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Although the fundamental nature of war has not altered over the centuries, constant change, innovation, and adaptation have repeatedly reshaped how wars are fought in the West. Revolutions in military practice cannot be separated from larger social developments in areas like logistics, finance and economics, and the culture of military organizations.
In The Dark Path, Williamson Murray argues that the history of warfare in the West hinged on five revolutions, which both reflected the social, political, and economic conditions that produced them and in turn influenced how those conditions evolved. These five key turning points are the advent of the modern state, which formed bureaucracies and professional militaries; the Industrial Revolution, which produced the financial and industrial means to sustain and equip large armies; the French Revolution, which provided the ideological basis needed to sustain armies through continent-sized wars; the merging of the Industrial and French Revolutions in the U.S. Civil War; and the accelerating integration of technological advancement, financial capacity, ideology, and government that unleashed the modern capacity for total warfare.
An ambitious work of synthesis, this book shows how the world continually recreates war—and how war, in turn, continually recreates the world.
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Williamson Murray is the author of a wide selection of articles and books, including, with Allan R. Millett, the acclaimed A War to Be Won, and has held numerous distinguished academic chairs. He is presently a defense analyst at the Potomac Institute and teaches at the Naval War College.
David Colacci is an actor and director who has directed and performed in prominent theaters nationwide. His credits include roles from Shakespeare to Albee, as well as extensive work on new plays. As a narrator, he has won numerous Earphones Awards, earned Audie Award nominations, and been included in Best Audio of the Year lists by such publications as Publishers Weekly, AudioFile magazine, and Library Journal. He was a resident actor and director with the Cleveland Play House for eight years and has been artistic director of the Hope Summer Rep Theater since 1992.