A blazing novel . . . Ottessa Moshfegh’s My Year of Rest and Relaxation wrote contemporary addiction for the auto-satirically rich, and Barbara Kingsolver’s Demon Copperhead wrote it for the economically oppressed. The Second Coming is a novel of the addicted middle . . . Words are not just a means to the story, but an end in themselves, ignited for the sake of seeing how they burn. And over 600 pages they burn wondrously.

  — Times Literary Supplement

• Garth Risk Hallberg’s great gift is his ability to translate epic themes into intensely intimate, cumulatively powerful novels. Full of tension and emotion and populated by vivid characters and ideas, The Second Coming builds word by word to capture the intricacies of life while revealing its own breathtaking scope. This is a world you can fully enter and explore—one that resembles our own while expanding our understanding of who we are.

  — Christina Baker Kline, author of #1 New York Times best seller Orphan Train

• Beautifully alive . . . Verbal pleasures are to be had on every page.

  — Financial Times

• Tremendous storytelling.

  — i news (Best New Books, July)