Lionel Asbo: State of England Audiobook, by Martin Amis Play Audiobook Sample

Lionel Asbo: State of England Audiobook

Lionel Asbo: State of England Audiobook, by Martin Amis Play Audiobook Sample
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Read By: Alex Jennings Publisher: Blackstone Publishing Listen Time: at 1.0x Speed 6.50 hours at 1.5x Speed 4.88 hours at 2.0x Speed Release Date: August 2012 Format: Unabridged Audiobook ISBN: 9781609989057

Quick Stats About this Audiobook

Total Audiobook Chapters:

51

Longest Chapter Length:

23:49 minutes

Shortest Chapter Length:

02:39 minutes

Average Chapter Length:

11:24 minutes

Audiobooks by this Author:

2

Other Audiobooks Written by Martin Amis: > View All...

Publisher Description

A savage, funny, and mysteriously poignant saga by a renowned author at the height of his powers. 

Lionel Asbo, a terrifying yet weirdly loyal thug (self-named after England's notorious "Anti-Social Behavior Order"), has always looked out for his ward and nephew, the orphaned Desmond Pepperdine. He provides him with fatherly career advice and is determined they should share the joys of pit bulls, Internet porn, and all manner of more serious criminality. Des, on the other hand, desires nothing more than books to read and a girl to love—and to protect a family secret that could be the death of him. 

But just as he begins to lead a gentler, healthier life, his uncle—once again in a London prison—wins ┬ú140 million in the lottery and, upon his release, hires a public relations firm and begins dating a cannily ambitious topless model and "poet." Strangely, however, Lionel's true nature remains uncompromised while his problems, and therefore also Desmond's, seem only to multiply.

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"Martin Amis has a weird sense of humor. His dark style of humor really shines with the dialogue of Lionel. There are some parts that didn't make much sense to me, most probably going over my head but for the most part it is an easy read. The characters do speak in English slang which for me added a lot of humor but at times was too obscure for me to follow. This book should be read if only for the crazy antics of Lionel Asbo, the books namesake."

— Jason (4 out of 5 stars)

Quotes

  • “Lionel Asbo is at heart an old-fashioned novel, earnest in its agenda...Amis is...an insistently moral writer, satire being an edifying genre with a noble cause: the improvement of society.”

    — New York Times Book Review
  • “Amis’ language is electric, his wit as sharp and precise than it has been in a decade, and Lionel Asbo has a savage, post-apocalyptic feel.”

    — USA Today
  • “Little fiction is more entertaining than Martin Amis at his pithy best. His latest novel posits plenty of pith and cutting cultural criticism. It is wild. It is whacked. [It] swings between wildly funny and harshly real.” 

    — Cleveland Plain Dealer
  • “In his thirteenth novel—one of his most compulsively readable—wily, dead-on satirist and consummate artist Martin Amis is grandly acerbic, funny, and unnerving...He leads us on, shakes us up, knocks us down, brushes us off, then does it all over again...With crisp insights, rollicking storytelling, and acrobatic wit, Amis has created a...hilarious dismantlement of our cherished rags-to-riches fantasy.”

    — Kansas City Star
  • “Lionel Asbo bears a strong resemblance to the trio of novels that made Amis’ reputation. Like them, it is a satirical work...and has an elaborate plot, a series of brilliant set pieces and a matchless sense of the contemporary demotic...Lionel Asbo maybe be even better than these ambitious works of fiction, more disciplined, funnier, and more inventive....To say that it is a return to form is an understatement—it might be his finest work.”

    — Denver Post
  • “A joy—and strangely life-affirming... It certainly has much of the dazzling prose that made his earlier works so stand-out.”

    — Times (London)
  • “[Lionel Asbo] is a great big confidence trick of a novel—an attack that turns into an embrace—a book that looks at us, laughs at us, looks at us harder, closer, and laughs at us harder and still more savagely.  It is every inch the novel that we all deserve.”

    — Guardian (London)
  • “A wicked satire [and] frequently wincingly funny.  Amis’ aim at the totems and mores of common fame is as unerring, and his phrase-making as pyrotechnically dazzling, as ever…Amis also writes with real—and uncharacteristic—tenderness.”

    — Telegraph (London)
  • “A surprisingly tender story.”

    — Daily Mail (London)
  • “A ripper of a story, in the Dickens mode... Amis is the most original sentence-writer in English.”

    — Globe and Mail (Canada)
  • “Technically brilliant, dazzling in style, manic in energy, and driven by a narrative momentum impossible to resist... The novel is full of Amis’ trademark virtuoso prose and wit.”

    — Toronto Star
  • “Amis’ funniest and most satisfying novel in years—the book’s comedy [lashed] with a serious dose of menace... his warmest book—and also his most authentically chilling... Among its other surprises, Lionel Asbo delivers the most compelling plot Amis has crafted.”

    — Australian
  • “A masterpiece of social satire and cultural observation...fine, caustic, funny, angry, and outrageous.” 

    — Wichita Eagle
  • “One of Amis’ funniest novels...Amis, like his heroes Nabokov and Bellow, writes exuberant, ecstatic prose.  His ear is precisely tuned, and his sentences—in narration and dialogue—are lethal.”

    — New Yorker
  • “Amis pumps his novel full of heart and warmth, providing an unexpected reward for readers.”

    — People
  • “As combative and as vicious as ever, Amis skewers the noughties as cruelly, as inventively, and with as much screwy black comedy as his Money did the eighties.”

    — GQ UK
  • “Lionel Asbo crackles with brilliant prose and scathing satire...Amis adopts a big, playful storytelling voice in this book.  He riffs like a jazz master, in and out of vernacular, with brief gusts of description, all driven by a tight bass line of suspense.” 

    — Publishers Weekly
  • “Jennings’ portrayals of Lionel and his circle are tremendous fun.”

    — AudioFile
  • “Amis’ phenomenal vim and versatility, anchoring roots in English literature, and gift for satire power this hilariously Dickensian, nerve-racking, crafty, bull’s eye tale of a monster and a mensch…This deliciously shivery, sly, and taunting page-turner provokes a fresh assessment of the poverty of place, mind, and spirit and the wondrous blossoming of against-all-odds goodness.”

    — Booklist

Awards

  • A New York Times bestseller
  • A Slate Magazine Best Book of 2012: Staff Pick
  • An Amazon Top 100 Book of 2012

Lionel Asbo Listener Reviews

Overall Performance: 2.64705882352941 out of 52.64705882352941 out of 52.64705882352941 out of 52.64705882352941 out of 52.64705882352941 out of 5 (2.65)
5 Stars: 1
4 Stars: 3
3 Stars: 5
2 Stars: 5
1 Stars: 3
Narration: 0 out of 50 out of 50 out of 50 out of 50 out of 5 (0.00)
5 Stars: 0
4 Stars: 0
3 Stars: 0
2 Stars: 0
1 Stars: 0
Story: 0 out of 50 out of 50 out of 50 out of 50 out of 5 (0.00)
5 Stars: 0
4 Stars: 0
3 Stars: 0
2 Stars: 0
1 Stars: 0
Write a Review
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5

    " This is a mean-spirited book. The central character is one-dimensional and has no redeeming features. Amis shifts his cliche characters about in an imagined landscape that is meant to be the 'State of Britain'. I use the word imagined because I don't think Amis can know enough about what it is like to be born into a sink estate and be brought up to have abysmally low life expectations to write about it empathetically. This is a case where the rule 'write about what you know' applies. Like a previous reviewer I found this a depressing experience, not because of the content, but because a supposedly great writer is using his talent and access to media attention to blow an extended rasberry at the country of his birth. "

    — Robert, 2/11/2014
  • Overall Performance: 1 out of 51 out of 51 out of 51 out of 51 out of 5

    " Set this down to read my book club book and had no desire to pick it up again. "

    — Karin, 2/9/2014
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " This book is exactly like a bag of chips. Lots of flavor, can't stop reading, but no nutritional value. Far from Amis' best work, but very entertaining. "

    — Michele, 2/1/2014
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " Either had a happier ending than I expected, or I'm way less depressed than I was last time I read Amis. Enjoyed. But not mind blown. "

    — Amber, 1/26/2014
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " I feel like the whole book I spent waiting for this one thing, one confrontation, or awful thing to happen or be exposed. When it finally happened, it escalated as I thought, but not quite as far as I thought. A very interesting read, I enjoyed it, but it is a far cry from the brilliance of London Fields. "

    — Jess, 1/23/2014
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " Return to form. Goes well with the Fall. "

    — Pat, 1/16/2014
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " Not my favorite by Martin... churns water (entertainingly so) through the middle, and the end seems rushed to wrap up. If you like MA fiction though, hey, here's another. (It's no Time's Arrow, though...) "

    — Brendan, 1/8/2014
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5

    " I have encountered the outer limits of my love of British Fiction, and its name is Lionel Asbo: State of England. I loved Amis' Time's Arrow, but I am clearly too American for this bit of British satire. "

    — Jennifer, 1/3/2014
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5

    " I was very disappointed with this effort by Amis. As he is my current favorite modern author I have very high expectations for all of his work. This book seemed rushed, disjointed and the story was terribly unimaginative i.e. thug wins the lottery. "

    — Kenneth, 12/26/2013
  • Overall Performance: 1 out of 51 out of 51 out of 51 out of 51 out of 5

    " It's really really really really bad. "

    — Charity, 12/23/2013
  • Overall Performance: 3 out of 53 out of 53 out of 53 out of 53 out of 5

    " A funny book reminiscent of Christopher Buckley's writing! Great British satire! "

    — Ann, 12/13/2013
  • Overall Performance: 5 out of 55 out of 55 out of 55 out of 55 out of 5

    " Big, smart, funny book. Must read for fans and a great place to start if you haven't read Amis before. "

    — Cameron, 11/21/2013
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " Like much out of Britain, very funny and a tad bit ridiculous. For some reason reminded me of Ian McEwan's Solar in the degree of a-holeness of some of the characters. "

    — alana, 11/8/2013
  • Overall Performance: 4 out of 54 out of 54 out of 54 out of 54 out of 5

    " Amis back on form. Almost as good as London Fields. "

    — Christopher, 7/27/2013
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5

    " Boring and pointless. Book goes no where provides no new ground. thugs are thugs, winning the lottery does not change them. Ok, lesson learned. Also, incest is frowned upon. "

    — Jesse, 3/30/2013
  • Overall Performance: 1 out of 51 out of 51 out of 51 out of 51 out of 5

    " Soooo depressing. About a loveless boy w an uncle who is one step away from evil. And the things they do with pets. Yuck "

    — Mcquilzniaks, 10/5/2012
  • Overall Performance: 2 out of 52 out of 52 out of 52 out of 52 out of 5

    " Very interesting. Again not my usual type of book but I'm glad I read it. I really liked the ending. "

    — Lisa, 9/6/2012

About Martin Amis

Martin Amis (1949-2023) was an English novelist and screenwriter. His novels Night Train and London Fields made the New York Times bestsellers list. His memoir Experience won the James Tait Black Memorial Prize, and two of his books were finalists for the Booker Prize. His novel Money was named by the London’s The Guardian as one of the top 100 Best Novels Written in English. He was a professor of creative writing at the Centre for New Writing at the University of Manchester until 2011.

About Alex Jennings

Alex Jennings is an award-winning narrator and actor of stage and screen. He has worked extensively with the Royal Shakespeare Company and National Theatre. He is also known for his role as Edward VIII, the Duke of Windsor, in the Netflix series The Crown, along with his roles in The Queen, Lady in the Van, and The Wings of the Dove. He is a three-time Olivier Award winner and has been nominated for a BAFTA.