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The long-awaited memoir from one of the most acclaimed radical writers in American literature. Described by the London Review of Books as one of "the most brilliant critics writing in America today," Gary Indiana is a true radical whose caustic voice has by turns haunted and influenced the literary and artistic establishments.
With I Can Give You Anything but Love, Gary Indiana has composed a literary, unabashedly wicked, and revealing montage of excursions into his life and work—from his early days growing up gay in rural New Hampshire to his escape to Haight-Ashbury in the post-summer-of-love era, the sweltering 1970s in Los Angeles, and ultimately his existence in New York in the 1980s as a bona fide downtown personality. Interspersed throughout his vivid recollections are present-day chapters set against the louche culture and raw sexuality of Cuba, where he has lived and worked occasionally for the past fifteen years. Connoisseurs will recognize in this—his most personal book yet—the same mixture of humor and realism, philosophy and immediacy, that have long confused the definitions of genre applied to his writing. Vivid, atmospheric, revealing, and entertaining, this is an engrossing book and a serious contribution to the genres of gay and literary memoir.
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“A graphic and funny memoir…He becomes the connective tissue that binds together a diaspora of subcultures: the beatnik-era experimental writing and happenings of downtown New York, the 1960s co-opted counterculture gone awry, the punk movement that followed, and the art and intellectual circles of the Reagan 80s, when the AIDS crisis was wiping out a generation of young gay men like him.”
— Los Angeles Times
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Gary Indiana (1950–2024) was a novelist, playwright, actor, art critic, and film historian, considered one of the most supple and imaginative figures in contemporary American culture. He was called "one of the most important chroniclers of the modern psyche" by the London Guardian. He wrote numerous plays, novels, and works of nonfiction, including Horse Crazy, Rent Boy, and Utopia’s Debris. Formerly the chief art critic for the Village Voice, he also wrote for the Los Angeles Times Book Review, New York magazine, Artforum, and the London Review of Books.
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