My Year of Rest and Relaxation Audiobook

Quotes

• “Narrator Julia Whelan lures listeners into the prescription drug-enhanced fog in which the unnamed protagonist of this audiobook seeks temporary refuge…Whelan’s characterizations are perfection: a detached, sometimes languishing voice for the woman; a perky, high voice for the friend; and distracted confusion for the doctor. The woman’s pursuit of hibernation as a means of escape and healing is not without humor, which Whelan perfectly nails with an understated delivery. Sharp observations about New York City round out the story. Winner of the AudioFile Earphones Award.”

  — AudioFile

• “Darkly hilarious…[Moshfegh’s] the kind of provocateur who makes you laugh out loud while drawing blood.”

  — Vogue

• “You’ll emerge from this darkly hilarious novel not necessarily rested or relaxed but more finely attuned to how delicately fraught the human condition can be.”

  — Marie Claire

• “Darkly comic…Moshfegh’s extraordinary prose soars as it captures her character’s re-engagement.”

  — New York Times Book Review

• “My Year of Rest and Relaxation is as sharp as its heroine is bleary…Bizarrely fascinating…Moshfegh knows how to spin perversity and provocation into fascination and bleakness into surprising tenderness.”

  — NPR

• “A darkly comic yet penetrating story about pain, destruction, and human connection.”

  — Bustle

• “Moshfegh has a keen sense of everyday absurdities, a deadpan delivery, and such a well-honed sense of irony that the narrator’s predicament never feels tragic; this may be the finest existential novel not written by a French author…A nervy modern-day rebellion tale that isn’t afraid to get dark or find humor in the darkness.”

  — Kirkus Reviews (starred review)

• I don't think I'm ever going to get over Ottessa Moshfegh's My Year of Rest and Relaxation.

  — Parul Sehgal, The New York Times

• Ottessa Moshfegh is easily the most interesting contemporary American writer on the subject of being alive when being alive feels terrible. She has a freaky and pure way of accessing existential alienation, as if her mind were tapped directly into the sap of some gnarled, secret tree. . . . Watching Moshfegh turn her withering attention to the gleaming absurdities of pre-9/11 New York City, an environment where everyone except the narrator seems beset with delusional optimism, horrifically carefree, feels like eating bright, slick candy—candy that might also poison you.

  — Jia Tolentino, The New Yorker

• Darkly comic and ultimately profound new novel. . . . Moshfegh’s extraordinary prose soars as it captures her character’s re-engagement.

  — Vendela Vida, New York Times Book Review

• Just finished My Year of Rest and Relaxation, by Ottessa Moshfegh: caustic, funny, dark addition to the lineage of unlikeable female protagonists (by Mona Awad, Sheila Heti, Anita Brookner, Jean Rhys, Emily Bronte . . . + grandmamas Lady MacBeth + Medea)

  — Margaret Atwood via Twitter

• The bravado in Moshfegh’s comprehensive darkness makes her novels both very funny and weirdly exhilarating. . . . As in Eileen, Moshfegh excels here at setting up an immediately intriguing character and situation, then amplifying the freakishness to the point that some rupture feels inevitable. Her confidence never flags; hers are the novels of a writer invigoratingly immune to uncertainty and self-doubt.

  — Slate

• One of the most compelling protagonists modern fiction has offered in years: a loopy, quietly furious pillhead whose Ambien ramblings and Xanaxed bitcheries somehow wend their way through sad and funny and strange toward something genuinely profound.

  — Entertainment Weekly, Best Books of 2018

• A strange, exhilarating triumph. . . . Moshfegh writes with a singular wit and clarity that, on its own, would be more than enough. (Her 2015 debut, Eileen, was shortlisted for the Man Booker Prize, and Rest has already been optioned for film by Australian actress Margot Robbie). But the cumulative power of her narrative—and the sharp turn she takes in its last 30 pages—becomes nothing less than a revelation: sad, funny, astonishing, and unforgettable.

  — Entertainment Weekly

• Moshfegh’s tale of self-care gone off the rails is a caustically funny skewering of artistic pretension and consumption, but also a meditation on grief, privilege and social cohesion.

  — Huffington Post

• The most exciting book of 2018 is about a girl sleeping for a year. . . . Ingenious, darkly comedic. . . . The novel speeds to the best last page of any book I’ve likely ever read.

  — Vice

• This book isn’t just buzzy and maniacally entertaining—it’s a mean-spirited, tenderhearted masterpiece.

  — New York Post

• My Year of Rest and Relaxation is the most poignant, vulnerable, mature, and—dare I say it?—sincere work that its gifted author has yet produced.

  — Boston Globe

• In flat, deadpan, unembellished prose recalling the cadences of Joan Didion and the clear-eyed candor of Mary Gaitskill, Moshfegh portrays the vacuous interior life (she has virtually no exterior life) of a narcissistic personality simultaneously self-loathing and self-displaying. . . . My Year of Rest and Relaxation is most convincing as an urbane dark comedy, sharp-eyed satire leavened by passages of morbid sobriety, as in a perverse fusion of Sex and the City and Requiem for a Dream.

  — Joyce Carol Oates, The New York Review of Books

• Bizarrely fascinating. . . . Moshfegh knows how to spin perversity and provocation into fascination, and bleakness into surprising tenderness.

  — NPR

• It’s another acerbic character study from an author making a career out of bringing absurdly unlikable people to life. No one can discomfit a reader quite like her.

  — AV Club

• One of the pleasures of reading Ottessa Moshfegh is that—unusually, these days—she rarely writes in the present tense. Instead, the sense of immediacy, the sense of being inside a character, the sense of things happening and having psychic value, both to the writer and her reader, is provided by the structure and content of her sentences. . . . One of the other pleasures of reading Moshfegh is her relentless savagery. All this is delivered as comic—it is comic—but it’s not exactly funny, though of course we laugh.

  — Guardian

• Darkly hilarious . . . [Moshfegh’s] the kind of provocateur who makes you laugh out loud while drawing blood.

  — Vogue

• Electrifying. . . a reminder that there is something to life outside the economic exchange of time for money and money for goods, even if that unnamed thing is obscure and perplexing and just a bit monstrous—particularly as a woman. Literature may not have the all the answers, but it can show us the power and allure of saying no.

  — Vanity Fair

• I was cringing during every moment of Ottessa Moshfegh’s My Year of Rest and Relaxation, and yet I could not put the book down. . . . It is mostly, almost by juxtaposition, about the realness of a more subtle and very private expression of pain, no matter the cause, no matter how seemingly trivial. That’s what kept me reading even as my cringing muscles grew sore: feeling in my screwed-up face, barked laughs, and watery eyes the translation of that private kind of pain into something I could share.

  — Claire Benoit, The Paris Review

• There’s a casually intimidating power to Moshfegh’s writing—the deadpan frankness and softly cutting sentences—that makes any comparison feel not quite right.

  — Anne Diebel, London Review of Books