Play Audiobook Sample
Play Audiobook Sample
Doris Lessing’s contemporary gothic horror story—centered on the birth of a baby who seems less than human—probes society’s unwillingness to recognize its own brutality.
Harriet and David Lovatt, parents of four children, have created an idyll of domestic bliss in defiance of the social trends of late 1960s England. While around them crime and unrest surge, the Lovatts are certain that their old-fashioned contentment can protect them from the world outside—until the birth of their fifth baby.
Gruesomely goblin-like in appearance, insatiably hungry, abnormally strong and violent, Ben has nothing innocent or infant-like about him. As he grows older and more terrifying, Harriet finds she cannot love him, David cannot bring himself to touch him, and their four older children are afraid of him. Understanding that he will never be accepted anywhere, Harriet and David are torn between their instincts as parents and their shocked reaction to this fierce and unlovable child whose existence shatters their belief in a benign world.
Download and start listening now!
"I chose The Fifth Child for a Translation Criticism class at HKBU. The students loved the horror within the normal and the normal within the uncanny. The narration is great, the sound is clear, and I could listen to it every day on my way to Kowloon Tong Station and then home to Chek Nai Ping."
— Robert T. (5 out of 5 stars)
“A hair-raising tale…as full of twists and shocks as any page turner could desire.”
— Time“A horror story of maternity and the nightmare of social collapse.”
— New York TimesBe the first to write a review about this audiobook!
Doris Lessing (1919–2013) was one of the most celebrated and distinguished writers of our time and the recipient of a host of international awards, including winning the 2007 Nobel Prize in Literature. She wrote more than twenty books, including novels, stories, reportage, poems, and plays. Recurring themes in her writing are her concerns with politics, the changing destiny of women, and a fear of technological disaster.
Sue Pitkin began her performing life as a moonbeam in a British Forces pantomime in Northern Germany, attracted as much by the treat of ginger ale in the dressing room and time off school as by the fun of the performance. These days her performances are mostly limited to audiobooks and her whiskey education program, pursuits which she has found complement each other perfectly.