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The experience of motherhood is an experience in contradiction. It is commonplace and it is impossible to imagine. It is prosaic and it is mysterious. It is at once banal, bizarre, compelling, tedious, comic, and catastrophic. To become a mother is to become the chief actor in a drama of human existence to which no one turns up. It is the process by which an ordinary life is transformed unseen into a story of strange and powerful passions, of love and servitude, of confinement and compassion.
In an audiobook that is touching, hilarious, provocative, and profoundly insightful, novelist Rachel Cusk attempts to tell something of an old story set in a new era of sexual equality. Cusk's account of a year of modern motherhood becomes many stories: a farewell to freedom, sleep, and time; a lesson in humility and hard work; a journey to the roots of love; a meditation on madness and mortality; and most of all a sentimental education in babies, books, toddler groups, bad advice, crying, breastfeeding, and never being alone.
Cover image by Andy N. Smith (andys-eyes.com)
A Macmillan Audio production from Farrar, Straus and Giroux
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Rachel Cusk is the author of the Outline trilogy, the memoirs A Life’s Work and Aftermath, and several other works of fiction and nonfiction. Her debut novel, Saving Agnes, won the Whitbread First Novel Award. She is a Guggenheim Fellow. She lives in Paris.
Antonia Beamish is a voice-over artist and AudioFile Earphones Award–winning narrator. She is also a professional actress best known for performances in films such as The Last Horror Movie, Dead Creatures, and Chemical Wedding.