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Although Andrew Jackson gained notoriety as a rakish young man, religion's influence on him ebbed and flowed as he established himself as part of the South's planter elite. With his devout wife, Rachel, he attended church and knew his Bible and religious subjects well, and while his determination to preserve his reputation involved him in numerous personal conflicts—including a duel that led to his killing a rival—he blended the principles of the antebellum South's honor-based culture with his belief in a traditional, orthodox version of Christianity. Likewise, he easily reconciled his religion with his ownership of slaves and his advocacy of Native American removal, and while he equated his enemies with the forces of evil, he always attributed his military and political accomplishments to the blessings of Providence. As he aged, Jackson became more devout, but he never experienced a dramatic conversion—contradicting the expectations of the leading revivalists of his era's Second Great Awakening—and he consistently promoted religious liberty and separation of church and state as core republican principles. Ultimately, Jackson's faith reflected a version of Christianity widespread in his era, and his frequent appeals for divine guidance and for God's blessing on his nation further encouraged the development of an American civil religion.
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Patrick Lawlor, an award-winning narrator, is also an accomplished stage actor, director, and combat choreographer. He has worked extensively off Broadway and has been an actor and stuntman in both film and television. He has been an Audie Award finalist multiple times and has garnered several AudioFile Earphones Awards, a Publishers Weekly Listen-Up Award, and many starred audio reviews from Library Journal and Kirkus Reviews.
Jeff Cummings, as an audiobook narrator, has won both an Earphones Award and the prestigious Audie Award in 2015 for Best Narration in Science and Technology. He is also a twenty-year veteran of the stage, having worked at many regional theaters across the country, from A Contemporary Theatre in Seattle and the Alliance Theatre in Atlanta to the Utah Shakespeare Festival in Cedar City and the International Mystery Writers’ Festival in Owensboro, Kentucky. He also spent seven seasons with the Oregon Shakespeare Festival.