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Winner of CBC Canada Reads 2010
Winner of the Governor General's Literary Award for Translation
Intricately plotted and shimmering with originality, Nikolski charts the curious and unexpected courses of personal migration, and shows how they just might eventually lead us to home.
Spring 1989. Three young people leave their far-flung birthplaces to follow their personal songs of migration. Each ends up in Montreal, each on a voyage of self-discovery, dealing with the mishaps of hearbreak and the twisted brances of their shared family tree.
With humour, charm and the sure touch of a born storyteller, Nicolas Dickner crafts a tale that shows the surprising links between garbage-obsessed archaeologists, pirates past and present, earthquake victims, sea snakes, several very large tuna fish, an illiterate deep-sea diver, a Commodore 64, a mysterious book with no cover and a broken compass whose needle obstinately points to the Aleutian village of Nikolski.
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"The characters are so infused with vitality and surprise that they become unforgettable; the language (and in translation — remarkable) is as lively as the characters; and the humorous, sweetly sad view of life in general is engaging. . . . This novel is so richly textured and multi-layered that a single short review may do it a disservice. But its comic brilliance is undeniable — a hugely enjoyable read."
— Edmonton Journal
Despite the preponderance of clues and artefacts scattered throughout the story, Dickner does not tie everything up in a neat package. He lets certain threads dangle, giving Nikolski more substance and nuance. The story lingers in the mind long after the last page has been read, leaving the reader in its strange and wonderful orbit.
— The GazetteNikolski offers a breathtakingly original perception of the world, mixing geography, cartography and longing in a language and construction both intellectually sophisticated and emotionally affecting.
— The Globe and MailChock full of arcane detail about the sea, fish lore, antique books, travel and archaeology, Nikolski is the product of an eccentric mind propelled by an exuberant spirit.
— Marianne Ackerman, The WalrusLederhendler’s cadences and elegant vocabulary are a pleasure to read, while Dickner inexorably sweeps the reader along with the tide as the characters mature. This novel will bring a smile to your face and will be one you will want to read again.
— Winnipeg Free PressOne cannot say it enough: this book is the discovery of the year. . . . The humour is striking; his vision stunning.
— Carole Beaulieu, L’actualitéNicolas Dickner has a limitless imagination, great erudition and an inventive pen. He is the incarnation of the future of Quebec writing — nothing less.
— Pierre Cayouette, L’actualitéIf you are interested in the great wide world, submerse yourself immediately in this phantasmagorical, lively and fascinating novel.
— Hugues Corriveau, Lettres québécoisesA carefully crafted, sumptuous first novel that will restore your taste for flights of fancy and for treasure hunts in time and space.
— Benoît Jutras, VoirStylish, offbeat, poignant and perceptive.
— David Mitchell, author of Cloud AtlasDickner excites the imagination of the reader to the point of ecstasy.
— Le MondeNicolas Dickner, who uses beautifully spare prose which can be as darkly comic as it is affecting, isn’t trying to tell a conventional story, he’s trying to tap into a very modern idea: that we need to understand that we all connect with each other somehow, family or not. And he does so impressively well.
— Metro (UK)Be the first to write a review about this audiobook!
Chris Patton has narrated over seventy-five audiobooks. His voice can be heard narrating such titles as Marvel’s Guardians of the Galaxy, the dystopian juggernaut Yesterday’s Gone, Clive Barker’s Books of Blood series, and two titles by Joyce Carol Oates. Chris began his career in theater at age ten, and his voice-over career at twenty-nine. Since then, he has voiced over two hundred anime titles, numerous commercials and e-learning and industrial projects, and several video games. He’s also fronted a synthpop band called Paul Lynde Is Dead, written a teen urban fantasy about an emo vampire called Scene Immortal, and has appeared as a special guest at more than eighty-five pop-culture conventions.