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The Backstage of the Care Economy: Transnational Perspectives on the Commercialisation of Care Audiobook, by Helma Lutz Play Audiobook Sample

The Backstage of the Care Economy: Transnational Perspectives on the Commercialisation of Care Audiobook

The Backstage of the Care Economy: Transnational Perspectives on the Commercialisation of Care Audiobook, by Helma Lutz Play Audiobook Sample
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Read By: Polly Lee Publisher: Tantor Audio Listen Time: at 1.0x Speed 5.50 hours at 1.5x Speed 4.13 hours at 2.0x Speed Release Date: May 2025 Format: Unabridged Audiobook ISBN: 9798331979140

Quick Stats About this Audiobook

Total Audiobook Chapters:

13

Longest Chapter Length:

57:50 minutes

Shortest Chapter Length:

24:19 minutes

Average Chapter Length:

38:35 minutes

Audiobooks by this Author:

1

Publisher Description

What is it like to care for another family, while yours remains in a different country? In today's capitalist society, migrant women performing care work in private households experience the painful tension of caring for both, often under precarious conditions.

Characterized as the "backstage" family, the carer's remote relationship with their loved ones at home is often purely digital, with the double dilemmas of migrant motherhood and stay-behind fathers—exposing the pitfalls of transnational employment relations and the growth of social inequality.

Here, Helma Lutz explores the debates around this issue, focusing on carers from Eastern Europe working in the West. She unpacks questions around feminist critiques of capitalism and the commodification of emotional labor, exploring how gender justice and the search for socialist feminist utopias can shape how we see a future—not only for the improvement of the carers' working and living conditions but also for a new way of dealing with care work.

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About Polly Lee

Polly Lee, an Earphones Award–winning narrtor, is an actress from London who has appeared in the off-Broadway shows Lenin’s Embalmer’s, Close Ties, Slag Heap, The October Crisis, and others. She received her BA degree in theater studies from London University and an MFA from the New School in New York.