" Take one messed up royal family, add a modern sensiblity and you get this romp through domestic drama circa the time of Henry II. Lurid in all the right ways and surprising in all the satisfying ones, Goldman's tale of backstabbing leads to major fights and major scenery-chewing on a level that would seem campy if the dialogue wasn't so damn good. This will always be one of my pet favorite plays, if only because Eleanor of Aquitaine gets to say the most ridiculous and appropos stuff when she's onstage. "
— Sarah, 2/18/2014