Audiobooks Read By Maria Tucci

Audiobooks Read By Maria Tucci

Maria Tucci is an Italian born actress. She has had roles on Broadway for over twenty years and was nominated for a 1967 Tony Award as Best Supporting or Featured Actress (Dramatic) for The Rose Tattoo. In films, she is best known for her role in To Die For. She has appeared in numerous television series, including Law & Order. As a professional audiobook narrator, she has shared with other cast members in the Audie Award nomination in 2010 for Selected Shorts: A Touch of Magic and in 2007 for Selected Shorts: Vol. 19 Timeless Classics. She is married to the eminent American editor Robert Gottlieb.

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Violin Audiobook, by Anne Rice 3 out of 53 out of 53 out of 53 out of 53 out of 5 Violin by Anne Rice October 1997
Walk & Talk: Florence Audiobook, by Anne Holler 0 out of 50 out of 50 out of 50 out of 50 out of 5 Walk & Talk: Florence by Anne Holler September 2011
Walk & Talk: Rome Audiobook, by Anya Shetterly 0 out of 50 out of 50 out of 50 out of 50 out of 5 Walk & Talk: Rome by Anya Shetterly September 2011
Walk & Talk: Venice Audiobook, by Allessandro Giannatasio, Chas Carner 0 out of 50 out of 50 out of 50 out of 50 out of 5 Walk & Talk: Venice by Allessandro Giannatasio, Chas Carner September 2011
The Wrong Hostage Audiobook, by Elizabeth Lowell 3 out of 53 out of 53 out of 53 out of 53 out of 5 The Wrong Hostage by Elizabeth Lowell June 2006
Welcome to the Monkey House Audiobook, by Kurt Vonnegut 4 out of 54 out of 54 out of 54 out of 54 out of 5 Welcome to the Monkey House by Kurt Vonnegut May 2006
Moving Target Audiobook, by Elizabeth Lowell 3 out of 53 out of 53 out of 53 out of 53 out of 5 Moving Target by Elizabeth Lowell October 2004
Die in Plain Sight Audiobook, by Elizabeth Lowell 3 out of 53 out of 53 out of 53 out of 53 out of 5 Die in Plain Sight by Elizabeth Lowell August 2004
Wonderful Town: New York Stories from The New Yorker Audiobook, by David Remnick 0 out of 50 out of 50 out of 50 out of 50 out of 5 Wonderful Town: New York Stories from The New Yorker by David Remnick March 2000
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