Dark Sacred Night (Abridged) Audiobook

Quotes

• “Bosch…is a grizzled veteran by now…but fans always finish eager to come back for more.”

  — Entertainment Weekly

• “Christine Lakin skillfully performs the chapters written from Ballard’s point of view, and Titus Welliver returns to confidently narrate Bosch’s chapters…Winner of the AudioFile Earphones Award.”

  — AudioFile

• “Welliver’s Harry Bosch, speaking in deep, rich tones, contrasts nicely with Lakin’s softer, restrained voicing of Reneé Ballard, as the two investigators team up to work a cold case in this stunning recording.”

  — Booklist (starred audio review)

• "Dark Sacred Night is one of the best and most affecting Bosch novels since Mr. Connelly began the saga in 1992, underscoring the growing and unsettling ambiguity surrounding its central character.”

  — Wall Street Journal

• "[Connelly has] always been especially good when it comes to truly creepy killers—he was once a crime reporter—and his denouement here is thrilling.”

  — USA Today

• “By any measure, both Michael Connelly and Harry Bosch are giants of the crime fiction genre…Connelly and Bosch are poised to enter a fourth decade together…[showing] how Michael Connelly’s Bosch and LA have changed together.”

  — CrimeReads

• “[An] outstanding, complex police procedural…Bosch and Ballard, both outsiders with complicated pasts, form a perfect partnership in this high spot of Edgar-winner Connelly’s long and distinguished career.”

  — Publishers Weekly (starred review)

• “Not even the canniest readers are likely to see which of these byways will end up leading to the long-overdue solution to the riddle of Daisy Clayton’s death.”

  — Kirkus Reviews

• “Of the myriad things Connelly does superbly as a crime writer, perhaps one of the least heralded is his ability to bring characters together from different series…A guaranteed chart-topper.”

  — Booklist (starred review)

• “The author’s gift to the genre is his experience as a police reporter in both Florida and LA; his intricate plots are grounded in grit, humanity, and telling detail.”

  — Los Angeles Times, praise for the Harry Bosch series

• Dark Sacred Night is one of the best and most affecting Bosch novels since Mr. Connelly began the saga in 1992, underscoring the growing and unsettling ambiguity surrounding its central character.

  — Tom Nolan, Wall Street Journal

• Spectacular...Dark Sacred Night is ingenious, frantically suspenseful, and very, very, bleak.

  — Maureen Corrigan, Washington Post

• Michael Connelly is superhuman...His hallmark has been his precise, faultless plotting...Connelly has always been especially good when it comes to truly creepy killers-he was once a crime reporter-and his denouement here is thrilling.

  — Charles Finch, USA Today

• It was only last year that Connelly introduced Ballard, a fierce and fascinating new protagonist who instantly emerged as a reader favorite. Bosch, meanwhile, is a grizzled veteran by now; Dark Sacred Night marks the 21st novel to center on him. But fans always finish eager to come back for more.

  — David Canfield, Entertainment Weekly

• LAPD Det. Renée Ballard, first seen in 2017's The Late Show, makes a welcome return in this outstanding, complex police procedural...Bosch and Ballard, both outsiders with complicated pasts, form a perfect partnership in this high spot of Edgar-winner Connelly's long and distinguished career.

  — Publishers Weekly (starred review)

• Det. Renée Ballard is a formidable character, an insightful and tenacious investigator with an unusual background and a sturdy personality to carry a series...Connelly has achieved success as one of the top mystery writers by continuing to keep his storytelling fresh. In The Late Show, he delivers an exciting police procedural with a unique character.

  — Oline Cogdill, South Florida Sun-Sentinel

• Michael Connelly has earned his place in the pantheon of great crime fiction writers by creating characters people care about and are eager to come back to. In Dark Sacred Night, he brings together two of his best...Here's hoping we don't have to wait long for another Ballard and Bosch novel.

  — Paul Saltzman, Chicago Sun-Times

• This one needs no introduction...Expect all the dark, brooding LA neo-noir you've come to appreciate from Connelly's superlative procedurals.

  — CrimeReads

• Superb...Once again, Connelly delivers an exciting police procedural, only this time with two unique characters.

  — Oline Cogdill, South Florida Sun-Sentinel

• Of the myriad things Connelly does superbly as a crime writer, perhaps one of the least heralded is his ability to bring characters together from different series...A guaranteed chart-topper.

  — Bill Ott, Booklist (starred review)

• Few writers can capture the gritty streets of L.A.--and the inner workings of the LAPD--like Connelly.

  — Entertainment Weekly

• The most intriguing mystery in The Late Show is Ballard herself. Connelly is too skillful to hand us her resume in one document dump; instead, he fills out her portrait with a subtle hand over the course of the novel, a little background here, a glimpse of her temperament there, the revelation of her unusual living conditions sketched in between.

  — Colette Bancroft, Tampa Bay Times