" I enjoyed this quite a bit for the first half to two-thirds. I had never read anything by Dickens before, a sure sin as a Literature major to have not read him by this point, and so I was very excited to get into it. The beginnings was so simple and absurd that it was fun in the same way that a children's novel is, especially with such over the top characters as Mr. Bounderby and Mr. Gradgrind (whom I imagined as Rex Harrison from My Fair Lady and Sam Eagle from the Muppets, respectively). Though the shifting focuses throughout the novel were tell-tale signs of its original serial publication, it was still filled with very interesting characters, in what I've come to learn is a very Dickensonian style of giving each character one or two repetitive and very distinguishing characteristics. It reminds me of something that Matt Groening said of his character design in The Simpsons and Futurama, in that each character should be recognizable by silhouette. It seems like Dickens' characters' personalities are very recognizable by silhouette, and that certainly is what makes them memorable. Whereas Adam Bede, my previous Victorian novel, took 600+ pages to create a layered series of recognized characters, Dickens takes a different approach and achieves the same result without being so exclusionist as George Eliot was in regards to her audience. Hard Times is good pulp-Victorian literature, and as far as I can tell, isn't a proper representative of a typical Dickens' novel. Even with a slightly disappointing ending, mostly because it didn't really feel like it ended at all, this book made me want to read more of Dickens, beyond the feeling that I am required to read more of Dickens. "
— Shaun, 1/24/2014