Passionate, strong-minded nonfiction from the National Book Award-winning author of The Corrections Jonathan Franzen's The Corrections was the best-loved and most-written-about novel of 2001. Nearly every in-depth review of it discussed what became known as "The Harper's Essay," Franzen's controversial 1996 investigation of the fate of the American novel. This essay is reprinted for the first time in How to be Alone, along with the personal essays and the dead-on reportage that earned Franzen a wide readership before the success of The Corrections. Although his subjects range from the sex-advice industry to the way a supermax prison works, each piece wrestles with familiar themes of Franzen's writing: the erosion of civic life and private dignity and the hidden persistence of loneliness in postmodern, imperial America. Recent pieces include a moving essay on his father's stuggle with Alzheimer's disease (which has already been reprinted around the world) and a rueful account of Franzen's brief tenure as an Oprah Winfrey author. As a collection, these essays record what Franzen calls "a movement away from an angry and frightened isolation toward an acceptance--even a celebration--of being a reader and a writer." At the same time they show the wry distrust of the claims of technology and psychology, the love-hate relationship with consumerism, and the subversive belief in the tragic shape of the individual life that help make Franzen one of our sharpest, toughest, and most entertaining social critics.
Download and start listening now!
"Jonathan Franzen is the writing world's equivalent to Joe Friday. Somehow Franzen manages to give us Just The Emotions. His stories and essays move on with colorful and fully formed worlds, but what stays behind is the emotions engendered in being a human living in those worlds. In How To Be Alone Jonathan Franzen reveals himself, and validates the experience of all "social isolates." I read this book in a library edition, and then I bought myself a hard copy (not Kindle) because it is essential reading." — Kathy (5 out of 5 stars)
"Jonathan Franzen is the writing world's equivalent to Joe Friday. Somehow Franzen manages to give us Just The Emotions. His stories and essays move on with colorful and fully formed worlds, but what stays behind is the emotions engendered in being a human living in those worlds. In How To Be Alone Jonathan Franzen reveals himself, and validates the experience of all "social isolates." I read this book in a library edition, and then I bought myself a hard copy (not Kindle) because it is essential reading."
“A graceful meditation on reading and writing in a digital age . . . Franzen probes two very simple ideas: 'the movement away from an angry and frightened isolation toward an acceptance--even a celebration--of being a reader and a writer' and 'the problem of preserving individuality and complexity in a noisy and distracting mass culture.'
Franzen believes the monolithic quality of the U.S. media, its jingoistic flattening of complex issues and the rush to hop on the information superhighway are a constant assault on the internal lives of Americans . . . These are essays about the pain of being an American in a time when the means to alleviating pain threaten to dehumanize pain itself, when the means for entertaining ourselves have become so sophisticated it's almost hard to complain. There's some boldness, then, in how Franzen reclaims his pain on the page, owning up to it and, as any good journalist will, making it our own, too.
Although Franzen calls them 'essays' many of these pieces are reportage. He's good at it . . . All these pieces place both writer and reader on firm ground . . . He goes out on many a limb (as essayists should) and gives us a good many things to think about, such as the blurring line between private and public behavior in the age of the 24-hour news cycle.
If Franzen had not been anointed to the Higher Calling of Literature, he might have made a terrific journalist . . . Two of the reportage pieces are models of the New Journalism.
Franzen is a charming and sagacious writer, even an important one, a man who cares about literature and who cares about the problems of modernity--race, urban sprawl, corporate hegemony. Books matter, is the final message. A keen intellect is at work here, even though Franzen often seems to be arguing with himself; perhaps How to Be Alone is most brilliant when the author is arguing with himself. Jonathan Franzen has a restless mind and we are better for it.
A collection of essays diverse and entertaining . . . Smart, solid, and well-paced: a pleasure for Franzen's many admirers.
[Franzen] demonstrates his remarkable capacity for evaluating the American scene . . . The journalistic pieces included in the book show that Franzen ain't afraid to face facts . . . Essays covering the tobacco industry and the 2001 presidential election, as well as consumerism and the nature of privacy in America, offer rare evaluations of the modern world as we know it.
" This collection of essays contains a heavy dose of the introspection that makes Franzen such a tremendous writer. More than any other writer I know of today, Franzen captures the tension between modern life and the virtuous life, particularly the tension between the simple utility-maximizing nature of technological advancements and the more effort-requiring joys of reading, thinking, and getting along with each other (or choosing to go it alone). "
" A nice collection of essays that kept me company during a semester in Moscow "
" A compilation of essays by Jonathon Franzen on being both a writer and reader. "
" Confirmed my faith in Franzen. Love the way he launches from personal observations to reflections on the global and human condition. Despairing yet wry. Self-possessed but never self-indulgent. "
" I just could not bring myself to finish this book. It started out so damn strong, the first essay knocked my socks off - but, then...I found it hard to digest the incessant self-doubt and what can only be described as whining about "how difficult it is to be a writer" and the constant pondering about his "relevance." Oh holy shit, grow up and stop being so damned self-indulgent. He reminded me of the points when I loathed grad school. "
" I loved The Corrections, but Franzen comes off as a holier-than-thou techno-phobe in this. "
" Perfectly describes how it feels to be a lifelong reader. Loved it. "
" Mostly fantastic - there were a couple of boring parts but most of the essays were riveting. "
" Franzen is a sexist pig who can bite me, but dude can write an essay. "
" Overwritten garbage. It's one thing to show off your vocabulary and intellectual expansiveness, it's another to bore me at the same time. It's amazing because I love his fiction. This is wannabe David Foster Wallace without a heart. "
" bart lent me this book in new zealand, and it reminded me how books are my best friend in hard times. in all the best ways ! plus the essay on the chicago postal service is just so fascinating. "
" Honestly, Franzen is a bit of a brat. Especially in "Mr. Difficult". If a novel is too hard for him then he should just put it down and not wail about it in an editorial. "
" on my first ever reading of him, Franzen strikes me as being the "Mr. Glass" to Hunter S. Thompson's UNBREAKABLE. "
" It was interesting to read a book that mostly I disagreed with mildly. On the social issues, I thought he was mostly right, but I disagreed with many of his conclusions. But what he said about readers and the novel really resonated with me. "
" Franzen comes across as rather arrogant (again) but he backs that sh*t up by being an incredible writer and he remains one of my favorites. "
" Great collection from a smart, engaging writer. Subjects include Supermax prisons, appearing on Oprah, sex books, post offices, and more. Consistently informative and compelling, no matter the subject. "
" Disappointing. Unless you really want to know what Jonathan Franzen was thinking about in the 1990s, skip it. "
" Better than I write. That is all. "
" I learned that I really like what Jonathan Franzen has to say about reading and writing and that I want to go and read The Corrections now. Also, I needed to dig up my dictionary. This guy uses some WORDS! "
" Some essays are great, some are a chore to read, and some are alright. "
Jonathan Franzen is the author of five novels, including four New York Times bestsellers, and seven works of nonfiction. The Corrections won the National Book Award and the James Tait Black Memorial Prize for Fiction. He is a member of the American Academy of Arts and Letters, the German Akademie der Kunste, and the French Ordre des Arts et des Lettres.
Brian d’Arcy James is an American actor and musician whose on and off Broadway credits include Time Stands Still, Sweet Smell of Success, The Good Thief, Titanic, and Shrek. In 2009, his performance as Shrek in Shrek the Musical earned him his second Tony nomination. He is also an accomplished concert performer and has had the honor of performing for President Clinton and for President Obama and the First Family. He currently resides in New York City with his wife and daughter.
Audiobooks Were Restored to Your Cart
[ShoppingCartItemsAddedOnMerge] audiobook(s) were left in your cart from a previous visit, and saved to your account for your convenience. You may view or remove these audiobooks on the shopping cart page.